From the opening sounds of sad circus music flowing into disco, you feel you are in for something unique. As the camera tracks across a street into a bustling nightclub, introducing us to a large array of characters in one take, you know you are in for one hell of a spectacle...
Boogie Nights is an epic tail about life in the swinging seventies through the lens of the porno industry of Southern California. It explores the transition of the business into the 1980s, where film was switched out for video, and the roof caved in for many. But it’s not simply a story of the sex trade—it’s about family. Although somewhat warped, the group of porn stars connect together as if they were brothers and sisters, mothers and fathers.Continue Reading
At one time Burt Reynolds was a megastar. By 1987 the shine was thinning, as his hair piece was thickening. Just two years after his arch '70s box office king rival Clint Eastwood made his obligatory quasi-Shane remake Pale Rider (the least of the four Westerns Clint directed), Reynolds did his own less blatant variation of Shane, with an equally simple title: Malone. Updated, instead of an old-timey oater, Malone is more of an '80s muscle film. This could have been a by-the-numbers vehicle for any number of steroidy non-actors of the day; the ace up the sleeve here is the lovely British Columbia backdrop and Reynolds' considerable charm. Even when he seems to be barely trying he’s much more likable then most of the action stars of the period. Back in his salad days (the '70s) Reynolds starred in two bona-fide classics, Deliverance and The Longest Yard, and had a massive box office hit with Smokey and The Bandit. But by the '80s--though Reynolds was still a very popular personality--none of the vehicles really matched his talent. Looking back years later, as the smoke has cleared, Malone is probably his most entertaining film of the decade.
Burt plays Malone, an ex-CIA hitman trying to escape his past (is there any other kind?) and make a break from his sexy handler (Lauren Hutton). After hitting the open road, his car ends up breaking down in a small mountain town where he befriends a clean cut gas station owning family, the Barlows. Father and his teenage daughter (Scott Wilson and Cynthia Gibb) take him in and luckily for them Malone also happens to be handy with a wrench for fixing engines. It turns out Malone happened to show up in the knick of time, as the town is being bought up by a nasty rich guy, Delany ( the alway dependable Cliff Robertson). The Barlows won’t sell, even under pressure from the town’s corrupt cops (lead by Kenneth McMillan) and Delany’s own band of thugs, plus the usual suspects of '80s B-creeps--including many familiar faces such as Tracy Walter (Batman) and Dennis Burkley (the lovable big mute biker from Mask). The bad guys try to exert muscle and Burt kills a couple of them. Shane had that famous tree trunk digging scene, but Burt doesn’t exert much sweat. Although he does get shot, giving Hutton a chance to come back to bandage him up and have a quickie romance before the creeps kill her. This leads to an all out war as Malone is forced to use his considerable killing skills to take out the security team and finally have it out with Delany. And then, very abruptly, it ends. But this was the '80s. Who wanted to sit through a movie much longer then ninety minutes? We had to get to the arcade.Continue Reading