Along with The Sting, Paper Moon, made a few years earlier, may be the quintessential Depression-era conman film. But while The Sting, though terrific, was more of a gimmicky star vehicle, Paper Moon has even more heart than con. In the best role of his career, Ryan O’Neal (once upon a time he was actually a superstar) stars opposite his real-life daughter Tatum O’Neal. At just eight-years-old, she gives one of the most acclaimed child performances ever. Director Peter Bogdanovich was working at the peak of his powers, fresh off the brilliant The Last Picture Show and the popular What’s Up, Doc? He vividly recreates the flat, lonely landscapes of 1930s Kansas; shooting in beautiful black & white, the period detail is as good as any modern film has ever done.
Paper Moon is based on the novel Addie Pray by Joe David Brown (Kings Go Forth), with the screenplay by Alvin Sargent, whose massive screenwriting career ranges from Ordinary People to the recent Spider-Man sequels. Moses Pray (Ryan) is a two-bit conman. He thinks he can make a buck when, after the funeral of a one-time lover, he agrees to accompany the woman’s eight-year-old orphaned daughter, Addie (Tatum), to the train station where she will be shipped off to a distant family. She realizes that he has scammed her out of her inheritance money, so to pay him back the two end up joining up on a cross-country con job. At first they’re at odds but eventually Moses ...
The Last Picture Show
Once upon a time a guy name Peter Bogdanovich was on top of the movie world. In the very early '70s, along with Francis Ford Coppola, he was once considered the voice of a generation (but then again, so was Dennis Hopper, briefly). Following his solid Roger Corman-produced micro-budgeted thriller, Targets, Bogdanovich got thrown front and center onto the major filmmaker map with The Last Picture Show, a perfect piece of dust-bowl Americana. This is a film that would establish a number of actors: Jeff Bridges, Cybill Shepherd, Timothy Bottoms, and Ellen Burstyn would all shine. While older cowboy actor Ben Johnson and ex-beauty queen turned character actress Cloris Leachman would win well-deserved Oscars for their performances.
The film is based on an excellent mini-novel by Larry McMurtry (later writing Lonesome Dove and Terms Of Endearment). Shot in beautiful black & white, The Last Picture Show takes place in a sleepy little Texas town in the early '50s. Main Street seems to be dying, going the way of the cinema (with television supplanting it). Everything seems to be slowly fading away. Two high school football players, Sonny (Bottoms) and Duane (Bridges), hang around the local pool hall, owned by the wise Sam The Lion (Johnson). Sam owns most of the businesses on the abandoned Main Street, including the cinema and the diner. He also looks after a retarded kid, Billy (Sam Bottoms; Lance in Apocalypse Now!). They have taken Sam’s head waitress, Genevieve (Eileen Brennan of The Sting), under their wings and she seems to look after all the males. Duane dates the town’s rich-girl, a calculating beauty named Jacy (Shepherd). Sonny gets into an illicit affair with his football coach’s lonely, middle-aged wife Ruth (Leachman). Sam passes away, but not before giving Sonny a great monologue about old times and a woman he was once crazy about when he was young. It’s a powerful scene. With age comes regret. Cinemas, shops, and towns can fade away, but memories don’t (it’s shot amazingly in one long take as the camera moves in and then out on Johnson’s glorious aged cowboy face).Continue Reading