Amoeba Music San Francisco has the BEST selection of Brazilian music on CD! From classic artists like Caetano Veloso and Gilberto Gil to younger artists like Ceu and Silva, from MangueBeat from Pernambuco to Blocos from Bahia, Amoeba SF is the place to stock up on your Musica Brasileira!
Amoeba Music San Francisco tem a mais melhor seleção de Musica Brasileira em CD na Bay Area!! De classicos como Caetano e Gil a artistas contemporaneas como Ceu e Karol Conka; de Manguebit pernambucana a blocos da Bahia, Amoeba Music é o lugar para estocar o seu Musica Brasileira!!
Plus, looking to hear some great Brazilian music live in San Francisco? Check out AfroBrazilian Night at Rickshaw Stop on Thursday, May 19th, featuring sets by The Afrofunk Experience, Antonio Guedes, and Batala San Francisco. More info HERE!
In the oversaturated market that is contemporary Hip-hop, it sounds as if flows are endlessly recycled and styles have become the furthest thing from original. But amid the monotony of generic rappers heard in 2016, a diamond in the rough emerges that is refreshing the genre -- Mozzy. With his new album Beautiful Struggle freshly released, the Oak Park, Sacramento rapper has undoubtedly become one of the most exciting upcoming artists in California. He has released five albums and raked in millions of views on multiple music videos just this last year. He even landed the 22nd spot on Rolling Stone’s Top 40 Hip-hop Albums of the Year list. Mozzy’s numbers are clearly apparent but there is just something about his passionately painstaking lyrics that offer so much more truth and genuineness than other any other artist rapping about similar content.
Here’s the video for the title track from Mozzy’s Rolling Stone-rated album, Bladadah:
Mozzy’s 2016 album, Beautiful Struggle, paints a picture of his personal journey. From his first time stepping into a recording booth at eleven, Mozzy has faced adversity in almost all aspects of his life. With his father serving time in prison and his mother dealing with drug addiction, he was brought up by his grandmother. As he grew older he began to find himself surrounded by theft, substance abuse, and other gang-related activities. His presence in school began to fade as he found himself succumbing more and more to organized crime and drug dealing. As Mozzy’s environment continued to have altering effects on his lifestyle and actions, the one thing he remained committed to was his music. In a January 2016 interview on Vice.com, Mozzy said, “I just got involved in everything I saw my peers getting involved in, but I always rapped…I was a kid doing this shit. Sixteen, seventeen, we start shooting, doing drive-bys and shit, stealing our grandmothers’ guns, stealing guns from breaking in houses and shit, but at the time I was writing and I was rapping about this shit.”
The Earth is once again under attack from giant mutated arachnids, deformed subhuman creatures beneath the surface of the earth, and alien life forms from beyond space…all of whom are under control of a gentleman from Minnesota. Christopher R. Mihm is a prolific filmmaker (he's made ten feature films in ten years) with a singular vision. In this digital, high definition, hyper-streaming world, Mihm is dedicated to recreating the black and white, mutated, atomic terror of 1950’s sci-fi monster movies with a series of wild and wonderful tributes to B-Movie thrillers all linked together by a strange rift in space and time called “The Mihmverse.” Thanks to Mihm, the horror double feature is alive and well, and the Drive-In is still open for business.
Mihm will be at the Balboa Theatre in San Francisco on Wednesday, April 20th at 7:00pm, showing a double-fisted double-feature of his work with The Giant Spider and The Wall People. The Amoeblog recently caught up with Mihm in his secret underground laboratory somewhere in a strange realm beyond our imagination called Minnesota.
Amoeblog: Where does your love of movies come from?
CM: Growing up, going to the movies was a big thing in my family. My folks--and particularly my dad--treated movies like some people do sports. There was even a drive-in near our house that we'd hit almost every weekend when it was warm (being in Minnesota, you don't waste opportunities to be outside when it's not blisteringly cold).
Record Store Day 2016 at Amoeba SF was a hit for collectors, music lovers, and those seeking a fun Saturday out on a surprisingly sunny San Francisco day. With loads of exclusive releases from David Bowie, Madonna, J Dilla, Iggy Pop, and so many more, it's no wonder we had a line that wrapped around the block and then some. We also held a bevy of sales, live t-shirt silk screening with print masters Free Gold Watch, DJ sets from opening until 6pm, and signings with both Pete Yorn and Kevin Martin of Candlebox.
Check out our video of the action-packed day, which includes interviews with Pete Yorn and Kevin Martin, and these spectacular photos!
The line outside Amoeba SF before opening.
Free Gold Watch silk screened limited edition Record Store Day t-shirts.
Only Angels Have Wings once again takes to the skies this week in a comprehensive new video restoration-release from the Criterion Collection (available on Blu-ray & DVD). This is a classic Hollywood romantic drama of the 1930's, accented with bold swaths of adventure and humor, orchestrated by one of the true masters of the craft, director Howard Hawks.
Only Angels Have Wings is the robust tale of a band of bush pilots based in the fictional South American town of Barranca, who risk their necks flying treacherous airmail routes through the Andes. The heat in this Tropic Zone is turned up with the arrival of Bonnie Lee, a down-on-her-luck cabaret singer played by quintessential 1930's heroine Jean Arthur. Bonnie soon encounters the tough, no-nonsense leader of pilots, Geoff “Papa” Carter (Cary Grant). The inevitable sparks begin to fly as these two characters from two very different worlds push and pull at each other's emotions.
The 1930s were the glory days of early aviation, and Hawks subtly isolates the mystique of this era with terse, low-key magnificence. Hawks’ pilots are the new cowboys (Geoff and his fellow pilots all wear gun belts though it’s never explained why, other than it just looks cool), laconic daredevils in leather jackets and wide-brimmed hats (stylistic ancestors of Indiana Jones), who walk and talk with the casual aplomb of men who make a living by risking their lives.