Dancing Outlaw is the first of two films by director Jacob Young that follow the comical and sometimes endearing daily rituals of Jesco White—a young man with a few different personalities who has followed his father’s footsteps in attempting to become the greatest living mountain dancer in the Appalachians. He lives in Boone County, West Virginia—a place where everyone seems to have either gone mad or suffers from some kind of gentile and permanent cabin fever.
His wife Norma Jean describes him in by far the most amusing and unflinching way, claiming that he is the most beautiful person that she’s ever met, but also the Devil himself. Through fluid interviews, she sort of forewarns the audience of Jesco’s three personalities: there’s Jesse, the son of his father who has a healthy beard and enjoys digging into his hillbilly roots and growing into a stronger tap dancer; Jesco, the man who wears grungy metal clothing, talks simple, and tells stories of sniffing glue and gasoline, among other things; and finally, there’s Elvis—Jesco’s personality at home, where his entire house is literally filled with an overwhelming amount of Elvis memorabilia. Aside from his home being stuffed with everything with “The King’s” face on it, he also slicks back his hair, wears fancy clothes, shaves his beard, sculpts his brows, and records himself singing along to Elvis records in his bedroom.Continue Reading