Lolo

Dir: Francisco Athié, 1993. Starring: Roberto Sosa, Lucha Villa, Esperanza Mozo. Cine en Español.

This is the kind of movie that was made with various limitations that must be taken into account. I’ll lay all the flaws out on the line, and in the end you can be the judge. The lighting is horrendous, but due to the grizzly subject matter it works. I can’t imagine what kind of equipment they used, but many of the scenes are shot at night, which normally boosts a film’s budget by several degrees. The camera work, however, is awesome. I’m not sure how that’s possible, but I’d love to see how they crafted the various overhead shots and rotational pans, similar to some popular French films and 360 shots that Spike Lee used in the '90s. You could say that the darkness provides a good storytelling device for this film, seeing as how it has some very violent scenes, but there were honestly some shots where I could hardly see the characters or follow what was going on. The music is interestingly different, spanning from Mexican hard rock/punk to boleros, but it does lack proper placement and flow. The film is also fairly short and resolved with a bit of haste.

Now, if the above would not deter you from taking a look, I think you’d be as pleased with the film as I was. Instead of writing this review in a regular sense, I'd like to add a bit of analysis, which will better explain why I like it so much. Without spoiling the entire plot for you - or the ending - I'd say that if you are annoyed by religious overtones and metaphors in films, this might not be a movie you'd like. My next statement might not be as easily swallowed by some people, but certain elements in the film's plot and emotive efforts reminds me of two of my favorite movies, Pixote and Mulholland Drive. This is not a comparison, but simply an automatic mental note. It reminds me of the slum-element and young protagonist of Pixote (along with the poor production); but with Mulholland Drive, the resemblance for me is in the importance of a key object. In David Lynch's movie, it is the blue box and key that holds the fate for the lead characters and alters their past and future. In a similar sense, a golden watch and a pair of red sneakers are two simple props from which all the events in this movie can be pivoted.

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Posted by:
Edythe Smith
Sep 7, 2010 9:23pm
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