Just to be up front and clear, the version of Green Lantern that I’m reviewing is the extended cut which is exclusive only to the Blu-ray release. The reason is that after seeing the theatrical cut, I feel that the extended cut is a more complete movie, both narratively and structurally, and probably far closer to the original vision and intent of director Martin Campbell than the one that played in theaters last summer which reeked of studio interference. That said, my initial reaction to that Green Lantern movie wasn’t predominantly positive.
I was never that big a fan of the character, although I was familiar enough with him considering his multiple appearances in the Justice League of America comics. I also felt that Ryan Reynolds (whom I like) wasn’t exactly the ideal actor I’d peg as his comic book counterpart Hal Jordon. Instead he seemed more in line to play the Wally West version of The Flash, something that was actually in the cards after Blade: Trinity when that film’s writer/director David S. Goyer was going to helm The Flash movie. It’s also a bit odd considering Reynolds is playing Deadpool over in the Marvel cinematic universe as seen in 2009’s X-Men Origins: Wolverine.Continue Reading
The print journalist drama is a bona fide subgenre; the most popular films like All The President's Men or, more recently, Spotlight are about the crusading journalist overcoming obstacles in pursuit of the truth. Often more interesting is the cynical side of the coin, about the corruption of truth, but those films don’t usually connect with the public or award-givers as easily. The best of the genre would be a couple of masterpieces -- Billy Wilder’s Ace in the Hole and to some extent Orson Welles’ Citizen Kane -- but one film that went under the radar upon release and holds up very well is Shattered Glass. The 2003 docudrama was written and directed by Billy Ray, based on the true story of Stephen Glass (Hayden Christensen), a manipulative young reporter for the respected, 100-year-old highbrow magazine New Republic. When it appears that one of his stories was fabricated, an investigation by the editor, Chuck Lane (Peter Sarsgaard) leads to the embarrassing revelation that actually at least twenty-seven articles he wrote were completely made up.
Glass is the kind of passive aggressive guy who continually says "I’m sorry” or worse, asks his colleagues “Are you mad at me?,” putting them in the position to make him feel better, even when he’s wrong. He seems to have a knack for finding interesting characters and angles to political and cultural stories, and though he cozies up to anyone who could help his career, he’s especially cuddly to the women he works with (in an asexual way). But as a journalist he’s respected as a real wunderkind, apparently traveling the country finding witnesses to his colorful and offbeat pieces. When the beloved editor Michael Kelly (Hank Azaria) is fired for trying to overly defend his staff from management, he is replaced by the less lovable Lane. Glass writes an entertaining piece about a computer hacker convention that catches the admiring eye of the editor for Forbes Digital online magazine. He passes it to a writer, and here is where the Woodward and Bernstein of the story emerge. A pair of tech writers (Steve Zahn and Rosario Dawson) start to investigate Glass’ sources and find nothing but holes. While Glass can not account for all his shoddy note-taking, Lane becomes the only one who can take on the popular writer, as his colleagues, especially writer Caitlin Avey (indie darling Chloë Sevigny) have fallen under his spell.Continue Reading
Year Of The Dog
Mike White has a knack for making you feel uncomfortable. After all, he did pen Chuck and Buck as well as several episodes of Freaks and Geeks (both bodies of work are highly underrated). His characters can be so awkward that I sometimes need to look away.
Shannon plays a lonely executive assistant whose life spins out of control due to the untimely death of her dog, Pencil. Pencil was her life and now she has no life. That is until a kind veterinarian (Sarsgaard) offers Shannon a new dog to adopt. Not only does she fall in love with the dog but with the vet as well.Continue Reading