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'Devil's Playground' Exhibit and Sale Shine a Light on Cult Movie Posters May 15 at Lethal Amounts

Posted by Amoebite, May 5, 2015 05:30pm | Post a Comment

lethal amounts

Hundreds of original movie posters for cult films from the 1960s through the 1980s will line the walls of the Lethal Amounts gallery May 15 for “The Devil’s Playground: Salacious Macabre Vintage Movie Poster Wall Candy,” presented by Amoeba.

“Devil’s Playground” seeks to celebrate the eye-catching poster work that characterized the golden age of pornography, exploitation, horror, Gialllo and cult classic films. These rare, original posters come from a private collection and will all be for sale at the event. The show will feature posters from such films as Suspiria, Female Trouble, Zombie, Evil Dead and Debbie Does Dallas.

In addition to these killer posters, the opening reception will host special guests Mink Stole (of John Waters movie fame) and adult film cult legends Long Jeanne Silver and Serena.

The show begins at 8 p.m. Lethal Amounts is located at 1226 West 7th Street in Downtown Los Angeles.

 

The Milk Carton Kids Come to L.A.'s GRAMMY Museum May 18

Posted by Amoebite, May 5, 2015 04:49pm | Post a Comment

the milk carton kids

Amoeba is proud to sponsor The Drop: Milk Carton Kids, presented by The GRAMMY Museum, on May 18 at 8 p.m. Tickets are currently sold out.

the milk carton kids monterey cdThe Milk Carton Kids will appear at the Clive Davis Theater for an intimate performance and Q&A moderated by Scott Goldman, Vice President of MusiCares and the GRAMMY Foundation. They’ll discuss the band’s new album, Monterey, which is due May 19 on ANTI-.  You can preorder the album on LP and CD now.

The genre-bending Americana duo released their debut album, The Ash & Clay, in 2013 to rapturous acclaim, garnering a GRAMMY nomination for Best Folk Album and winning Group of the Year at the 2014 Americana Music Awards. For Monterey, band members Kenneth Pattengale and Joey Ryan created the album in concert halls, churches and theaters across the country in aims of achieving the spontaneity of a live show. The band continues to incorporate jazz, classical and dark lyricism into its sound, which Paste magazine has said carries an “intellectual sophistication.”

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Can You Say, 'Amen! Hallelujah '? These Records Do.

Posted by Rick Frystak, May 5, 2015 02:01pm | Post a Comment

Used to be, you'd just turn to the person on your left or ring a few doorbells and you could share the word, the joy, an essence of spiritual inspiration so grand that it had to be shared with others. Nowadays, bomb blasts  announce a religious or causal empathy so strong that death as the message is a possible option.

Not with these folks. Herein is a collection of LPs designed to to share a joy, a goal, the exitement of an idea worth sharing. These LP days are over, mostly because of super slick production, barrages of video and television rejoicing and other delivery methods. I've grabbed these and shot them over the last few years because they make me feel good, never even playing them, just feeling the joy on the LP package. Lord knows what these sound like...

Savor these, then, and pick them up and many more like them right from the bins of Amoeba Hollywood!

John Frusciante on his Trickfinger project released on Acid Test

Posted by Oliver / Matt / Jordan, May 5, 2015 12:46pm | Post a Comment



John Frusciante on his Trickfinger project released on Acid Test


The latest chapter in the electronic evolution of former Red Hot Chili Peppers guitarist John Frusciante sees him utilizing the classic hardware that spawned the eternal acid template under the guise of Trickfinger. “After Below’s” marching beat and ethereal synths flow into “Before Above’s” layered, ascending attack. “Rainover” has a full-bodied 303 groove that becomes more infectious as the track progresses; “Sain’s” complex opening bassline and beats eventually give way to a similarly intoxicating bassline. “85h’s” 4/4 beat hits hard, making it the go-to banger on Trickfinger, while “4:30’s” fluttering synths make it the album’s most headphone-friendly track. “Phurip” ends the album on dancefloor-friendly lockstep three-note groove that you never really want to end. In contrast with his genre-hopping solo releases, Frusciante’s Trickfinger sticks hard to acid house, making it his most focused release yet. With Trickfinger, Frusciante has found his way to a satisfying post-RCHP solo career that speaks to his wide and ever-changing musical talents.

Read the interview at Resident Advisor here

Album Picks: Mikal Cronin, Best Coast, Hiatus Kaiyote, Metz

Posted by Billy Gil, May 5, 2015 10:11am | Post a Comment

Mikal CroninMCIII

mikal cronin mciii lpPower-pop wunderkind Mikal Cronin’s new album is a significant leap forward for the singer/songwriter. While just as hooky as its preceding albums, MCIII is more heartfelt and intricate, boasting a six-song suite that has some of the album’s best melodies. “Turn Around” starts the album out with a somber tune nestled amid a flurry of electric guitars, violins and pianos. “Made Up My Mind” blasts off with a rocketship riff, while Cronin’s voice breaks under the weight of a breakup. Flourishes like horns, strings and acoustic guitars help give the album a sense of unified orchestration, while dynamics in songs like “Say,” full of cool, bass-driven breakdowns, make each song stand out. But the suite that makes up the last half of the album is its masterstroke. It moves from the spare and aching “i) Alone” to the heavy guitars of “ii) Gold,” through its outro played on the Greek stringed tzouras and into punk and singer/songwriter territory. Each song moves into the next beautifully and makes MCIII feel like Cronin’s Abbey Road. We’ve known Cronin has chops since playing bass with Ty Segall and could entertain freely on his first two albums, but MCIII is his first that feels like his own classic. Watch the just-released "Turn Around" video below, starring comedians Kurt Braunohler and Kristen Schaal.

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