Amoeblog

St. Louis Union

Posted by Eric Brightwell, July 10, 2008 09:24pm | Post a Comment
St. Louis Union were a Manchester six piece fronted by impeccably-coifed singer, Tony Cassidy. Shortly after forming they won a Melody Maker beat contest in 1965 which scored them a deal with Decca. They were billed as "THE Group on the Northern Soul Scene." Their sound was centered around Alex Kirby's tenor saxophone and Keith Millar's electric guitar backed by some serious organ by Dave Tomlinson, John Nichols on bass and Dave Webb on the skins.

Their live set was built around "Turn On Your Lovelight," "Woke Up This Morning," "Every Day I Have the Blues" and "Get On the Right Track Baby."

Their name seems to be a reference to the St. Louis Union Station, a train station famous, like many things in St. Louis, as having been the biggest and busiest thing in its field way back when. Its archways are designed so that one can whisper into them and someone else can hear you clearly on the other end, a design feature with no apparent practical applications, save simple amusements in a simpler time. It was largely built of limestone taken from Indiana, probably just to remind the Hoosiers who's boss, as the state of Missouri is entirely made of limestone and they're the nation's leader in lime production.


Truman having a laugh at St. Louis Union Station

In the 1970s, the station was bought by Amtrak. They ended operations soon afterward and relocated their operations to a building the unhealthily train-obsessed refer to as Amshack. Now it's a mall where tourists watch the guys at the Fudge Factory put on a show and the Footlocker has a basketball hoop with the backboard autographed by the D.O.C.

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Happy Fourth of July! -- In which various VHS and DVD titles are suggested...

Posted by Eric Brightwell, July 4, 2008 11:32am | Post a Comment

  
 

These chaps have the right idea! 

  



   

Some "Cut & Run" types think it's ok to celebrate such other July 4th holidays such as:

Filipino - American Friendship Day
Day of Agwe - Haiti
Birthday of Queen Sonja - Norway
Commemoration of Jewish Genocide - Latvia
Family Day - Lesotho
Fisherman's Day - Marshall Islands
Independence Day - Rwanda
King's Day - Tonga


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Spotlite? on Paul Anderson

Posted by Eric Brightwell, June 27, 2008 09:04pm | Post a Comment

Background

Paul Anderson is a prolific Generation X filmmaker with a trademark style and five Academy Awards under his belt. He's also made music videos for everyone who's performed at Largo. In addition to his film-making, he's dated models turned singers, singers turned models, daughters of singers and models who only sing in the shower.

Style

Paul Anderson's films are notable for their flashy style and complicated, interweaving story lines. As one of the video store generation of filmmakers, he employs a large bag of cinematic tricks, including quick cuts, constant camera movement, stunning scenery, dutch tilts, low angles, high angles and revolving pullback shots-- tricks gleaned from growing up with a VCR rather than film school learning. He frequently employs female-led ensemble casts drawn from a stock of trusted actors. Making up that group are such players as Julianne Moore, Sean Pertwee, John C. Reilly, Colin Salmon, Phillip Seymour Hoffman, Jeremy Bolt, Melora Walters, Jason Isaacs, and Luiz Guzman, to name a few.

Themes

Anderson's ostentatious style is frequently used to elevate the seemingly mundane to epic proportions. Sometimes the point of this ostentatious streak seems merely like showing-off, perhaps an effect of Anderson's high level of film exposure but probable lack of theory. He frequently revels in the seedy underside of outwardly blissful environs. Other frequently recurring themes include constructions and examinations of makeshift families, the role of media, divine acts, secret governmental organizations and the unintended consequences of technology run amok.

Films

He made his first film while still in High School. It was The Dirk Diggler Story. It was a short mockumentary inspired by the teenage Anderson's voracious appetite for porn.

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North Asia

Posted by Eric Brightwell, June 27, 2008 07:53pm | Post a Comment


While trying to beat the heat, I often think of what far-off cold places I'd like to go before the world turns to desert. North Asia is high on my list for sheer obscurity. Even the designation "north Asia" sounds like something that never gets said. I think that my first awareness of North Asia as a place came with playing Risk (aka La Conquête du Monde) when my conquering cavalry rode triumphantly into Yakutsk, Irkutsk and Kamchatka. It's expensive to fly there, they almost all love throat-singing, the curiously named Jew's Harp and occasionally stumble across frozen mega-fauna. Beyond that, I know more about the member Planets of the Federation than the little-known nations of North Asia... (in Ying Yang Twins voice) at least til now.
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(If interested, there are similar entries about Caucasia, Eastern Europe and South Asia.)

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The Altay (also known as Altai or Altayans ) people are a nomadic Turkic people who've settled in the Altai Republic (and neighboring Altai Krai).

 

According to the website waytorussia.net:

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سكر بنات Sukkar banat Caramel dir. Nadine Labaki.

Posted by Eric Brightwell, June 15, 2008 06:23pm | Post a Comment

In a Beirut beauty salon, the lives of five women from different backgrounds interweave as they share, support, confide in and bicker with each other. The “caramel” of the title refers to the candy, which they use as a depilatory. My guess is that it's supposed to be some kind of metaphor for tearing away secrets or something.

Labaki's video for Nancy Ajram's "Akhasmak, Ah"

First, Rima (the spittin’ image of Jerri Blank from Strangers With Candy) is a secret Sapphist, which is primarily conveyed through her enjoyment of washing a woman’s long tresses. Nisrine, a bride-to-be, isn’t a virgin but is marrying a traditional Muslim who expects her to be, so she goes to the doctor to get surgery. Jamale is an aging former television actress whose attempts to seem young (from taping her eyes up to staining maxi pads with red nail polish) come across as so shrilly hysterical that she earns unintentional laughs instead of sympathy as she competes, in vain, against younger, prettier women. Layale (played by the writer/director) is bitchy and snobbish and she stubbornly pursues an affair with a married man, going to amazing lengths to please him, even though he continually blows her off except for their brief romps in her car. Rose is a seamstress who gains the attractions of an dapper, older American whose suits she tailors. He asks her out but she chooses to devote all of her energy and time to her senile sister -- who was a voice to which nails-on-chalkboard is preferable. The message seems to be that women have to turn to each other, not men, no matter how stupidly they behave.  And, girl, men have no idea what they go through.

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