Duel in the Sun

Dir: King Vidor, 1947. Starring: Jennifer Jones, Joseph Cotten, Gregory Peck. Westerns.

Duel in the SunThey don’t really make ‘em like this any more. Dubbed “Lust in the Dust” by clever people of the time Duel in the Sun is a ferociously overheated western with a bad romance novel plot blown up to the scale of grand opera. The combination of terrible acting, epic scope, its goofy depiction of a lustily violent romance, and Technicolor so rich and strange it makes Texas look like Mars all work to achieve a rare kind of purity that the film exudes. Hollywood still produces expensive flops but rarely something this original and insane. It was truly the Showgirls of its day. We have star producer David O. Selznick to thank for this fantastic folly.

Selznick needed to top his previous success with Gone With the Wind. He was also determined to make his questionably talented mistress Jennifer Jones a big star. Selznick’s meddling with Duel in the Sun is legendary. He ran through directors (including Selznick himself and the inimitable Josef von Sternberg who, one would assume, would have been a perfect match for such gilded fakery), fought with his composer, Dimitri Tiomkin, and spent so much money and overstuffed his movie with so much talent – Gregory Peck, Joseph Cotten, Lionel Barrymore, Lillian Gish, Walter Huston, Herbert Marshall – that the results were going to be interesting no matter what.

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Posted by:
Jed Leland
Aug 6, 2013 9:55pm

To Kill A Mockingbird

Dir: Robert Mulligan, 1962. Starring: Gregory Peck, Mary Badham, Phillip Alford, Brock Peters. Classics.

One of the great American books, To Kill A Mockingbird, makes for one of the great American films. Horton Foote (Tender Mercies) compactly adapts Harper Lee’s dense semi-autobiographical novel. Now an adult, Scout Finch recounts two summers in her childhood during the Depression in a sleepy little Alabama town. She and her brother Jem befriend a boy named Dill (based on Lee’s lifelong friend, Truman Capote), while her father Atticus, a righteous lawyer (righteous, in an admirable way), defends a black man accused of rape. Scout learns many simple lessons and the film, with such simple qualities, packs a gentle emotional wallop.

This was 1962 disguised as the Depression. An innocent ‘62, pre-assignation of JFK and MLK; pre-Vietnam War making the front pages; pre-Black Panthers and "black power." When the naïve still believed that one crusading white man could potentially save a black man’s life. And though in the end Atticus doesn’t actually succeed (thematically it has something to do with why it’s a sin to kill a mockingbird), it has enough of an impact on a child that she could grow up to be a great writer. Though in real life, unfortunately, Harper Lee would never write another book again, instead becoming Capote’s babysitter (Lee, along with Emily Bronte and John Kennedy Toole, would be one of the great one-hit wonders in literature history).

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Posted by:
Sean Sweeney
Sep 23, 2010 1:15pm
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