Amoeblog

The Lowest Form of Music: Los Angeles Free Music Society's "How Low Can You Go"

Posted by Billyjam, February 14, 2016 11:49am | Post a Comment




Following recent select screenings of How Low Can You Go, the new short documentary film on the long-running Los Angeles Free Music Society (LAFMS), it has now been posted online. The Holly Thompson and Mark "Frosty" McNeill-produced and edited film, posted above, includes music by the Society's Le Forte FourTom Recchion, Airway, and Dennis Duck. Founded in 1973 by Tom Recchion, Chip Chapman, Joe Potts, and Rick Potts, the pioneering avant-rock artist-musician collective published the magazine Light Bulb in addition to music and concert production and events. Over the years the LA underground collective has built a dedicated following of fans of weird/outsider music, as well as influencing many artists. Among those artists directly influenced by LAFMS are Sun City Girls, Caroliner Rainbow, and Hijokaidan.  Last year during KFJC's annual Mayhem programming month, the Los Altos radio station's DJ Naysayer produced an indepth special on LAFMS culling music from the 11 CD various artists LAFMS collection, The Lowest Form of Music. In 2009 WFMU's Brian Turner featured another LAFMS special with studio guests including the collective's Tom Recchion, Dennis Duck, Rick Potts, Joe Potts, and Vetza Trussell. The film features these members as well as LAFMS members Ace Farren Ford, Fredrik Nilsen, Joseph Hammer, and Mitchell Brown.

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1995 African American Youth Town Hall Meeting in San Jose with Youth Speakers, City Officials, guests E-40, JT, & Herm Lewis

Posted by Billyjam, February 12, 2016 07:45am | Post a Comment



































"Brothas and sistas...The time is now" read a flyer for the February 1995 African American youth town hall meeting in San Jose that was called in response to rising concern within the community over varying issues (see flyer above). Hosted by Davey D (then of KMEL) the town hall meeting, that included city officials and youth speakers, took place at the South Bay city's Emmanuel Baptist Church. The event also featured  Bay Area hip-hop artists E-40, JT The Bigga Figga, and Herm Lewis who were invited as guest speakers. At the time of the event, E-40's single "One Luv" had been out a few weeks. The Vallejo gamespitter's anticipated second solo album, that included the lead single, In a Major Way (Sick WId It/Jive) would drop a few weeks later on March 14th, 1995.  The sequel to 1993's Federal, the new E-40 album would also feature such standout tracks as the second single "Sprinkle Me" featuring his sister Suga T, and Bay Area rap posse track "Dusted 'n' Disgusted" with 2Pac, Mac Mall, and Spice 1 all making cameos.  Meanwhile, JT The Bigga Figga was winding up the recording of his third album, Dwellin' in tha Labb, which he fully produced, that would be released in October of that year on his Get Low Recordz, Priority Records, and Straight Out Tha Labb Entertainment.

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Thinking of Dilla on 10-Year Anniversary

Posted by Billyjam, February 10, 2016 08:32pm | Post a Comment


"One of the most important musicians of our time. When we think of John Coltrane,
Charlie Parker, Miles Davis, Stevie Wonder
, and Marvin Gaye,
J Dilla will be going down along that history line of greatness!" 
- Common  (XXL Magazine)

Ten years ago today exactly the world lost hip-hop production genius J Dilla. Also an emcee, the artist was born James Dewitt Yancey and was also known as Jay Dee.  He died on February 10th, 2006 at the age of 32  following a battle with lupus. But even on his sickbed he worked on music, a lot of it for the album Donuts (Stones Throw) that was released just three days before his tragic passing. The quote above by Common, who was roomies with Dilla after he moved from Detroit to LA in 2004, is typical of the type of reverence Dilla receives from his peers. Similarly to Common, Madlib also made a Dilla/Coltrane cross reference. "Dilla was like a Coltrane," said MadLib who had collaborated with him as JayLib. "When Coltrane was there, everybody tried to follow what he did. And when he died mothafuckers didn't know what to do," said MadLib in the documentary Our Vinyl Weighs A Ton: This Is Stones Throw Records

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Hip-Hoppers For Bernie Sanders

Posted by Billyjam, February 5, 2016 01:00pm | Post a Comment



Killer Mike, seen above with the Vermont senator whom he endorsed and has done a series of appearances and interviews with, may be the most visible hip-hop supporter of Democratic presidential runner Bernie Sanders. But the politically and socially conscious Run The Jewels emcee is not alone when it comes to hip-hop (and rock) artists who have shown support for the 74-year-old Vermont senator whose polls routinely show a large following among both young and minority voters. No wonder since Sanders routinely addresses topics that directly effect or at loudly resonate with the members of these oft ignored demographics. These include slashing the escalating high cost of college tuition, demilitarizing police departments across the US, remedying the uneven ratio of young black and Latino men incarcerated, rescheduling weed from a class A drug, and going after the (currently) entitled so-called 1% by making Wall Street accountable for its central role in the 2008 financial crash.

Other hip-hop artists to publicly put support behind Bernie include Berkeley's Lil B (The BasedGod), Stretch Armstrong, and  Z-Trip, who 8 years ago had endorsed Barack Obama, doing some speech remixes and teaming up with Shepard Fairey (another Bernie supporter). Scarface of Geto Boys fame believes in Bernie as does fellow Southern rap pioneer Bun B of UGK (RIP Pimp C). The Trill creator told the Miami New Times this week that Sanders gets his endorsement for being transparent. Some note Sanders' track record dating back to his college days when he fought for housing equality in Chicago.

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Homeboy Sandman At Amoeba Berkeley Feb 4th 2016

Posted by Billyjam, February 3, 2016 05:48pm | Post a Comment

Hip-hop fans in the Bay Area have an opportunity to catch one of contemporary hip-hop's most innovative emcees when Homeboy Sandman stops by Amoeba Berkeley Thursday, February 4th at 4pm. The in-store will be the Queens, NY emcee's first ever visit to the East Bay Amoeba Music store. The always down-to-earth hip-hop-loving emcee who breaks all negative stereotypes of rappers will perform a few songs from his deep back catalog. That set will be followed by an informal meet and greet with fans.

"With hip-hop they think you can only rap about horrible criminality and misogyny, or else rap about how you don't rap about that, when the truth is you can rap about anything. I have always loved making songs about stuff that people haven't made songs about," Homeboy Sandman said in one of his previous Amoeblog interviews. That quote was from an interview the school teacher turned full-time emcee did back in June 2010 around the time he had just released his album The Good Sun on High Water/Fat Beats before he signed with Stones Throw Records. Since signing with Peanut Butter Wolf's famed record label, he's released a string of solo recordings including his Subject: Matter EP, the Hallways LP, and the First of A Living Breed album.

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