Super Duper Alice Cooper

Dir: Sam Dunn, Reginald Harkema, Scot McFadyen, 2014. Starring: Alice Cooper. Music.

Finally a quintessential documentary on Alice Cooper, rock’s original shock master, titled appropriately enough, Super Duper Alice Cooper. Unlike the usual quickie music doc (Behind The Music, etc.), this is a film edited with style and a totally engaging visual flare similar to the wonderful Robert Evans doc The Kid Stays in the Picture, with those three-dimensional cut outs and old-timey film footage mixed in to help tell the story. And Cooper himself, an engaging story teller, narrates. Of course I’m the target audience; I had a couple of his records as a kid, I went to an Alice Cooper concert in Detroit when I was in middle school and I have nostalgic pangs that get me a little giddy when I see those '70s clips. But I’m also thrilled to report that I watched this with a woman who was born long after Cooper’s heyday who had little previous knowledge about him or interest, and she thoroughly enjoyed the movie, too. Again, stylishly and narratively it can satisfy the old-school fan and intrigue a newbie.

As told by the film, Cooper’s story is the usual "sickly kid dreams of more and beats the odds" ode. Born Vincent Furnier in Detroit, Cooper’s pastor father and mother moved him out West to Phoenix to help his extreme asthma. He grew up a churchgoing all-American type, but like many kids in the '60s inspired by The Beatles, their music (and spoofing the Fab Four at a school talent show) led to him and his buds forming a band. Even as a bunch of suburban squares they found some success in their hometown under the name The Spiders; later encouraged by a message from a ouija board they changed the name of the band to Alice Cooper (slowly Vincent would actually take on the name himself and later legally change it when he dumped his bandmates) and set out for hippie filled Los Angeles. In California they fell under the tutelage of super weirdo Frank Zappa and became the brother act to his all-girl band The GTO’s. Besides giving pointers on partying, the fashionable ladies also helped them update their look (with thrift store women’s Ice Capades costumes). Though they signed with manager Shep Gordon (a pot dealer, for whom managing music was just a side gig) they didn’t find the success they craved and were even jeered at for their growing onstage theatrics. The band took off for middle America, playing small gigs until they finally settled in Detroit, a working class city that liked to rock and appreciated a hard-hitting band with a strong work ethic. Playing alongside bands like The MC5 and The Stooges, it has been said that this garage rock scene was the beginning of Punk Music (and Johnny Lydon AKA Rotten, adds his voice to the narration later, giving credence to this by admitting what a big influence Cooper was on his band, The Sex Pistols). The Alice Cooper act grew more and more outrageous and when they got to open for John Lennon at a music festival in Toronto, an incident that led to a chicken being murdered made them famous. They eventually broke big with hits “I’m Eighteen and then “School’s Out”, but Cooper fell deeper into a dark hole of alcoholism and celebrity trappings. Finally he dumped his high school pals and went solo, where his shows became a sorta vaudeville horror act, complete with a boa constrictor, a guillotine and dancers. (He married a young pretty one.)

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Posted by:
Sean Sweeney
Jun 19, 2014 12:16pm

The Great Mouse Detective

Dir: Ron Clements, Burny Mattinson, 1986. Starring: Vincent Price, Burny Mattison, David Michener, John Musker. Children's.

Do you like Sherlock Holmes? What about rodents, British royalty, or old-timey pubs? Whatever your age, and whatever your tastes, I can assure you that this is grimmest and most interesting Disney animated classic, ever. I say this because it not only feeds the comic and suggestive needs for adults, but also prepares the kiddies for better tastes in terms of cinematic experiences. I watched it the other night and was shocked at how it not only pays an excellent homage to Noirs and Sherlock Holmes stories, but also because it has a fresh and almost foreign plot. Disney films, both animated and live-action, have the most success if they flaunt an all-American glow, as in ultra-feminine ladies or heroic male characters, young boys with man’s best friend, etc. It comes as no surprise that this movie was sort of lost among all the others, possibly for its heavy risqué tones (like a drunkard bat, seedy pubs, and champagne fountains), and for the fact that it is sort of like a British comedy—you either love it, or you don’t care for it at all.

But if you think that today’s youth are simply too informed or sensitive about the vices of adults, you can watch it yourself and have a great laugh based on its wit alone. Basil of Baker Street is a mouse detective who helps get to the bottom of the most ludicrous cases. One day a toymaker is kidnapped by a peg-legged bat and taken into the underbelly of London. His distressed child, Olivia, is found by Dr. David Q. Dawson and brought to Basil of Baker Street, the Sherlock Holmes of London's talking rodents. Together these three discover that  the toymaker has been captured by Basil’s archenemy—the evil Professor Ratigan (with the voice of Vincent Price). Their journey through the "twists and turns" of Ragitan's territory is designed both to save the toymaker and to figure out why he captured him for evildoing in the first place. Ratigan’s world is full of thugs with mustaches, scantily clad "dancing" mice ladies, tons of alcoholic beverages, tobacco, and even roofies. Once Basil finally confronts Ratigan and his posse of beefy rats like him, things get more than complicated. Ratigan’s use for the toymaker involves well-crafted diversions and a series of traps in order to assassinate the Queen and take over rodent London once and for all.

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Posted by:
Edythe Smith
Jul 14, 2010 1:45pm

Witchfinder General

Dir: Michael Reeves. 1968. Starring: Vincent Price, Ian Ogilvy. English. Horror.

Witchfinder General is a small classic of English horror that only recently saw re-release in its intended form. Originally distributed as The Conqueror Worm, to capitalize on the Edgar Allan Poe vehicles of its star Vincent Price, Michael Reeves’ film has previously been seen with incongruous narration and extraneous nudity added and its original score excised. A 2007 DVD restoration righted these wrongs, and it can now be experienced in all its chilling glory.

In 17th century England, chaos descends as civil war rages between King Charles I’s Parliamentarians and Oliver Cromwell’s Roundheads. “Witchfinder” Matthew Hopkins (Price) roams the countryside extracting “confessions” from accused witches and collecting a fee for each hanging and drowning, abetted by the sadistic torturer and rapist John Stearne (Robert Russell). A young coronet in Cromwell’s insurgent army (Ian Ogilvy) and his fiancée (Hilary Dwyer) become entangled with the murderous Hopkins.

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Posted by:
Chris Morris
Jan 19, 2008 2:55pm
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