Two SF Promoters Throw Michael Jackson Birthday Tribute Parties a Day Early

Posted by Billyjam, August 28, 2010 11:00am | Post a Comment
Michael Jackson - Jackon 5 Medley, Live Mega Video Mix

Tomorrow, August 29th, may be the date that would have been Michael Jackson's 52nd birthday, but two Dave PaulSan Francisco party promoters & fans of the late, great pop star are celebrating a day early with MJ themed parties in both SF and the Midwest. The ever-successful traveling and San Francisco founded mash-up party Bootie will be celebrating tonight with an MJ themed mash-up event at the DNA Lounge! The playlist will include the mash-up of Michael Jackson and Nirvana -- "Smells Like Rockin Robin." Bootie begins at 9pm tonight at the DNA Lounge. First 100 get a free MJ CD. Click here for all the info!

Meanwhile, BOMB HIp-Hop's Dave Paul, who has been throwing his Prince vs Michael Jackson parties for over seven years now, will travel all the way to Chicago tonight for his MJ birthday themed Prince vs MJ party. Booked at the Windy City's Beauty Bar, Paul will be getting busy mixing album cuts, remixes, rare tracks and classics from his extensive Prince and Michael Jackson music collection. The party starts at 9pm tonight at the Beauty Bar. Click here for more info.

Hip-Hop Rap Up 08:27:10: Messy Marv, Berner, Cut Chemist, Tha Dogg Pound, Timeless, B+, J-Rocc, Park Jam, Ava DuVernay

Posted by Billyjam, August 27, 2010 10:23am | Post a Comment
Amoeba Music San Francisco Weekly Hip-Hop Top Five Chart: 08:27:10

1)  Messy Marv and Berner Blow (Blocks and Boat Docks) (Bern One Entertainment)

2) Exile Am/Fm (Traffic)

3) Camu Tao King of Hearts. (Fat Possum/Def Jux)

4) Cut Chemist Sound of the Police (A Stable Sound/Soul Kitchen)

5) Tha Dogg Pound 100 Wayz (Gangsta Advisory Recordingz Inc)

I would not be surprised if you were to look up the word prolific in the dictionary -- at least in the Bay Area rap dictionary -- and a picture of Messy Marv popped up beside the definition. The longtime Bay Area rapper has been consistently releasing new material at such an astonishing rate that it would appear that he never sleeps, never leaves the studio. If you recall just two short weeks ago the new Messy Marv overseen SF collection Thizz City was on the Amoeba Top Five chart. Now this week Marv is back with another new collaborative release, Blow (Blocks and Boat Docks), which shot straight to number one at the San Francisco Amoeba. Released on Bern One Entertainment, this collaboration with Berner features Messy Marv on every track, and is a sequel to their joint project Blow, released late '09. As the title and album cover above implies, this more of that drug slanging school of rap music.

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Mash-Up Of The Week: Yolanda Be Cool & DCUP vs. Phantom of the Opera vs. Backstreet Boys vs. Benny Benassi vs. Bob Sinclair: Everybody Speaks No Americano

Posted by Billyjam, August 26, 2010 09:53am | Post a Comment

Yolanda Be Cool & DCUP vs. Backstreet Boys vs. more "Everybody Speaks No Americano" (2010)

The mash-up of the week, "Everybody Speaks No Americano," comes care of Mashup Germany and was uploaded a week ago by YouTuber Ben Stiller. The irresistible audio/video concoction cleverly incorporates several sources, including the Backstreet Boys, but draws primarily from the current quirky-but-infectious surprise international pop hit by Yolanda Be Cool & DCUP, "We No Speak Americano." 

The new mash-up takes the regular radio single version plus two remix versions (including the Chaos Club mix) of the summer novelty hit and then melds them with the Backstreet Boys' 1998 hit "Everybody (Backstreet's Back)" plus the overture from Phantom of the Opera and segments from both Bob Sinclar Feat. Dollarman and Big Ali & Makedah's "Rock This Party (Everybody Dance Now)," and Benny Benassi's sexually charged 2009 club hit "Satisfaction."

