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Joanna Newsom covers Sandy Denny's "North Star Grassman and the Ravens" for Wren

Posted by Kelly S. Osato, March 15, 2013 04:42pm | Post a Comment
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We've caught neither peep nor lead regarding a follow up to Joanna Newsom's 2010 Have One On Me triple LP the future Mrs. Andy Samberg has been making news recently, case in point. Last year a couple of new songs, "Look and Despair" and "The Diver's Wife", were caught during two live different live performances in San Francisco and subsequently released into the wild, as happens more often that not in this increasingly borderless world of oversharing we live in (no complaints here). After dangling the carrot that was the announcement of a video shoot to showcase the jaunty, up-beat "Good Intentions Paving Company" music video in June of 2011 and later, in March 2012, the shaved vignette of a preview for the clip (as one comment sardonically pointed out, "this video is practically the indie Chinese Democracy") it feels good to finally see something new from Lady Jo, even if the newness is a "fashion video" for the Fall/Winter 2013 collection of Los Angeles based clothing line Wren, and the song is not new material but rather a Sandy Denny cover (again, no complaints whatsoever).

Son of Rogue's Gallery: Strange but Seaworthy Reworkings of Traditional Maritime Folk

Posted by Kelly S. Osato, March 4, 2013 01:17pm | Post a Comment
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Okay, we get it. There is no need for further evidence that Johnny Depp and Gore Verbinski have developed an immortalizing affinity for all things piratical. Not that there's anything wrong with pirate fever, mind you, (I might be the only one on staff here at Amoeba Music SF that'll openly admit to being stoked about the prospect of future chapters in Pirates of the Caribbean film series) it's just that their enthusiasm for more legendary exploits of swashbuckling buccaneers, pillaging priveteers, salty sea dogs, and scurvy scallywags of yore sure has manifested itself in stranger ways than Walt Disney's theme park attraction turned multi-billion dollar motion picture franchise success story (sorry, Haunted Mansion). Of course I'm talking about their published tributes to the sea chantey arts.
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Back in 2006 Depp and Verbinski had a hand in producing Hal Willner's Rogues Gallery: Pirate Ballads, Sea Songs and Chanteys -- an unruly and somewhat drunken compilation featuring an intriguing, genre-spanning line-up of mostly high profile pop/rock artists revisiting a bounty of maritime folk and seafaring work songs, songs that were once passed down quite literally over vast oceans of time thus contributing to modern music styles in more way than one might immediately suspect. These reinvigorated renditions of antiquated rhymes that comprise Rogues Gallery serve as pleasant testaments to the durability of oral tradition, though oddball tracks buoy here and there throughout the cut, rendering some beloved chantey-man reels near unrecognizable, freakish even, challenging imbibers to sink or swim along with each tune and demanding listeners to temper their grog with a certain amount of equanimity.

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7" Fix: Grass Widow / Shannon and the Clams Split for Hollywood Nailz

Posted by Kelly S. Osato, February 17, 2013 11:13pm | Post a Comment

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I can't think of the last time a seven-inch split lead me to a TV show, let alone a scrummy back-bridge of DIY television programming like Hollywood Nailz. All I thought I was getting into when I slid the 45rpm slice of block-rockin' Bay Area vibrations onto the ol' hi-fi was some good time 90's cover tunes redressed and turned-out by Grass Widow (who tackled EMF's "Unbelievable") and Shannon and the Clams (who snagged "The Power" by Snap!). And, for a fact, much enjoyment ensued. But, as luck would have it, I wanted more.
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Gripping the record sleeve, flipping it over, and eyeing the artwork during that first listen, my mind swam with questions as to what the impetus was behind this particular joint funfest (as if a reason for such is needed). Questions like: what is this, Hollywood Nailz™: the Record? Why is everyone so wigged-out and googly-eyed? A wee visit to the web, et voilà, I found myself tucking into a near twenty-five minute acid rainbow of a variety show that could very well double as testimonial to thrift stores, dumpster diving, and other such pursuits that, coupled with not a small amount of ingenuity, have the power to fulfill even the most ludicrous of 1-900 intergalactic phone sex wishes and Neon Desert battle-of-the-band dreams. Speaking of the battle-of -the-bands, who knew Grass Widow could breakdance?

Concerning Hobbit Rock: Exploring A Beloved Micro-Genre

Posted by Kelly S. Osato, January 25, 2013 06:41pm | Post a Comment
Given all the hubbub this past holiday season surrounding the opening of Peter Jackson's newest venture into J.R.R. Tolkien's Middle Earth The Hobbit: An Unexpected Journey, I think it's time to shift the spotlight onto a little known sub-subgenre tucked away, much like a hobbit hole snugly abutting a hillside, within Amoeba Music's extensive Rock Various Artists section: Hobbit Rock.

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Now, I have to admit the first time I clocked the Hobbit Rock bin card I was taken aback, gagging on the  question: what the heck is this? Browsing though the titles it began to make sense. Much like unfolding a map of Middle Earth to explore a visual representation of the diverse cultures and histories that Tolkien invented to people his fictional universe, browsing Hobbit Rock is to peruse a Led Zeppelin hobbit rock lord of the rings lyrics robert plant hippy hippie rock collection of music that either inspires sincere impressions of Middle Earth or is unequivocally informed by Tolkein's fantasy writings.

In other words, if an artist makes blatant Tolkien-esque references in lyric  (apparently Led Zeppelin couldn't resist slipping more than a little Middle Earthliness into practically every album) or otherwise artistic content (see my list below) then that, friends, is pure, gem mint ten Hobbit Rock.

Personal Picks: Kelly's Best of 2012 Year-End Recap

Posted by Kelly S. Osato, December 31, 2012 02:30pm | Post a Comment

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Well, here we are. We weren't thrust into a new dark age oblivion, the world didn't end and neither did my workaday quest for the best music for the day. This year was rife with records that just had to be snatched -- reissues, compilations, and a fair few newbies too.

Here follows my personal, "show and tell" style best-of list for 2012:  the year that didn't stop the big wheel a-turnin'. Rather than just dicing up a list of cold-cut favorites, I've included personal events and trends herein that shaped the music I sought and gravitated towards within the past year.


BEST NEW ALBUM OF THE YEAR: Jessica Pratt - JP. No contest. I have naught but the best of things to say about this disc of spun gold and I'm not alone. It seems every Barry, Rob, and Maurice in the blogosphere has been falling all over this record like autumn leaves in the rain. If you really want to know my take check out my real talk review of JP here, otherwise please do enjoy the album's opening track, "Night Faces" below.





 
BEST 2012 REISSUE: It's a tie between two (Numero related) comps: WTNG 89.9FM: Solid Bronze and & Personal Space: Electronic Soul 1974 - 1984. Both platters piled high with private press oddments and rarities one could hardly go more wrong than to miss out on these two exemplary feats of the compilation arts. The former being a point of revision for many in that it is essentially a mix of largely unheard "yacht rock"/AOR triumphs of seventies song-writing sensibilities (man, is it ever sensibly sensitive) that confronts one's moral definition of guilty (listening) pleasures. The latter comp, Personal Space - a seemingly dark horse among the usual reissue fare fleshing out the the tom findlay groove armada late night tales music for pleasure yacht rock am gold smooth music sailing soul comps shelf space, made the rounds among Amoeba staff regularly thus enjoyed a healthy amount of in-store play as well. Chock full of rhythm-box workouts a la Sly Stone, Timmy Thomas and Shuggie Otis, it's a far-out soul/funk excavation of the highest order. Both of these are solid front-to-back listens for the home vinyl library/curio corner.

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