Amoeblog

'Without Sympathy' Exhibition at Lethal Amounts Documents Ministry's Early Years

Posted by Amoebite, April 1, 2015 10:50am | Post a Comment

without sympathy ministry art show lethal amounts

Amoeba Music is proud to sponsor “Without Sympathy: The Visceral Journey of Al Jourgensen” at Lethal Amounts Gallery in Downtown L.A., documenting the development of industrial music pioneer Al Jourgensen of Ministry.

Co-presented by Cleopatra Records and Lethal Amounts, the exhibit features the archives of Brian Shanley, photographer and art director of legendary Chicago industrial label Wax Trax! Both Shanley and Jourgensen will be on hand for the opening night of the exhibit April 17 at 8 p.m.

The show documents the early years of Ministry and its side projects as Jourgensen and like-minded musicians stretched the definition of electronic and new-wave music from 1980 to 1990, including Revolting Cocks, 1000 Homo DJs, PTP, Pailhead, Special Affect and more. Expect a sordid array of images from the early club days to major labor success, including original album art/layout, concept designs, cut-and-paste flyers, magazine clippings, promo glossies and a selection of unearthed photographs from the era.

Lethal Amounts is located at 1226 W 7th Street in Los Angeles.

Joni Mitchell Found Unconscious At Her LA Home, Rushed To Hospital In "Serious" Condition

Posted by Billyjam, March 31, 2015 08:56pm | Post a Comment


As reported a little earlier this evening by various news outlets, with TMZ breaking the story, at approx 2:30pm this afternoon legendary Canadian born singer/songwriter and painter Joni Mitchell was found unconscious at her LA home in the Bel-Air district and rushed to the hospital with hospital officials reportedly describing her condition as "quite serious." And although no specifics of exactly what caused Mitchell to be unconscious have been publicly announced so far, the 71 year old artist, who has attributed a life long cigarette smoking habit (she began smoking at age nine) to ending her singing career five years ago, has had a life long history of health problems. The range from surviving both scarlet fever and polio as a child (she was lucky to walk again) to several years ago being diagnosed with the disease known as Morgellons which results in sufferers experiencing under their skin parasite-like biting and crawling sensations.

She addressed this rare disease in her candid memoir Joni Mitchell: In Her Own Words in which she described it as being so bad that she couldn't wear clothes, had to crawl across the floor, and couldn't leave her house for years on end. Additionally Mitchell has shared that she has suffered from both acute paranoia and insomnia. I sincerely hope that Joni Mitchell, one of the greatest singer/songwriters ever, survives this hospital emergency. For updates on her status the JoniMitchell.com Twitter page tweeted earlier this evening that they are "awaiting official word on her condition and will post it here as soon as we know." 
Meantime read Joni Mitchell's full Amoeba.com bio by Oliver Hall and check out some of below of a few select live performance tracks by the artist, whose album Blue ranks in my top ten best albums of all time, below - which can be found, along with many more, at Amoeba in the Joni Mitchell section. Also immediately below is an enlightening interview with Mitchell, who doesn't do many interviews, from a couple by her native CBC television conducted by Jian Ghomeshi at her California home.

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Reissue Report: Deluxe Edition of Rolling Stones' 'Sticky Fingers' Coming in May

Posted by Billy Gil, March 31, 2015 05:23pm | Post a Comment

the rolling stones sticky fingers lp reissueTo coincide with its North American tour this Spring, The Rolling Stones will reissue one of its best-loved albums, Sticky Fingers, in a deluxe edition May 26.

Like those recent Led Zeppelin reissues, Sticky Fingers will come in a variety of LP and CD editions, Rolling Stone reports. The deluxe edition will include a version of “Brown Sugar” with Eric Clapton, unreleased versions of “Bitch,” “Can’t You Hear Me Knocking” and “Dead Flowers,” and an acoustic take of “Wild Horses,” plus five live tracks from a performance at London’s Roundhouse in 1971, including “Honky Tonk Women” and “Midnight Rambler.”

The super deluxe edition will include all that and Get Yer Leeds Lungs Out!, a 13-track disc of the band’s March 1971 performance in Leeds, plus a 120-page book with new liner notes, previously unpublished photos, a print and postcard set and a cover that updates the original iconic album image with a real working zipper.

The band’s tour starts with a May 24 show at San Diego’s Petco Park. Watch a trailer for the tour below:

Visit Us at the Amoeba Pop-Up Shop at Ace Hotel's Desert Gold in Palm Springs During Coachella

Posted by Amoebite, March 31, 2015 04:06pm | Post a Comment

ace hotel and swim club

If you’re headed out to the desert for Coachella this April, check out the Amoeba Music Pop-Up Shop at Ace Hotel & Swim Club in Palm Springs.

During 2015's Coachella week April 9-20, Ace hosts its own mini-fest of vendors, 7th Annual Desert Gold. We’ll be on hand at The Co-op retail space near the pool with vinyl from the artists performing at Coachella, plus T-shirts and loads more, from 12 p.m. to 6 p.m. Friday through Sunday each weekend. RSVP to Weekend One and Weekend Two here.

They’ll also feature L.A.-based web radio collective dublab radio, broadcasting live from the hotel and swim club every day during Desert Gold; DJs from Sunday party people The Do-Over, elixirs from Venice-based holistic drink shop Moon Juice and food from New York-based Five Leaves, who have recently redone the food at Ace’s King’s Highway diner. New York-based artist MOMO will helm the annual Communal Wall mural.

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Hip-Hop History Tuesdays: The Bay Area's Dangerous Dame

Posted by Billyjam, March 31, 2015 02:00pm | Post a Comment

This week's Hip-Hop History Tuesdays Amoeblog celebrates veteran Oakland rapper Dangerous Dame. The East Bay hip-hop, born Damon Edwards, ranks up there amidst the select early Bay Area hip-hop era artists to make it in terms of putting out records in the 80's, getting commercial radio airplay, and landing a major label record deal - and all while still a teenager! However, as is often the case in the ever-fickle music biz, that success was relatively short-lived despite affiliations throughout his career with such high profile artists as Too $hort, Master P, and Mac Dre. Nonetheless Dangerous Dame is a very important figure in the history of Bay Area hip-hop whose career was most notable from the late 80's through the late 90's with the first few years being the most significant. He was also an artist that grabbed rap fans attention with his unique flow and penchant for forever shouting out his hometown of Oakland, CA  born and proud rapper.

Dangerous Dame got into rap early in life, kick-starting his career while barely into his teens. At the young age of thirteen he was writing his own rhymes and within two years was onstage performing them at local talent shows.  Not long after that the talented teen was teaching himself how to make beats and produce his own music; thanks to his always supportive father James who purchased him his first drum machine along with some other basic recording equipment, and who would later fund and personally release his son's debut "Jumpin" (featuring DJ Dopecut on the scratches). Hence why the label name incorporated his pops' name; James Edwards Sr. Enterprise.  Released at the beginning of 1989 this underground, cassette-only release was truly a homegrown, low-budget affair. It's cover art,  a low-grade photo of Dame and his DJ posing by an Oakland city sign with their two names scribbled on with a sharpie and the album title oddly appearing in quotes, looked like it was sloppily slapped together as an afterthought.  Regardless the tape inside offered seven powerful tracks that showcased both the young Dame's solid writing skills and his unique delivery; a rough & rugged but shrill vocal style that was distinctly Oakland and somewhat derivative of Too $hort but never duplicating him in either flow or content.

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