National Lampoon’s Animal House
The impact that National Lampoon Magazine had on American comedy during the 1970s was enormous, eventually spawning the massively ripped-off comedy movie National Lampoon's Animal House (as well as the Vacation series and some crappy forgettable flicks). You could say that the long running sketch comedy show Saturday Night Live symbolically evolved from National Lampoon (as well as from the Second City comedy clubs in Chicago and Toronto). Following the success of SNL's first breakout star, Chevy Chase, John Belushi would earn a cult following from his performance in Animal House that would last past his untimely death four years later from a drug overdose, leading the way for SNL alumni to dominate comedy for decades.Animal House follows two freshmen, Pinto (Tom Hulce) and Kent (Stephen Furst), "a wimp and a blimp," at Faber College in 1962. After being turned away from the elite fraternities they end up joining "the worst house on campus," Delta House. These campus outlaws are in constant trouble with Dean Wormer (brilliantly played by the snaky John Vernon of Point Blank), as they are placed on “double secret probation.” Eschewing academics or athletics, Delta members are either out to get wasted or laid, lead by would-be playboy, Otter (Tim Matheson), and super slob, Bluto (Belushi). There are a number of memorable scenes including Pinto and fellow Delta, Boon (Peter Riegert), along with his girlfriend, Katy (Karen Allen), being introduced to pot by a professor (Donald Sutherland); Belushi's stroll through the cafeteria line hoarding food and then his zit imitation; the guys' trip to a Rhythm N Blues club where Otis Day and the Knights perform (a scene ripped off in Weird Science). After the fraternity is expelled their revenge on the sc...Continue Reading
The train movie has always been a favorite genre of mine (Horror Express, Runaway Train, Narrow Margin, Emperor of the North Pole, etc). Going back to the silents (The Great Train Robbery) the train trip has been used famously as a murder mystery setting (Murder on the Orient Express, The Lady Vanishes), a place for romance (North by Northwest), action (The Cassandra Crossing, Breakheart Pass), comedy (The General), and horror (Terror Train). In 1976 director Arthur Hiller wasn’t exactly sure what genre he wanted - romance, action, comedy. Though sometimes messy, his Silver Streak did mange to breathe some life into the train picture and it ended up being a perfect piece of genre-bending entertainment.
With a screenplay by Colin Higgins, who had written the cult flick Harold and Maude and would go on to write and direct another solid romantic-action-comedy, Foul Play with Chevy Chase, Silver Streak stars Gene Wilder. As one of the era’s most unique comic talents, the role feels very un-Wilder-like. Mater of fact it could have been Chase, Elliott Gould, George Segal, Burt Reynolds or any leading man of the mid '70s. It’s not until just over the half way mark when Richard Pryor enters and infuses the film with a fresh energy, bringing out the more manic Wilder that audiences had grown to love. After getting a co-screenwriting credit on the Wilder flick Blazing Saddles, but nixed as an actor, Silver Streak would mark Pryor and Wilder’s first onscreen comedy together. They would follow it with the sometimes hilarious Stir Crazy and then the mostly terrible Another You and See No Evil, Hear No Evil. But Silver Streak is the film that really best showcases the yin and yang of their different comic styles.Continue Reading
The Blues Brothers
There was a time in 1978 when John Belushi had the number one movie in theaters— National Lampoon’s Animal House. He also starred on the massively popular Saturday Night Live and his band The Blues Brothers, a group he co-fronted along with SNL co-star Dan Aykroyd, had the number one album in the country. The success of their album Briefcase Full of Blues led to a film adaptation, The Blues Brothers—the first and still the best of many films to originate from SNL skits. It’s a loud musical-action-comedy film that works in all three genres while boasting some great car chases, stellar music, and staying very funny throughout.
Fresh from a stint in prison Jake (Belushi) reunites with his brother Elwood (Aykroyd). Spurred on by an old friend, Curtis (Cab Calloway) they visit their childhood orphanage and learn that it’s on the verge of being shut down for owing back taxes. After a vision “from God” in church they decide to reform their old blues band and raise money with a large charity concert. Most of their bandmates have contempt for them and need convincing to reunite. Along the way they tend to wreak havoc and leave large swaths of destruction wherever they go which leads the police after them. They also create foes with a country/western band, The Good Ol' Boys (led by Charles Napier), when The Blues Brothers steal their bar gig. They disrupt a Nazi rally and manage to put a carload of uniformed Nazis on their trail (led by the hilarious Henry Gibson of ...