THIS JUICE BUGZ Somewhere between Pee-Wee's Big Adventure and Batman there is Tim Burton’s feature length sophomore effort, Beetlejuice. Upon a recent rewatch, I realized I’d forgotten how truly amazing, wildly inventive and original this phantasmagoric odd-ball comedy was! It’s quite frankly the purest Burton experience for me. It’s just silly how much of JUICE’s visual language oozes with Burtonisms! Add to that the sweet (as in cool) dialogue and characters created by co-authors Michael McDowell and Larry Wilson. I’m kinda in love with it lately!
THE DIRT ON THE DEAD… Adam and Barbara Maitland just died. Played with great wholesomeness by Alec Baldwin (Adam) and Geena Davis (Barbara). So they die. But for a while they don’t know it. It becomes more apparent to them when they find a copy of the Handbook For The Recently Deceased laying around the house and the rude awakening that the Deetz’ are the new occupants and owners of their house! The Deetz family comprises of the artistically manic Delia (Catherine O’Hara), her uptight hubby Charles (Jeffrey Jones), and their ever morbidly morose daughter Lydia (Winona Ryder).Continue Reading
Glengarry Glen Ross
David Mamet’s pitch dark morality play about capitalism as a nihilistic force for poisoning the human spirit was turned into a film in 1992 with an all star cast featuring Jack Lemmon, Ed Harris, Alec Baldwin, Kevin Spacey, and Alan Arkin. All of them play miserable salesmen both complicit and bitterly at odds with having their sense of identity wrapped up in their weekly sales figures. The actors work the odd time signatures of Mamet’s trademark dialogue and the lines are delivered with a seething intensity that leaves you a little shaken.
Guilty pleasures - or in the book world they are often referred to as beach books or popcorn or even junk food - you enjoy eating them or watching them or reading them but they have no nutritional content to them. The late '80s and early '90s were full of serviceable guilty pleasures, usually in the guise of thrillers. The genre hit its critical peak with the overrated Michael Douglas flick Fatal Attraction in '87 (that movie actually got a best picture Oscar nomination and that was back when they had a mere five elite films nominated). Superstar bum-flasher Douglas continued his reign as victim to the ladies lust, hitting his apex in '92 with the sleazy homophobia of Basic Instinct. Of course director Paul Verhoeven had done the same story much more effectively with his Dutch film, The 4th Man, ten years earlier.
Video cassettes and cable helped make the suspense genre a staple of movie watchers' subconscious. You may or may not remember the titles, but the films were popular in some form or another, ingested like a bag of potato chips, enjoyed that evening and forgotten the next day. Blink, Color Of Night, Dream Lover, The Last Seduction, Jennifer Eight, The Final Analysis, Jagged Edge, Suspect, Pacific Heights, blah blah blah, the list of title goes on. But for some reason there is one that I always remember. I guess I enjoyed it more than the others...Malice.Continue Reading
The Royal Tenenbaums
Following his indie breakthrough Bottle Rocket and his critically acclaimed sophomore effort Rushmore, director Wes Anderson creates the most complete film of his career so far. Written by him and Owen Wilson, the script is top-notch, running the gamut of human emotion while finding the humor in its flaws. The characters are unique and complex, the cast is full of brilliant actors, and the film is directed beautifully.
Screen legend Gene Hackman (Unforgiven) plays the family’s patriarch, “Royal Tenebaum”-- a man of high intelligence but lacking in morals and scruples. A disgraced and disbarred lawyer, Royal dupes his family into believing he is dying of cancer in order to find his way back into their lives. Hackman is an actor who always delivers, but, in this, plays one of the most unique and hilarious characters in his very long and impressive career.Continue Reading