Amoeblog

New "What's in My Bag?" Episode with Dam-Funk

Posted by Amoebite, August 31, 2015 05:18pm | Post a Comment

Dam Funk

Dam-Funk is a modern funk musician, vocalist, producer and DJ signed to Los Angeles-based label Stones Throw Records. A Pasadena native, Damon Riddick began his career working in the studio with artists such as Master P and and MC Eiht before remixing Baron Zen's cover of The Gap Band's "Burn Rubber" in 2007 under the Dam-Funk moniker. The remix built a buzz and soon thereafter Dam-Funk recorded two 12"s for Stones Throw, 2008's Burgundy City and Let's Take Off (Far Away). In 2009, he compiled a five-volume LP set of unreleased material called Toeachizown, which was eventually turned into a two-CD set later in the year.

Dam-Funk Invite the LightOver the course of his career, Dam-Funk has collaborated with a variety of artists, including Animal Collective, Nite Jewel, Ariel Pink, Peaking Lights and Hudson Mohawke. His album with Steve Arrington of SLAVE, Higher, and his album with Snoop Dogg, 7 Days of Funk, both came out via Stones Throw in 2013. Dam-Funk's third solo studio album and his first in six years, Invite the Light, is out this Friday, September 4 via Stones Throw.

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SFGS Presents Gathering of the Tribes Festival: A Psychedelic Music & Art Happening, September 13

Posted by The Bay Area Crew, August 30, 2015 06:43pm | Post a Comment

San Francisco Gathering of the TribesThe San Francisco Great Society presents Gathering of the Tribes Festival, an epic one-day psychedelic happening that is bringing local bands, artists, vendors, and fans together at Public Works on September 13th. Between the hours of 12pm and 12am, 18 bands including The She's, The Gentle Cycle, Annie Girl & The Flight, The Spiral Electric, LSD and the Search for God, Down and Outlaws, Cellar Doors, and many more will perform continuously on two stages with visuals provided by Mad Alchemy, White Light Prism, and Andy Puls.

Works by local artists Yasamine June (who designed this amazing poster), Galine Tumasyan, Robert Quinn, Doug Rhodes, and Matt Leunig will also be on display as well as the wares of many far out vendors.

This be-in is going to be the ultimate sonic and visual experience. We can't think of a better way to celebrate being in San Francisco.

Get your tickets now!

 

 

The Down and Outlaws
Down and Outlaws
The She's
The She's
Cellar Doors
Cellar Doors

 

SF Cops Recover Stolen Red Hot Chili Peppers Telecaster (Video)

Posted by Billyjam, August 28, 2015 09:59pm | Post a Comment
  

A valuable instrument with a rich rock musical history, that was stolen in a San Francisco burglary just under two weeks ago, was recovered by the San Francisco police yesterday as first reported by local NBC News and SF Gate today. The stolen vintage instrument, a 1966 Fender Telecaster guitar,  was played in concerts by the Red Hot Chili Peppers between the years 1988 and 1992, and again between the years 1998 and 2009 when former cohort of Anthony Kiedis, Flea and company John Frusciante was a guitarist with the band whom he initially joined in 1988 to replace then guitarist DeWayne "Blackbird" McKnight of Parliament-Funkadelic fame. Valued at $30K, plainclothes SFPD offices recovered the Fender that was not in Frusciante's possession at the time of the August 16th Bayview district of San Francisco robbery. 

Reportedly the former RHCP guitarist had passed along his valuable axe to an associate who was, in turn, to pass it along to the Rock and Roll Hall of Fame as a temporary loaner for an upcoming event. Above, in a video posted a short time ago today by YouTube member "Officer Manfredi," you can see the guitar being returned at the SFPD station. And below you can see / hear the guitar being played by John Frusciante in the video below of a full Chili Peppers concert in Japan from 1990 when he joined Anthony Kiedis, Flea, and Chad Smith live at Club Citta', Kawasaki as part of the Mother's Milk tour.  Among Frusciante's other prized guitars in his collection are a 1962 Fender Stratocaster, a 1955 Gretsch White Falcon, and a custom 1969 Gibson Les Paul.

New "What's in My Bag?" Episode with The Everymen

Posted by Amoebite, August 28, 2015 06:44pm | Post a Comment

The Everymen

The Everymen are a New Jersey-based band who make straightforward punk rock jams in the vein of Jay Reatard and Rocket from the Crypt. Founded in 2009, the band has released two studio albums: 2012's New Jersey Hardcore and 2014's Givin' Up on Free Jazz. After a series of shows at SXSW, the band went back to the studio in spring 2015 to record with Ben Tanner of Alabama Shakes for a planned 2016 release. In summer 2015, The War on Drugs invited the The Everymen to open for them on their North American tour dates.

While on tour, Mike V and Catherine Herrick from The Everymen stopped by Amoeba Hollywood and shared their finds with our What's In My Bag? crew. Mike V picked up Hate Your Friends by The Lemonheads, citing it as the record that inspired him to write songs and start a band when he was a teenager. Catherine chose Duran Duran's self-titled album, revealing that she "went through a huge, obsessive Duran Duran period" when she was in high school and that one time she accidentally followed John Taylor down the street. Check out the rest of Mike V and Catherine's picks in the full episode below:

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Album Picks: Beach House, The Weeknd, Tamaryn, Destroyer, Yo La Tengo, Tijuana Panthers

Posted by Billy Gil, August 28, 2015 11:30am | Post a Comment

Beach House - Depression Cherry

beach house depression cherry lpBeach House’s latest album strips back some of the pop shimmer of their last two albums while maintaining the more confident songcraft they started debuting on 2010’s Teen Dream. It’s a bold move, and one that proves to be the right one for Beach House, as they’ve kept the reins on their trajectory and integrity while furthering the quality of their songwriting. First single “Sparks” is a powerhouse shoegazer that showcases the duo’s strengths, pairing Alex Scally’s emotive guitarwork with Victoria LeGrand’s lush, layered vocals. “Space Song” is a luscious, swaying love song built on a bubbling synthesizer and sighing guitar slides. “10:37’s” deliberately chintzy drum machine keeps time like a cheap alarm clock while Legrand’s vocals and synths float by hazily like nighttime clouds. Album highlight “PPP” reimagines girl group devotion in a serpentine, whispery ballad that ranks among the band’s finest songs. You might miss some of Bloom’s bombast, but you also can’t argue with the quality here. Beach House remain the most consistently great band of their ilk on another album of uncommon, unflinching beauty.

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