Zack Carlson, co-author of the new book Destroy All Movies, opened a screening of this movie the other night with a little note on what the film meant to punk exposure in cinema. He made a good point when talking about the fact that "punks" were often presented in films only as a cue to something negative, or were placed in an environment in order to tell the audience that the story was now unfolding in a bad part of town. American movies before, and during, the '80s have always done this sort of thing, be it with bikers, blacks, or just about any group most audiences were unfamiliar with. Eventually, these groups were shown respect and understanding in cinema, and Suburbia marks a big part of that transformation for those in the punk scene, and really, for homeless teenagers and runaways.
Shortly after Spheeris directed Decline of Western Civilization, she decided to make this movie, which follows the everyday happenings of a group of punk runaways. Perhaps the most impressive part about the movie is the tension built between the kids and the people who live in the suburbs; there is something tasteful about presenting a presumed safe place, like a suburb, as a rotting warzone. Aside from its bittersweet and often hilarious story, Suburbia also has performances placed into the plot from The Vandals, D.I., and T.S.O.L.Continue Reading