Funeral Parade of Roses

Dir: Toshio Matsumoto, 1969. Starring: Pita, Osamu Ogasawara, Toyosaburo Uchiyama. Gay Cinema.

“I’m a wound and sword, a victim and an executioner.” - Funeral Parade of Roses

Provocation is born from relativity, and originality in its broadest sense can be a pretension that hinders many films. While filmmakers dare, still, to produce original and thought-provoking works without noting the context or relevancy of their efforts, Toshio Matsumoto was able to present something quite spectacular with his debut feature film, Funeral Parade of Roses - a masterpiece that appeals to the age-old desire to be loved and the accepted curse of being misunderstood. Here one can find a visual experience that says nothing definitely and therefore can speak to everyone, particularly those who enjoy avant-garde. Its also a direct ode to several key individuals of the beat generation and Warhol scene, as well as an interesting reworking of the Electra complex.

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Posted by:
Edythe Smith
Sep 4, 2015 3:10pm

House (Hausu)

Dir: Nobuhiko Ôbayashi, 1977. Starring: K. Ikegami, M. Jinbo, K. Ôba, A. Matsubara, M. Satô, E. Tanaka, M. Miyako. Asian Cinema.

Hausu is not for everyone, though, if you find anime films and series to be amusing and tasteful, you'll probably enjoy this quirky Japanese horror flick. The comparison to anime is based upon the shared characteristics that this film has with the genre. Aside from the dizzy colors and characters with zany nicknames, it also sports a team of girls who fight against a docile villain. It seems as though anime always has this creepy bad guy in the shadows who has a glossy stare and speaks like an intellectual zombie. Like anime, House also has no real plot; the meat and potatoes is in the action and the effects.

However, it would be unjust to say that this movie is simply a live-action anime. Besides being a unique horror film, it also comes off as a Japanese ghost story, except the phantom is symbolized by a mythical cat named Blanche, the reincarnation of some evil spirit. Nobuhiko Ôbayashi, the director, also added a personal touch by working in a bit of his own history to the film. As a former pianist and medical student turned experimental filmmaker, the movie features a menacing piano that dismembers a character, and plenty of animated limbs. Ôbayashi should not only be praised for the artistic direction here, but for the fact that, like Spike Jonze, feature films weren’t always a part of his craft. The director is most prominent in Japan for his experimental films and TV commercials, the latter casting several big American stars, such as Kirk Douglas and Charles Bronson. House is actually his directorial debut, so you can imagine the liberties taken when he didn't have to cram all of his ideas into a few minutes.

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Posted by:
Edythe Smith
Jan 4, 2011 4:44pm
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