Everything You Always Wanted To Know About Sex, But Were Afraid To Ask
Like most of Woody Allen's early comedies Everything You Always Wanted To Know About Sex, But Were Afraid To Ask is the definition of "hit or miss." This is a joke a minute film. Some are wonderfully funny but, like Airplane some years later, when you throw a ton of jokes at the wall not all of them are going to stick. Enough do to make this well worth the experience and make it an above average comedy. Released during the sexual liberation and adult sexual reeducation of the early '70s, this is kinda/sorta based on David Reuben's hugely popular manual about human sexuality of the same name. Allen uses the chapter heads to basically create seven short films, spoofing the pseudo seriousness of the subject matter. Some work better than others, but oh boy, the ones that do work are home runs. Here's the rundown starting with the least successful of the seven and moving to the better ones.
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I enjoyed Pillow Talk but I’m wracking my brain on how to justify why I liked it. It shouldn’t be that hard. It’s a colossally stupid movie to be sure, but then is profundity really the hallmark of a well made Hollywood film? A lot of the best movies produced under the studio system were always the end result of a delicate interplay between cynical studio ridiculousness and genuine artistry. No one would confuse Pillow Talk for a work of art even by Hollywood standards. Frankly I’m not even sure I’d call it a smart romantic comedy. Doris Day and Rock Hudson aren’t exactly Tracy and Hepburn. She is frighteningly perky and he has no comedic instincts whatsoever. What they embody isn’t really depth or wit or chemistry, but instead I think what sold the public on them is how happily “normal” they seemed during a tumultuous era in American history. They were movie stars for the age of television. They weren’t so much of the 1950s as of a perrenial 1950s mindset. If the fifties were the decade where conformity was next to godliness then conventional wisdom has it that Day and Hudson were its thoughtless, grinning poster children—Mr. & Mrs. McCarthy Era.
But their first onscreen pairing in Pillow Talk wasn’t until 1959 which leads me to conclude that instead of being a kind of cultural apex for a dull decade, Pillow Talk was really a last gasp of a reactionary hold over Hollywood. Bonnie & Clyde and the rise of a more sophisticated European art house influenced American cinema were only 7 years away. By 1959 Americans in-the-know were already getting their first taste of cinema in a radically different idiom from the likes of Fellini, Antonioni, Godard, and Bergman to name a few. Pillow Talk, then, is retrograde even by 1959 standards and, as such, was already shorthand for how out-of-touch Hollywood filmmaking had become, fair dismissal or not.Continue Reading