If we lived in a perfect world, Police Story would be the archetypal action film all other action films would emulate. But the world is imperfect and most action films are bloated, $100 million plus productions filled with bad dialogue, aging stars, poorly choreographed fights, and CGI removing any semblance of real threat or excitement. And yet, Police Story is almost thirty years old and still excites in the way action movies should.
Police Story doesn’t wait around to give you tons of unnecessary exposition. Right from the start, it spends only a few minutes establishing who the bad guys are, why the cops are after them, and Chan Ka-Kui's (played by Jackie Chan, also the film’s director) moralistic view of his job. And right when they give you just enough info to get involved in the story, you’re treated to a gunfight followed by cars driving through and destroying an entire shanty town followed by Chan Ka-Kui chasing a bus being held hostage by the escaping villains.Continue Reading
Return To The 36th Chamber
Director Lau Kar Leung is sort of a bridge from the hey-day of Shaw Brother kung-fu films to the new wave, hyper-stylized martial arts spearheaded by Tsui Hark. And I mean that literally, since he worked with Shaw master Chang Cheh and then directed his own films at the end of their era, and then worked with Jackie Chan, Donnie Yen, and others of their ilk. I also mean figuratively, as his directing and choreography is pretty much solely responsible for moving things from chopsocky to the more modern approach. Unfortunately, he is pretty much only known for The 36th Chamber of Shaolin, an undeniable masterpiece, and maybe for quitting Chan’s Drunken Master 2. But just about any one of his films would stand out amongst the crowd were they to be discovered in the West. Even though Return To The 36th Chamber was a cheap, cash grab it remains both innovative and gasp-inducing to this day.
Most likely the reason Return didn’t get the attention the first one received is because it’s not technically a sequel and it’s more or less the exact same plot. Gordon Liu returns, playing a lovable loser whose town is being harassed for money which they cannot afford so Liu pretends to be a Shaolin master in hopes of scaring away these bullies. After being humiliated when his plan fails, he heads to the real Shaolin temple to learn their ways but is only assigned construction duties once they accept him. He finds this worthless but when he returns home he finds he’s acquired skills he did not have before. Beat for beat, this is the same plot as the first. But while Leung still sells the story adequately, it’s in his fights that he really shines.Continue Reading