The end result is a catchy-as-hell, sugary pop confection that packs a similar appeal to that of the main source the mash-up draws from, "We Speak No Americano." That electro pop record, a studio collaboration between Australians Yolanda Be Cool and DCUP, originally quietly surfaced back in February of this year when it was released on the Australian label Sweat It Out. The single is constructed around an old sample from the 1956 Italian recording of the song "Tu vuo fa l'Americano" by Italian singer Renato Carosone which was a satire piece about an Italian imitating the American lifestyle. The dance/pop song has topped charts all over and this week is #1 in such countries as Germany, Argentina, & Belgium.

The Town Part IV: The Layover's Prozack Turner Talks About His Popular New Downtown Oakland Bar

Posted by Billyjam, August 23, 2010 05:46pm | Post a Comment

Seven years later, listening back to Oakland (aka The Town) hip-hop artist Prozack Turner's funky-infectious, Oakland party rap anthem "Feelin' My Steelo" (DreamWorks, 2003), it would seem that the mic-wrecker turned bar-owner clearly envisioned himself one day running a popular music themed bar in Oakland -- something he does today at The Layover, which opened earlier this year.

"Make some noise! Let me know where The Town at. Hold up your drink now. Let me see you pound that. Home of the Silver and Black, killin' the track," enthusiastically rapped the talented East Bay emcee on the single (from the album Death, Taxes, and Prozack). He was "possessed by the ghost of Bukowski" as if penning the later soundtrack for his popular new downtown Oakland music bar which earlier this month got honored by the East Bay Express when it won the Best of the East Bay Awards for Best New Bar.    

Born Zachary Turner, Prozack has been a familiar figure for many years on both the local and international underground hip-hop scenes. A successful solo artist (producing as well as emceeing), he is perhaps best All That Glitters Isn't Platinumknown as a member of the super-talented but way underrated Bay Area hip-hop crew Foreign Legion along with his partner-in-rhyme Marc Stretch. Originally a trio, Foreign Legion formed back in the nineties along with DJ/producer DJ Design. Their impassioned ode to hip-hop, "Full Time B-Boy," released as a single by ABB Records, was also the opening track on the first Amoeba Music Compilation series, with their lyrics "All That Glitters Isn't Platinum" even lending the various artists Amoeba collection its title. 

The West Side Record Show in Culver City Today is a Digger's Delight

Posted by Billyjam, August 21, 2010 09:44am | Post a Comment
Amoeba Music will be one of the many vendors at today's big record collector's swap meet in Culver City, CA. The West Side Record Show, produced by Record Collectors News, happens from 10am sharp this morning until 3:30pm this afternoon.  According to the organizers, the show typically promises a lot of rare vinyl finds. Jim Kaplan, who runs the Record Collectors News website that tracks all of the vinyl swap meets across the country, told me that typically vendors "have some very rare collectors items of all genres. There are guys that usually have funk and hip-hop, and a lot of Northern Soul too; usually some very rare stuff." He added that Amoeba Music Hollywood actually plays a major role in the SoCal vinyl collecting world. "Amoeba is such a positive part of the scene here and I don't think Amoeba gets enough credit for the amount of interest and dedication they have generated towards record collecting!"

As both an Amoeba employee and an Amoeba shopper I totally agree. But then, I love digging for vinyl anywhere and everywhere, from record shops to swap meets, and from yard sales to old thrift stores. I also love just visiting fellow vinyl fiends' homes to thumb through their lovingly compiled collections and talking music and record collecting. Interestingly, every record collector has their own way of filing and storing their music depending on what the focus of their collection is or whether they actively use their records to play on the radio or out in clubs. Not everyone files strictly alphabetically. I divide mine by sub-genres of hip-hop such as Bay Area hip-hop, turntablism (including battle records), Miami bass, old school, etc. Some collectors divide by years or decades of release while others divide theirs into genres and subgenres, but everyone has their own unique take.

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