Damaged Bug – “The Mirror”
John Dwyer of Thee Oh Sees has another solo album due as Damaged Bug, his synthy alter ego. “The Mirror” creeps and buzzes around on an analog groove, getting under your skin like a mosquito without you realizing it. Cold Hot Plumbs is due June 1 on his label, Castle Face (following last year’s Hubba Bubba). Hear it over at Pitchfork. And check out that sick album art!
tUnE-yArDs – “Wait for a Minute” video
The Bay Area’s Merrill Garbus is back with a new video from last year’s great Nikki Nack album. Directed by SNEAL, there’s a lot going on, as you might expect from hearing Garbus’ dense synth-pop, layering images over one another in a kind of public access video meltdown. Watch below via Stereogum.
We’re proud to be a sponsor of the 13th Annual Indian Film Festival of L.A., taking place April 8-12 at the ArcLight Hollywood. Tickets are on sale now.
IFFLA showcases features, shorts and documentaries created by emerging Indian filmmakers and seasoned auteurs. Amoeba is sponsoring a screening of the smash film TAAL on April 11 at 9:30pm. Buy tickets to that screening here.
As part of the festival’s “Bollywood By Night” series, TAAL the soundtrack by A.R. Rahman is considered one of the best in Bollywood history. Originally released in 1999, the film, about a star-crossed pair of a wealthy young man and the daughter of a folk singer who fall in love, is directed by Subhash Ghai and stars Anil Kapoor, Aishwarya Rai Bachchan, and Akshaye Khanna.
Watch the trailer below:
The festival features 25 films, including four world premieres, seven North American premieres, two U.S. premieres and 10 Los Angeles premieres, hailing from six different countries and in 10 different languages. Other highlights include the world premiere screening of comedy One Crazy Thing, directed by IFFLA alum Amit Gupta (Jadoo) and featuring BAFTA “Breakthrough Brit” winner Ray Panthaki, and the Los Angeles premiere of Academy Award-winner Danis Tanovi’s latest film, the political thriller Tigers, starring Bollywood heartthrob Emraan Hashmi.
The influential British guitarist and songwriter John Renbourn died earlier today, reportedly the result of a heart attack, it was reported the Guardian. The 70 year old artist, known for his solo work as well as with the legendary jazz-tinged, progressive British folk group Pentangle, was described by Amoeba.com biographer J. Poet as "one of the Godfathers of Britain’s folk revival" and "one of the best fingerpickers in the world and if he never did anything else but help found Pentangle, the world’s first folk/jazz band, his place in music history would be secure." You can add to those accolades the huge influence the prolific artist's guitar playing has had on so many folk guitarists of the past several decades. Between his solo releases and those with Pentangle (with whom he formed with the late Bert Jansch) Renbourn recorded and released over 30 albums, getting nominated twice for Grammys. Wrote J. Poet in 2008 "He’s approaching his 50th year of music making with no signs of slowing down" which was absolutely accurate since Renbourn was busy right up to his death - currently on with guitarist / singer Wizz Jones. In fact he was due to perform last night (Wednesday March 25th) at the Ferry in Glasgow but, according to today's Guardian news report when he failed to show up a the Scottish music club "colleagues became concerned" which in turn led to police finding him dead at his home this morning (March 26th). Rest in peace.
In recent years the prestigious UK Festival Awards named the once outlawed Isle Of Wight Festival the 'Best Major Festival' across the festival-rich United Kingdom that hosts such other well known annual festivals as Glastonbury, Reading, and Creamfields. But once upon a time - back five decades ago - so controversial was this short-lived rock music festival off the southern coast of England, that began as a counterculture event during the "summer of love" in 1968, that following its overwhelmingly popular third year it got shut down by the government. In fact so notorious the shutdown of the event dubbed "the Woodstock of Europe" that it even earned a British Parliament Act named after it.
Following the 1970 Isle of Wight festival, which horrified many locals when it attracted an estimated 600,000 long haired hippies to this once quiet small southern English island. For context that was nearly five times the population of the island - hence the uproar by the ill-prepared citizens of the island whose loud vocal complaints were heard by politicians. Hence why before the next year's festival could take place the British Parliament had passed the "Isle of Wight Act." That act introduced new legislature that made it illegal to present gatherings of more than 5,000 people on the island without a special license.