I have this wacky theory that all Coen Brother movies are comedies. Even the ones that aren't comedies (this theory was proven wrong with No Country for Old Men). But even one of their bleakest films, Blood Simple, in all its revenge fueled violence and mayhem, still plays out like a Ealing Studios comedy. To fully defend my stupid (and most likely wrong) theory I'd have to give away too much of the plot, but basically every character in the movie thinks they know exactly what is going on despite the fact that they are, in reality, completely clueless to what is really happening. This all comes to a head in a final scene that if it wasn't so edge-of-your-seat, nail-bitingly tense, you'd laugh out loud. Or maybe not, what do I know?
Regardless of my pretentious genre-swapping, jibba-jabba Blood Simple is a great film. A well paced, methodically told story that seems ridiculously confident for a debut film. All of the Coen Brother aesthetics we've grown to love are there (clearly they have not progressed): wonderful dialog, inventive camera work, and a love for southern folk. M. Emmet Walsh gives a particularly creepy performance as a hit man who will do anything if it pays right and is legal ... well, if it pays right. It also features cinemas greatest "Howdy" exchange between two passing cars.Continue Reading
It's an unfortunate fact that the vast majority of actors who, in their prime, filled roles that were at once progressive and invigorating, turned to ones that were lackluster, if not depressing, once they reached their peak of marketability within a genre. Usually this career transition leans towards comedy--and while viewers strain to recognize adept versatility on the screen, they often find themselves quite underwhelmed. Some notable examples of such actors are Robert De Niro and Dustin Hoffman. That being stated, in Killer Joe one can find a rare opposite in transitions. Here we find the harmless and perhaps awkward Emile Hirsch (Speed Racer, Into the Wild) and the go-to charmer of chick-flicks, Mathew McConaughey, playing two morally reprehensible characters that are not only believable but unnerving.
The plot more or less surrounds the woes of Chris (Emile Hirsch), a somewhat desperate young man of poor character who owes a Texan drug lord 6K for “misplaced dope.” To blame for the drugs going missing is Chris’s mother Adele, a woman whom he, and the rest of the family, hate. He goes to his father Ansel (Thomas Haden Church) for help. Ansel lives in a trailer park with his new wife Sharla (Gina Gershon) and his daughter Dottie (Juno Temple) from the previous marriage. When it becomes clear that Ansel doesn’t have the money to lend him Chris tells him of a half-brained scheme involving Joe Cooper, a detective who is self-employed as a hitman. The obvious target is Adele, who has a $50,000 life insurance policy. The money could not only pay off Chris’s debts and the $25,000 fee for Joe’s services, but the remainder could send Dottie, the sole beneficiary, to college.Continue Reading
No Country for Old Men
A series of unfortunate events unfold in a small desert community when a drug deal near the Rio Grande goes sours, bringing a dark whirlwind into their lives.
Adapted from the novel by famed American author, Cormac McCarthy, the Coen brother’s screenplay is tight, authentic and really able to utilize a story with three leads.Continue Reading