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Music History Monday: May 25

Posted by Jeff Harris, May 25, 2015 10:00am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: May 25, 1968 - “The Horse” by Cliff Nobles & Co. is released. Written and produced by Jesse James, it is the instrumental version of the song “Love Is All Right,” with the non-vocal side being named after the popular dance. Though it is credited to Cliff Nobles, he does not actually appear on the instrumental side (being a vocalist only). The track features members of the rhythm section that will later become known as MFSB and is arranged by Philly Soul legend Bobby Martin. (The Manhattans, Harold Melvin & The Blue Notes, L.T.D.). Released on Philadephia-based Phil-La Of Soul Records (distributed by Jamie/Guyden Records), DJs will prefer the instrumental side of the single and it will rocket up the charts. “The Horse” will peak at number two on both the Billboard Hot 100 and the R&B singles chart in July of 1968. In later years, the song will become a staple of sporting events, most often being played by marching bands. "The Horse" is certified Gold in the US by the RIAA.
 

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Lyrics Born Discusses His Recently Released New Orleans Flavored Album "Real People"

Posted by Billyjam, May 23, 2015 11:52am | Post a Comment
 
"No, I never thought that one day I'd be working with the Preservation Hall Jazz Band. It's funny because I went to the Preservation Hall in the 90's to watch them play and I appreciated the music but my world was centered around hip-hop for a long long time," answered Lyrics Born when quizzed if he ever envisioned himself one day working with the Preservation Hall Jazz Band, as the longtime Bay Area emcee/Quannum co-founder/Latyrx member does on his just released latest solo album. Entitled Real People and released through his own Mobile Home Recordings label, it is the eight album (including solo and group) from the artist born Tsutomu "Tom" Shimura, and is available from Amoeba in both CD and digital download formats with a forthcoming vinyl version on the way. Mostly upbeat with just a few down-tempo tracks the 13 track, 44 minute album is a recommended uplifting funky fresh collection of New Orleans flavored hip-hop unlike any you've heard before that features, in addition to the Preservation Hall Jazz Band, such other NOLA heavyweights as Ivan Neville and Trombone Shorty, plus full production by the Big Easy's Robert Mercurio and Ben Ellman from Galactic. In addition to the full Galactic band (who join Lyrics Born on the killer cut "Rock-Rock-Away") other album contributors include Corey Henry, Corey Glover of Living Colour, David Shaw of The Revivalists, Billy Martin of Medeski, Martin & Wood fame.

Weekly Roundup: Courtney Love, Ariel Pink, The Sandwitches, Pure Ground

Posted by Billy Gil, May 22, 2015 09:27am | Post a Comment

Courtney Love“Miss Narcissist”

courtney love miss narcissistCourntey Love has a new single out on Nathan Williams of WavvesGhost Ramp label. Scoff if you want, but it’s not half bad, signaling the notorious singer may be on the road to musical recovery after a rocky past decade and a half or so. Love’s been more public as of late, speaking about the Kurt Cobain documentary she helped authorize, Montage of Heck, and appearing on shows like Empire and recording music for that show’s soundtrack. Her music’s usually been more interesting than her antics, and “Miss Narcissist” shows she’s got plenty of tunes left up her sleeve. Look for the vinyl 7” of “Miss Narcissist” and B-side “Radio Killer” this summer.

 

Ariel Pink – “I Need a Minute”

ariel pinkAriel Pink has released a new song from the film Heaven Knows What, the new cinema verite/narrative film about a heroin addict who finds love in New York City (it’s showing this Saturday at Cinefamily). Pink created more than 45 minutes of music for the film, but “I Need a Minute” ended up being what was used. The vocally warped synth ballad will be released as a 7”. Listen via Pitchfork, and watch the trailer for Heaven Knows What below. The film is directed by Josh and Benny Safdie, stars Arielle Holmes and is based on Holmes’ forthcoming memoir, Mad Love in New York City.

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Hip-Hop Rap Up: E-40 & Ariel Pink, Alchemist & Oh No, NYC Regional DMC Battle, Killer Mike, G.A.T.S., N.W.A Movie, SF DJ Block Party

Posted by Billyjam, May 22, 2015 07:07am | Post a Comment

E-40 with Ariel Pink? Tangerine Dream with The Alchemist and Oh No?  Yep as unlikely as both those musical pairings might sound each are exactly what you get on the recently released Welcome To Los Santos diverse collection. The album, that is also available in vinyl version, is the new Alchemist and Oh No composition done in partnership with Woody Jackson and Tangerine Dream. Welcome To Los Santos from Mass Appeal Records and Rockstar Games is a multi-genre 14 track compilation of music "based on and inspired by the original soundtrack to Grand Theft Auto V" (cover above) that includes the aformentioned E-40 track ("California") which, in addition to Ariel Pink, features also Dam-Funk. Other contributors include Killer Mike, Freddie Gibbs, Little Dragon, and Tunde Adebimpe of TV On The Radio - to name but some. 

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Show Recap: Tanlines at Amoeba Hollywood

Posted by Billy Gil, May 20, 2015 05:18pm | Post a Comment

tanlines amoeba hollywood

Tanlines have always stood out among the crowded field of electro-pop bands. Their 2012 debut, Mixed Emotions, was clever without being pretentious, cute without being cloying, and hooky as hell to the point that we'd go see them play live years after the fact and without a new album.

tanlines highlights lpNow, with a sturdy new album finally under their belts, the reliably fine live band came out to Amoeba Hollywood May 19 to play a set from the just-released Highlights. The duo (live, a quartet) launched into their first-ever Amoeba set with countryish ballad “Invisible Ways,” a bold choice since it’s one example of how Highlights hops genres and strays from the electro-pop mold, but it’s also one of the album's best songs and a chance for singer Eric Emm to do his best Bryan Ferry over jangling chords.

“We’re not used to seeing this many CDs in the audience,” bassist/keyboardist/percussionist Jesse Cohen said before diving into the surf-rocky new wave of “Slipping Away.” “I love that song!” he said as they tended to their sound and intro’d Mixed Emotions’ “Brothers,” awash with synth and ratcheting forward on live electronic drums. The moody “Bad Situations” followed, again nicely featuring live electronic drums and Emm’s breaking croon.

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