Situated somewhere in the middle of two closely related movie trends of the 1970s - the "All-Star Cast Disaster Movie" (The Poseidon Adventure, The Towering Inferno, Earthquake) and the "Terrorist Disaster Movie" (Two-Minute Warning, Skyjacked, Black Sunday) - Rollercoaster from 1977 nestles nicely in its own netherworld, not realizing that the genre was running out of steam (Beyond The Poseidon Adventure anyone?). Although the "Disaster Movie" would continue to reemerge in Hollywood for decades under new guises (Independence Day, 2012, Dante’s Peak, etc.), its Golden Age was really when a guy like George Kennedy or Charlton Heston was at the rudder and stars from Hollywood’s Golden Age were still available to be carted in on their wheelchairs to make an appearance and collect their checks. Rollercoaster did manage to dig up a couple of legends (Richard Widmark and Henry Fonda) and a sorta cult name actress (Susan Strasberg, maybe more famous as the daughter of Actor’s Studio guru Lee Strasberg), along with a pair of '70s names (George Segal and Timothy Bottoms). Director James Goldstone, whose most important credit may actually be the second pilot of the Star Trek TV series, manages to employ some Alfred Hitchcock cat-and-mouse tricks to generate suspense and give a dying genre a last gasp of breath.
To think that Bottoms started the decade off with two great movies (The Last Picture Show and The Paper Chase), in Rollercoaster he plays “Young Man,” a zombie-like psycho who is blowing up rollercoasters around the country in order to extort a million dollar ransom from the companies that own the parks. After an explosion on a rollercoaster, ride-inspector Harry Calder (Segal) is the first to figure out that this was no accident. He’s a regular guy with a teenage daughter (Helen Hunt, in her first movie) whom he often pawns off on his girlfriend (Strasberg), and a deep anti-authority complex, to the chagrin of his hateful boss (a brief Fonda clearly trying to up his SAG pension numbers). Bottoms makes Segal his point man as he threatens more bombings and the FBI joins him, with the angriest FBI head-man of all time (played by the one time great Widmark, who just spews intensity here) who seems to hate Segal even more than Fonda. The highlight is an intense scene in an amusement park, as Segal is forced to deliver money to Bottoms and instead ends up carrying a bomb onto a coaster. It all leads to Segal having to argue with the dumbbells in charge of the investigation and a showdown with the terrorist who looks to ruin the upcoming 4th of July festivities at one of the many possible amusement parks in America (and he does end up slightly disrupting the big Sparks concert at Six Flags Magic Mountain).Continue Reading
Who Is Killing the Great Chefs of Europe?
As if the spectacle of a top chef's attitude was not enough, this movie has excellent dialogue and absurd murders to please viewers even more. For that reason, and many others, it is my favorite screwball comedy and one which takes a step away from traditional screwball plots, yet still remains fresh and classic. Replacing the love-triangle between a feisty woman and two men is a dessert chef who is being fought over by two individuals, though one of those pursuits is not romantic. Natasha (Jacqueline Bisset) is a famous pastry chef who's been called upon by Maximillian Vandevver (Robert Morley), an obese food critic and good friend, to make a cake for the Queen of England. Her fumbling ex-husband, Robby (George Segal), is an overnight millionaire who owns various catchy fast food chains. This, of course, allows for Natasha and her co-workers to see him as the antichrist of cuisine. While harassing her in order to pitch an idea for a chain of omelets called H. Dumpty's, he discovers that she is being wooed by a famous Swiss chef. This particular chef is the one that orchestrated the dinner for the Queen, and the two met on silly terms in a kitchen. After spending the night with him, she wakes to find that he has been murdered in his own kitchen while attempting to make her breakfast. She finds him in an oven, which she and the authorities notice is a play on his specialty dish. Since she was the last one seen with him and her ex-husband was the last one to call his home, the two become suspects for the murder. The business deals that they have in other countries don’t leave them with much time to feel threatened, and Natasha finds herself shipped off to Venice by Max in order to meet a famous Italian chef and exchange ideas. Robby ends up following her there and becomes an even bigger nuisance. Soon after, his silly and semi-romantic cat-and-mouse game is overshadowed by another murder. The Italian chef, like the Swiss one, is killed in the fashion of h...Continue Reading