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SF Cops Recover Stolen Red Hot Chili Peppers Telecaster (Video)

Posted by Billyjam, August 28, 2015 09:59pm | Post a Comment
  

A valuable instrument with a rich rock musical history, that was stolen in a San Francisco burglary just under two weeks ago, was recovered by the San Francisco police yesterday as first reported by local NBC News and SF Gate today. The stolen vintage instrument, a 1966 Fender Telecaster guitar,  was played in concerts by the Red Hot Chili Peppers between the years 1988 and 1992, and again between the years 1998 and 2009 when former cohort of Anthony Kiedis, Flea and company John Frusciante was a guitarist with the band whom he initially joined in 1988 to replace then guitarist DeWayne "Blackbird" McKnight of Parliament-Funkadelic fame. Valued at $30K, plainclothes SFPD offices recovered the Fender that was not in Frusciante's possession at the time of the August 16th Bayview district of San Francisco robbery. 

Reportedly the former RHCP guitarist had passed along his valuable axe to an associate who was, in turn, to pass it along to the Rock and Roll Hall of Fame as a temporary loaner for an upcoming event. Above, in a video posted a short time ago today by YouTube member "Officer Manfredi," you can see the guitar being returned at the SFPD station. And below you can see / hear the guitar being played by John Frusciante in the video below of a full Chili Peppers concert in Japan from 1990 when he joined Anthony Kiedis, Flea, and Chad Smith live at Club Citta', Kawasaki as part of the Mother's Milk tour.  Among Frusciante's other prized guitars in his collection are a 1962 Fender Stratocaster, a 1955 Gretsch White Falcon, and a custom 1969 Gibson Les Paul.

New "What's in My Bag?" Episode with The Everymen

Posted by Amoebite, August 28, 2015 06:44pm | Post a Comment

The Everymen

The Everymen are a New Jersey-based band who make straightforward punk rock jams in the vein of Jay Reatard and Rocket from the Crypt. Founded in 2009, the band has released two studio albums: 2012's New Jersey Hardcore and 2014's Givin' Up on Free Jazz. After a series of shows at SXSW, the band went back to the studio in spring 2015 to record with Ben Tanner of Alabama Shakes for a planned 2016 release. In summer 2015, The War on Drugs invited the The Everymen to open for them on their North American tour dates.

While on tour, Mike V and Catherine Herrick from The Everymen stopped by Amoeba Hollywood and shared their finds with our What's In My Bag? crew. Mike V picked up Hate Your Friends by The Lemonheads, citing it as the record that inspired him to write songs and start a band when he was a teenager. Catherine chose Duran Duran's self-titled album, revealing that she "went through a huge, obsessive Duran Duran period" when she was in high school and that one time she accidentally followed John Taylor down the street. Check out the rest of Mike V and Catherine's picks in the full episode below:

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Album Picks: Beach House, The Weeknd, Tamaryn, Destroyer, Yo La Tengo, Tijuana Panthers

Posted by Billy Gil, August 28, 2015 11:30am | Post a Comment

Beach House - Depression Cherry

beach house depression cherry lpBeach House’s latest album strips back some of the pop shimmer of their last two albums while maintaining the more confident songcraft they started debuting on 2010’s Teen Dream. It’s a bold move, and one that proves to be the right one for Beach House, as they’ve kept the reins on their trajectory and integrity while furthering the quality of their songwriting. First single “Sparks” is a powerhouse shoegazer that showcases the duo’s strengths, pairing Alex Scally’s emotive guitarwork with Victoria LeGrand’s lush, layered vocals. “Space Song” is a luscious, swaying love song built on a bubbling synthesizer and sighing guitar slides. “10:37’s” deliberately chintzy drum machine keeps time like a cheap alarm clock while Legrand’s vocals and synths float by hazily like nighttime clouds. Album highlight “PPP” reimagines girl group devotion in a serpentine, whispery ballad that ranks among the band’s finest songs. You might miss some of Bloom’s bombast, but you also can’t argue with the quality here. Beach House remain the most consistently great band of their ilk on another album of uncommon, unflinching beauty.

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Amoeba Sponsors the 58th Annual Monterey Jazz Festival, September 18-20

Posted by The Bay Area Crew, August 27, 2015 06:59pm | Post a Comment

 

Monterey Jazz Festival

Amoeba Music is proud to be an official sponsor of the 58th Annual Monterey Jazz Festival and to once Monterey Jazz Festivalagain be on-site with the Mini-Amoeba store! Each year, we have a magical time meeting jazz fans and seeing the world's best musicians. 

This year's festival welcomes more than 500 artists performing nonstop on eight stages for three nights and two days! Come see amazing sets from Wynton Marsalis, Chick Corea, Trombone Shorty, Monty Alexander, Pete Escovedo, Dianne Reeves, Chris Botti, Snarky Puppy, Lizz Wright, Rudresh Mahanthappa, and so many more!

Be sure to visit us at the Mini-Amoeba between sets for tons of rare, collectible, and out-of-print CDs and LPs for sale from our vaults. Plus, look for a host of artists who will be signing copies of their albums at our booth.

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Weekly Roundup: Julia Holter, The Mantles, Ezra Furman, DRINKS

Posted by Billy Gil, August 27, 2015 03:33pm | Post a Comment

Julia Holter “Sea Calls Me Home”

julia holterAccording to L.A.-based artist Julia Holter, her new song “is about moving away from things that trap you, the scary wonder in discovering freedom.” With a Beach Boys-ish beat and a jaunty whistle, the song can’t help but feel like getting out of a bad relationship or quitting a shitty job and staring out at the ocean, finding excitement and clarity before the anxiety of what’s next hits. It’s a difficult emotion to capture, and Holter does so masterfully, capturing a difficult in-between moment. Have You in My Wilderness is due September 25 on Domino.

 

The Mantles – “Doorframe”

the mantles band
Photo by David Armstrong

Bay Area jangle-pop kids The Mantles are back with a new album called All Odds Ends, due Oct. 16 on Slumberland. The first song is a forlorn little ditty called “Doorframe” that throws some wonderfully gloomy synths over the band’s spirited guitar interplay, feeling like a shady cloud on a summer day. We were big fans of their last album, Long Enough to Leave, so can’t wait to hear what else All Odds has to offer.

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