Amoeblog

Album Picks: Vince Staples, The Internet, Miguel, Jaill

Posted by Billy Gil, June 30, 2015 10:55am | Post a Comment

Vince Staples - Summertime 06

vince staples summertime 06 cdOn his gutsy, double-disc debut studio album, Long Beach rapper Vince Staples introduces the world at large to a tough, world-weary persona who at only 22 has seemingly been through enough drama to fill a book. “My pain is never over, pills ‘n’ potions pick me up” he declares on the gnarled beats of “Pick Me Up.” Atonal sound wails in the background of “Norf Norf” as Staples offers slice-of-life tales of growing up in gritty North Long Beach (“I ain’t never run from nothin’ but the police,” he says tellingly). There’s a nihilistic slant to everything Staples puts to tape, which extends even to more decadent party jams like “Loca” and “Dopeman” and love songs like “Lemme Know,” pairing lyrics like “I’ll be fightin’ for you” with “I love to see you cry.” Everything in Summertime ’06 sounds strangely disembodied and cynical, yet it’s not lacking in energy, as with single “Senorita,” on which No I.D.’s creeping production offers the ideal space for Staples’ grim verses and Future’s motoring chorus before morphing into an ’80s horror film-style breakdown. The album’s second disc is mellower, reveling in No I.D. and Clams Casinos immersive production work; “Get Paid” and “Hang N’ Bang” are lively highlights. Though it’s a double-disc, Summertime ’06 doesn’t feel the slightest bit overstuffed, and we never lose sight of the man behind the rhymes.

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Cheers to Our Toast, The Sandwitches' last round

Posted by Kelly S. Osato, June 29, 2015 10:22pm | Post a Comment
the sandwitches san fracnsico band heidi grace sings sludge cooper roxy photography rachel walther empty cellar records our toast review
lovely photo of The Sandwitches by Rachel Walther

It's been many moons since we've been accorded a fresh platter from San Francisco trio The Sandwitches, and this latest release courtesy of Empty Cellar Records, looks to be their last. Since 2008, bandmates Grace Cooper, Heidi Alexander, and Roxy Brodeur have consistently honed a distinct sound that is, simply put, a little bit old-time country and a little bit roadside oddities rock 'n' roll. Their ability to seamlessly blend twisted yet whimsical girl group harmonies with unfiltered, mood-infused heavy Americana has progressed splendidly with each release, making this, their third LP, arguably their finest effort to date.
the sandwitches our toast LP vinyl record review empty cellar records fresh & onlys sonny and the sunsets san francisco indie rock folk americana grace sings sludge
Before you even get your ears on it, Our Toast is a thing of beauty. Housed in very fine packaging adorned with gold leaf lettering and a cover tribute to unofficial 4th member James Finch (painted by Deirdre White), the record itself (on oxblood wax if you're lucky) is sheathed in a printed inner sleeve featuring lyrics on one side (lyrics, people!) and a sad clown band photo epitaph on the other–perhaps a testament to the posthumous-ish work within. That said, there is a twinging finality vibe to this record that moves beyond the commemorative qualities of the tangible presentation. It's a feeling that lends suspicion to the pulse of each song like an omen or memento mori. And yet, regardless of any time the Sandwitches' sound has been described as "haunting", there is nothing ghostly about this energy at all. It's as if seven or eight of these nine songs are contending for the ultimate setting in sequencing crown: the last cut on side B, the swan song's swan song seat.

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Main Attrakionz Promise "A Real Celebration" At Their Amoeba Berkeley In-Store (June 30) In Support Of "808s & Dark Grapes III" (Vapor)

Posted by Billyjam, June 29, 2015 05:51pm | Post a Comment

For Main Attrakionz' anticipated Amoeba Berkeley in-store this week (on Tuesday, June 30th at 5pm) in support of their brand new 808s & Dark Grapes III (out that same day on Vapor), the prolific Oakland hip-hop crew's Squadda B promises a most memorable show that will be "a real celebration of everything we've been through since Carter Middle School." North Oakland's Carter Middle school is where the rapper/producer born Charles Glover is referring to. It was there that he first met up with his partner in rhyme, Damondre Grice (aka rapper Mondre M.A.N.). From that point on, at the young age of 12-years-old no less, it has been quite a ride for the inseparable, prolific, pioneering pair.
 
From the get go, the two go-getters tirelessly entered every local talent shows they could find. Over the following years they would win a lot of them too. But more importantly they learned and grew from their experiences that would help pave the way for a career that, for the artists who are only now 24-years-old, has already been quite accomplished. They've recorded a shitload of music (approx 15 full-length projects, although only two albums, including the new one, are commercially available), worked with such artists as Danny Brown and A$AP Rocky, been credited with being among the chief architects in creating the alt rap psychedelic hip-hop sub-genre of "cloud rap," and landed a deal with Neil Young's Vapor Records, to name but a sampling of their accolades to date.
 

  Main Attrakionz "Ain't No Other Way" (Vapor, 2015)


Music History Monday: June 29

Posted by Jeff Harris, June 29, 2015 10:17am | Post a Comment

Music History Monday

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

Born on this day: June 29, 1953 - Singer, songwriter, and musician Colin Hay (born Colin James Hay in Kilwinning, Scotland) of Men At Work. Happy 62nd Birthday, Colin!
 


On this day in music history: June 29, 1968A Saucerful Of Secrets, the second studio album by Pink Floyd, is released. Produced by Norman Smith, it is recorded at Abbey Road Studios in London in August and October of 1967, and January - April of 1968. The bands' follow-up to their debut, The Piper At The Gates Of Dawn, is recorded sporadically over a period of eight months, largely because of Syd Barrett's increasing mental instability due to his excessive consumption of psychedelic drugs. Guitarist David Gilmour is brought in to take Barrett's place, becoming a permanent member of the band in March of 1968. The album features songs such as "Set The Controls For The Heart Of The Sun" and the title track, both of which will become staples of their live performances. The enigmatic cover art for the album is designed by Hipgnosis, making Pink Floyd the first EMI act (besides The Beatles) to have their album covers designed by someone other than EMI's art department). It is the beginning of a four-decade-long association with the graphic design company. A Saucerful Of Secrets will peak at number nine on the UK album chart and will not chart on the Billboard Top 200.
 

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One Album Wonders: Opal's Happy Nightmare Baby

Posted by Eric Brightwell, June 29, 2015 12:00am | Post a Comment
 OPAL - HAPPY NIGHTMARE BABY (1987) 

Opal - Happy Nightmare Baby

Opal was an American band associated with the Paisley Underground and whose guiding force was David Roback, a guitarist and songwriter from Pacific Palisades. Roback graduated from high school in 1975 and in 1981 formed The Sidewalks who, renamed Rain Parade, were seminal within the Paisley Underground scene. 

Opal band photo


Roback quit Rain Parade in 1983 after the release of their debut and formed Clay Allison with Kendra Smith from The Dream Syndicate on bass and Keith Mitchell (drums). As Clay Allison the band released “Fell from the Sun” b/w “All Souls.” After they changed their name to Opal, they released two EPs, Fell from the Sun (1984) and Northern Line (1985), which were later combined and released as Early Recordings. Opal’s sole full-length, the mostly T.Rex-indebted (albeit almost narcoleptically laid back) Happy Nightmare Baby, followed in 1987. 

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