"I think it's beautiful that we all contributed to this cultural movement of hip-hop, though some unwillingly, from the engineers to the marketing guys to the DJs, that's how instruments change history when they're taken out of the original context.. Just like how the Hammond organ was designed for church music and Leslie speakers came along to jazz things up, or when distortion was introduced to the electric guitar, and so on. The invention of mixing breaks and scratching transformed the idea of music as we know it, and it owed a great deal to Technics SL-1200s, which was only meant to be a high-end record player for audiophiles." - That's DJ/producer/musician and occasional contributor to the Amoeblog Shing02 talking to me recently on his clearly passionate feelings towards the Technics SL-1200 turntable and its importance to DJ and hip-hop culture. His admiration for the Technics turntable is so great that, along with fellow SL-1200 fanatic DJ $HIN, Shing02 recently unveiled the webpage Wheels of Steel: Technics SL-1200 series folder icons dedicated exclusively to that beloved DJ instrument that a few years ago, to the shock of many DJs, 
ceased being manufactured. As both a fan and practitioner of hip-hop Shing02 says that he cannot but hold deep respect and love for the Technics SL-1200. It was this feeling of awe for the turntable as to why he and DJ $HIN decided to set up the the icon series dedicated to "one of the most impressive runs in modern design achievements." The icons in the image above were each assembled from dozens of pictures found online, and reflect every model upgrade including function, buttons, lights, and finish. The website also outlines the history of the model which began back in 1970 when Japan's Matsushita Electric (later to become Panasonic Corp.) introduced direct-drive turntables (SP-10), updating and upgrading the model throughout that decade. It was in 1972 when they introduced the SL-1200 MK1. The website notes how the 1210 series was the European counterpart to the 1200s as well as how the company continued to manufacture many direct drive models before the MK2 in 1979 which would go on to become "the de facto industry standard." The following three decades of models resulted in only minor alterations in design. The very last model would be the MK6 Technics SL-1200 model in 2008. Two years later, in October 2010, the company ceased all production of the beloved turntable. Below is my conversation with Shing02 about the turntable and the new icon series whose future updates will include interviews with some retired Technics engineers.
Amoeblog: What made you guys decide to do this icon series dedicated to the 1200's?
getting ready for the road was so nuts I haven't had the chance to find that out for every venue. I didn't realize the San Francisco show was inaccessible until a few crips hit me up disappointed they couldn't come," she said stressing that, "As a disabled rapper I can't shit on my people! I know what it's like to be excluded from a venue and it blows. I tried to find a way to do a show in a more venue type setting but it was so last minute we figured just take it to the streets!" This is good news to disabled Bay Area fans who, said Kaylyn, were initially "understandably pissed that I'm playing an inaccessible venue in the first place." She added that, "Because my band is support and was added on after all shows were booked I didn't have a say in where we played. And I'm lucky to be small so I can be carried up and down more easily than most. Eventually I hope I have enough leverage to play only accessible shows. This is a great way to start the conversation on how to deal with unaccessible venues."
major label and indie label releases will both be still charting over the next few months too. But what is surprising (to me at least) and worthy of a double take is the new chart entry from Eve. My first reaction was - huh, Eve the rapper from back in the day, Eve the female member of the 
As you know May is 
log 
