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The '80s list: Part 9

Posted by Amoebite, August 31, 2011 06:58pm | Post a Comment
Talking Heads

One day at Amoeba Hollywood I proclaimed that Aztec Camera's 1983 release High Land, Hard Rain was one of the best records of the '80s. This single statement eventually led to over 200 Amoebites ranking their top 10 favorite albums from the ‘80s.

From the beginning we realized that it was impossible for most of us to condense our favorites from all genres into a tiny top ten list. So, we limited our lists to Rock/Pop and its sub-genres like punk, metal, goth, and new wave. Even so, it was a difficult selection process because not only are there hundreds of amazing records to consider, there is also the added dynamic of time.

The '80s were a long time ago and the music has had many years to gestate. We have a deep sense of nostalgia and sentiment with these albums as our fondest memories are associated with them. These are albums we LOVE.

- Henry Polk

P.S. We'll be posting new additions to the '80s list project from Amoeba staff members on Mondays, Wednesdays, and Fridays. See all entries in our ‘80s list series.

P.P.S. The '80s List Book is available for sale at Amoeba Hollywood.


Tim Latham
The Smiths – Strangeways Here We Come (1987)
The Jam Sound Affects (1980)
Specials More (1980)
The Cure – Disintegration (1989)
Erasure – The Innocents (1988)
English Beat – I Just Can't Stop It (1980)
Minor Threat – Out of Step (1983)
Dexy's Midnight Runners – Searching For The Young Soul Rebels (1980)
Joy Division – Closer (1980)
Morrissey – Viva Hate (1988)

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Join Amoeba For Coastal Clean-Up Day: 9/17

Posted by Amoebite, August 31, 2011 04:02pm | Post a Comment
Coastal Cleanup DayJoin Amoeba and the Santa Monica Baykeeper for Coastal Clean-Up Day at Dockweiler Beach on Saturday, September 17 from 9:00am to noon.

Coastal Cleanup Day is the largest volunteer day on the planet! Thousands of volunteers around the world will come together to help pick up trash along our coasts.

California's coast and waterways have historically been collecting spots for annual accumulations of trash and debris. This debris, if not removed, can be harmful and even fatal to all manners of marine wildlife, can damage the state's economy, and can even become a human health hazard. Coastal Cleanup Day is a great way for families, students, service groups, and neighbors to join together, take care of our fragile marine environment, show community support for our shared natural resources, learn about the impacts of marine debris and how we can prevent them, and to have fun!

To sign-up to volunteer in the clean-up, visit http://ccd2011.eventbrite.com, email jbadger@smbaykeeper.org, or call 310.305.9645, ext. 105.

coastal clean-up day dockweiler beach santa monica baykeeper

Ooh La L.A.! The 3rd Annual French Music Festival: 9/29 – 10/1

Posted by Amoebite, August 31, 2011 03:23pm | Post a Comment
Ooh La L.A., the 3rd Annual French Music Festival in Los Angeles, runs September 29th through October 1st!  

This year's festival features Nouvelle Vague, Tinariwen, Hindi Zahra, Hugh Coltman, DJ Cam, Birdy Nam Nam, and more! Presented by Goldenvoice and KCRW 89.9, all shows take place at the El Rey Theater. More info and tickets HERE.

In conjunction with the Ooh La L.A. festival, Amoeba Hollywood is proud to present a special in-store showcase with acclaimed “Touareg” band Tinariwen on September 29th at 6pm! Find out MORE!



Check out this free download of "Tenere Taqqim Tossam" by Tinariwen featuring Kyp and Tunde from TV on the Radio.



The '80s List: Part 8

Posted by Amoebite, August 29, 2011 02:32pm | Post a Comment
OnJoan Jette day at Amoeba Hollywood I proclaimed that Aztec Camera's 1983 release High Land, Hard Rain was one of the best records of the '80s. This single statement eventually led to over 200 Amoebites ranking their top 10 favorite albums from the ‘80s.

From the beginning we realized that it was impossible for most of us to condense our favorites from all genres into a tiny top ten list. So, we limited our lists to Rock/Pop and its sub-genres like punk, metal, goth, and new wave. Even so, it was a difficult selection process because not only are there hundreds of amazing records to consider, there is also the added dynamic of time.

The '80s were a long time ago and the music has had many years to gestate. We have a deep sense of nostalgia and sentiment with these albums as our fondest memories are associated with them. These are albums we LOVE.

- Henry Polk

P.S. We'll be posting new additions to the '80s list project from Amoeba staff members on Mondays, Wednesdays, and Fridays. See all entries in our '80s list series.

P.P.S. The '80s List Book is available for sale at Amoeba Hollywood.


Kristen Frederick
The Dream SyndicateThe Days Of Wine & Roses (1982)
The Clash London Calling (1980)
The SmithsThe Smiths (1983)
Roxy Music Avalon (1980)
Ultravox – Vienna (1980)
The WaterboysA Pagan Place (1984)
Echo & BunnymenPorcupine (1983)
The Psychedelic FursTalk Talk Talk (1981)
New OrderPower, Corruption & Lies (1983)
OMD – Architecture & Morality (1981)

Beach Goth Blues: The Growlers Invade Amoeba Hollywood

Posted by Amoebite, August 29, 2011 02:15pm | Post a Comment
From the mezzanine level of Amoeba Music in Hollywood, one could count over 400 damp heads (itThe Growlers Amoeba Hollywood was unfairly hot in L.A. this past Saturday) eagerly awaiting a performance that could get even the most dehydrated youngster dancing. The Growlers, a band formed in Long Beach in 2006, performed a last minute in-store show after the cancellation of Sunset Junction, where they were originally scheduled to play.

Dressed in suspenders, jeans, sneakers, and oxfords, the six-piece group leaped into action and opened up with the song “Drinking the Juice Blues.” The full playlist was comprised of 11 songs that ranged across their first album, Are You In Or Out?, the 10” EP Hot Tropics, and their Record Store Day 7” Gay Thoughts. As hundreds sang along to favorites such as “Something Someone Jr.” and “Wandering Eyes,” the group matched the enthusiasm of the crowd with excellent chemistry and seamless effort.

If you were close enough to the stage, you could admire their unabashed and quirky offness: a large mass of foil draped over the drum kit, a hand-painted image on a guitar, a rustic pair of conga drums that had been spray-painted. To top it off was the charming vocalist Brooks Nielsen, dancing and swerving without shyness as one might do when they’re alone in front of a mirror. The group’s lo-fi sound, a blend of surf and garage with psychedelic nods, clash rewardingly with their lyrics, which reference displacement, morbidity, and the strangeness of the self.

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