Amoeblog

The Sacramento / European Hip-Hop Connection: JR & PH7 X Chuuwee

Posted by Billyjam, December 18, 2014 11:51am | Post a Comment

JR & PH7 X Chuuwee - ''Meanwhile Off Mack''(2014)

Call it a Euro-Sacto mix. The brand new video release above of the hip-hop track "Meanwhile Off Mack," that was published yesterday with a full album to follow in the new year and a single track free download available now, showcases the combined talents of Sacremento's Chuuwee with the studio skills of the two European producers JR & PH7 - who hail from Germany and Denmark respectively.

In comparison to the Euro beatsmith duo who've been putting it down for a few years now and whose track record includes working with such other US emcess as Sean Price, Ras Kass, Skyzoo, and Saigon, the South Sacramento rapper Chuuwee (whose voice/flow reminds me a bit of Mac Mall's) is a relative newcomer to the hip-hop world but odds are that will all change with the forthcoming full-length release of this Euro-Sacto collaboration to be entitled The South Sac Mack and to be released by Below System Records. It's scheduled to arrive in Amoeba in early 2015. Watch this space for more details at that time.

Best Electronic Albums of 2014 Handpicked by Matt, Jordan & Oliver

Posted by Oliver / Matt / Jordan, December 18, 2014 09:05am | Post a Comment

Moodymann - s/t  Mahogani Music

Moodymann is a sprawling, psychic journey through KDJ's Detroit State of Mind with the protagonist revealing more about his setting and personality than ever. Like good writing, the length of Moody's tracks (or sentences) fluctuate wildly. The constant sing-speak narrative from KDJ and divergence of styles and tempos makes the record feel like a trip down the dial of a liminal radio. Moody gets an assist from Andres on future classic "Lyk U Used 2," a track that has Kenny ably playing a slightly woozy frontman over upbeat modern soul. The radio effect is amplified by likely and unlikely samples. Jeremy Greenspan appears first on "Have You Ever Been Lonely." Elsewhere, Lana Del Rey and Carl Craig's epic remix of "Delia and Gavin" is used to bear out the album's distinct, schizoid voice. Moody's serpentine 2011 hit "Freeki MF" acts as a recurring riddim before appearing in unadulterated form. KDJ's female counterparts match his idiosyncracies ("Watching U") and he even dabbles in Dennis Coffey-informed guitar psychedelia on "Sloppy Cosmic." The album, as a whole, is a lovesick ode to an unfairly maligned city, seen through the dark glasses of experience.






Joey Anderson - After Forever - Dekmantel

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Amoeblog Interview With True Skool's Ren The Vinyl Archaeologist

Posted by Billyjam, December 17, 2014 11:13pm | Post a Comment
Ren The Vinyl Archaeologist has long been part and parcel of the fabric that makes up the Bay Area's vibrant hip-hop scene - even though he's not originally from California. An East Coast transplant, with a stop en route to Cali in Colorado, Ren is not only a skilled DJ with two decades of turntable experience coupled with a deep diverse knowledge of music, but he is also a revered club/concert promoter whose True Skool parties are legendary. Additionally, via his online magazine / newsletter True Skool website and its affiliated social network links - notably Twitter and Facebook, he provides a unique and invaluable source of information on Bay Area hip-hop and nightlife happenings as well as general hip-hop news and cultural/political updates - all of which demonstrate how well connected and passionate the man born Renoir Salgado is about hip-hop culture and the Bay Area at large. In addition to his own productions Ren is also in big demand at other folks' events too such opening for Wu-Tang Clan at Ruby Skye in San Francisco (photo above) in 2007, or over the summer at the Amoeba Music sponsored Vinyl: The Sound and Culture of Records at the Oakland Museum of California (OMCA) at where he was among the carefully chosen curators and also a guest lecturer. Then last month at San Francisco's Yerba Buena Center for the Arts' (YBCA) cool retro hip-hop event Clas/sick Hip-Hop: 1993 Edition he was an integral part of the two-day event when, among other things, he curated/DJ'ed the official CD mix of event - an excellent mix of hip-hop music from the year of '93. This week I caught up with the always busy Ren to ask him about True Skool - its history, ongoing projects, and future plans. 


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The 25 Best Albums By California Artists Released in 2014

Posted by Billy Gil, December 17, 2014 03:50pm | Post a Comment

best california albums blog

From L.A. and S.F.’s garage rock scenes to Compton’s blossoming rap artists, California artists represented well in 2014. Here are 25 of our favorites from the year, in alphabetical order.

Allah-LasWorship the Sun

allah-las worship the sun lpOn Worship the Sun, L.A.’s Allah-Las get some dirt on their boots by scuzzing up their sunny surf-garage sound with some rattling guitar solos, stonery grooves (“Buffalo Nickel”) and head-spinning psych-rock tunes (“501-405”).

 

 

Cherry Glazerr Haxel Princess

cherry glazerr haxel princess lpCherry Glazerr had the debut record of the year for Burger Records, moving unstoppably on the strength of its garage riffs and singer/guitarist Clementine Creevy’s teenage caterwaul.

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Exodus shocker -- the latest Hollywood Bible cartoon isn't very realistic

Posted by Eric Brightwell, December 17, 2014 09:06am | Post a Comment

The other day I found out that some people are outraged by the casting in a Hollywood film -- in this case Ridley Scott's latest effort, Exodus: Days of Future Past (or whatever its full title is). They're apparently so upset that they're boycotting it, which is something I do with all but one or two Hollywood films every year although I refer to it simply as not paying to see it.

The problem that the boycotters have, it seems, is that Exodus is almost completely historically inaccurate (It's safe to guess that most of the Egyptian and Jewish characters are most portrayed by Anglo-Saxons and presumably speak Modern (if pretentious) English with a modern British accent, or approximation of one. Without having watched a trailer I'd guess that there aren't a lot of apparently Middle Eastern Africans portraying Middle Eastern Africans and the actual actors of African descent are used entirely for background color and supporting roles). 

Apparently these scandalized and offended won't-be viewers have never seen a Hollywood film before... or assumed that they'd somehow completely change their raison d'etre. Even at Hollywood's artistic peak in the 1930s, racial sensitivity and historical accuracy were not exactly hallmarks of Hollywood films -- making loads of money was, and that's what they did and they did it well. At one point Hollywood made loads of money with elaborately choreographed, brilliantly scored, escapist musicals. Nowadays Hollywood makes loads of money with loud CGI superhero cartoons. Sometimes -- rarely -- art slips through the cracks. Much more often big, dumb-looking movies like Exodus get released that look rather like the big, dumb movies that Hollywood was mostly pumped out for the last 90 years.

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