Butch Cassidy and the Sundance Kid
The massive hit from 1969, Butch Cassidy and the Sundance Kid, is often cited as a "Western that people love, who usually don’t like Westerns." But it also often makes "all-time most overrated" lists, especially from folks who do like Westerns. That contradiction may be because the film is completely carried by the charisma of its two superstars, Paul Newman and Robert Redford. Also it's closer in spirit to a light comedy or even the "outlaw reexamination" genre started by Bonnie and Clyde than the landmark Westerns of its era that Sam Peckinpah and Sergio Leone were directing at the same time. Butch Cassidy and the Sundance Kid is an incredibly simple tale, and regardless of its place on the Western checklist it’s perfect entertainment.
The script seems to have very little dialogue and often the same lines are repeated, "You keep thinking, Butch," which is ironic since the script by William Goldman (Marathon Man, All The President’s Men) has been hailed for its perfect three-act structure (pre-film school era Goldman wrote a number of books about screenwriting and the business which also helped elevate his status as a quintessential writer). Act One is an introduction to Butch (Newman) and Sundance (Redford), two charming but frustrated bank robbers who are now hitting trains. Butch is the brains and Sundance the gunman. They also share a woman, schoolteacher Etta Place (the mumbly Katharine Ross of The Graduate), Sundance is her lover, while Butch flirts but is more the big brother. Act Two is one long chase as a hardcore posse follows Butch and Sundance over miles of picturesque Western plains (shot by the legendary cameraman Conrad L. Hall), ending famously with the two jumping off a cliff into a raging river. Act Three has the heroes and Etta traveling to Bolivia where they work as muscle for a paymaster (Strother Martin) and culture clashes impede their bank robbing career, finally ending with a shoot out with the Bolivian army.Continue Reading
"The mountain's got its own ways." --Jeremiah Johnson Among those who are big fans of the Western genre, I find myself having to defend this delightful movie. Aside from the repetition in the soundtrack, I couldn't come up with a single complaint. It is known and kept in high regard for its breathtaking cinematography (Duke Callaghan [Conan the Barbarian]) and for the fact that it was shot entirely on the mountains of Utah. We find Jeremiah Johnson (Robert Redford), a man fresh from a war, and set on avoiding the coming Mexican War, who also wants to make a clean break from society. He decides to learn how to become a trapper, hunting various types of game in order to survive and trading furs with local tribes. His quest was both to define himself and to break free of social constraints, and yet he discovers that every land has a law. These rules are breakable, but not excusable merely by ignorance. Soon he finds out that the mountain and its tribes intend to put him in his place. Their presence is not needed at first. Poor Jeremiah is a terrible shot and can hardly get a fire going in the harsh winter. He stumbles upon an eccentric, old, white man by the name of Bear Claw (Will Geer), the nickname coming from his hobby of hunting and skinning grizzly bears and the necklace of their claws that he wears. He teaches Jeremiah skills that a good trapper needs and warns him about the tribes and their rules until Jeremiah can go off on his own. However, his every move is tracked by two tribes: the friendly Franco-dominated Blackfoot, who speak French and are Christian; and the Crow—a ruthless and well-hidden tribe who've kept a close eye on him since he arrived. Their territory is the land on which he eventually settles. He keeps to himself, communicating with them only in times of trade and thus gaining their respect. Others were not as lucky ...Continue Reading
Back in the day, if there was one historical injustice that could get any red blooded film-geek or cinaphile extremely agitated, it was the fact that Martin Scorsese had not won an Oscar. Of course in 2006, he finally did win for the overrated The Departed, putting that controversy to bed. But before that, film-geeks would foam at the mouth, especially knowing that the Godly director had lost twice to actors making their directing debuts.
In 1990, Goodfellas was robbed by Kevin Costner's goody-goody Western Dances With Wolves. And ten years earlier Raging Bull lost to Robert Redford’s Ordinary People.Continue Reading
Quiz Show is a quintessential tragic American story. The great subject of the film is television and the point at which it came to define American culture for better or worse (mostly worse). With television itself having an almost operatic power as a thematic backdrop, the film tells the story of a son tarnishing his family’s good name, the architects of television’s pop cultural dominance cynically duping an entire nation, the casual anti-Semitism of the 1950s, the cultural clash of WASPs and ethnic New Yorkers, and a young Washington investigator who wants to make a name for himself and winds up destroying his friend in the process.
The year is 1958. An NBC quiz show called 21 is a national obsession that 50 million people tune into each week to see what they think is an honest display of intellectual acumen and knowledge. What they don’t know is that the show’s producer, Dan Enright (played by character actor David Paymer), in cahoots with the show’s principal sponsor Geritol and with the implicit approval of NBC itself, is fixing the results of the show to boost the ratings. The film begins as the current reigning champ of 21, Herbert Stempel (played with wiry desperation by John Turturro), is given the boot for being too goofy looking, too unrefined, and, though they won’t say it, it’s clear that he is too Jewish. As the president of NBC muses, they want a guy on 21 who looks like he can get a table at 21. Enter the elegant, educated, and super dreamy Charles Van Doren (Ralph Fiennes playing the Ralph Fiennes type) who innocently drops by NBC to try out for a different game show at the behest of his friends. When Enright and his sleazy sidekick Albert Freedman (played by Hank Azaria) spot him, they can barely contain themselves. Charles Van Doren is from a celebrated American literary family. His father Mark (played by the recently deceased Paul Scofield) is an English professor at Columbia University, where Charles also teaches. Charles has amazing hair and Ivy League manners. He is the perfect little lamb for Enright to lead to the proverbial slaughter.Continue Reading