If nothing else, Marathon Man is relevant as British director John Schlesinger’s last important film. He had been a major force in English cinema in the '60s with Darling, Far From The Madding Crowd, and Sunday Bloody Sunday. In America he made one of the great "Los Angeles movies," Day Of The Locust, and one of the great "New York Movies," Midnight Cowboy (for which he won an Oscar). After Marathon Man his next dozen or so films before his death in 2003 would be completely unmemorable (with the exception of Sean Penn’s stellar performance in The Falcon and The Snowman), sadly ending such a promising career with the horrid Madonna vehicle, The Next Best Thing.
Based on a massive bestseller by William Goldman (Butch Cassidy and The Sundance Kid), Marathon Man is interesting because Schlesinger is able to use the docu-street style he perfected with Midnight Cowboy and his smart, gentle approach to grown-up literature to turn out a really cool, tough, and intelligent thriller. It’s a film with a number of twists, though they don’t always add-up, on the whole it's a taut, gripping, exciting film.Continue Reading