Hedwig and the Angry Inch is a darkly comical rock musical about the trials and tribulations of an East German transsexual songwriter. Growing up behind the Iron Curtain, young Hansel was raised by a cowering G.I. father and a cold-hearted German mother. Once grown, he falls in love with an American soldier, who promises to marry him and take him to the states. The one catch is he has to be a woman to flee the country.

Hansel’s sex change operation is blotched and he becomes “Hedwig,” left with only “an angry inch.” Once free of communism, her husband leaves her and she scrapes by babysitting for a military family. The teenage son, Tommy (Michael Pitt), is enchanted with her and they fall in love. That is until he steals her songs and becomes a superstar known as “Tommy Gnosis.”

Hedwig and her band (also known as “The Angry Inch”) tour the country, playing small venues, shadowing the sold out concerts of her former lover. While on the road, she experiences tension with her current spouse and lead guitarist, Yitzhak (Miriam Shor). He has lived in her shadow too long and craves to become the Diva.

The Wiz has one of the worst reputations in film history. It was a commercial and critical flop and is said to have ended not only Diana Ross' film career but Hollywood's investment in musicals and the era of black-centric movies that had recently evolved from blaxploitation to character driven drama and comedy. Made in 1978, it is the film version of the staged musical that took Broadway and the Tony's by storm in 1975. The staged production starred a teenage Stephanie Mills (who would later become an R&B sensation) who was also signed to play Dorothy in the film version. That role went to Diana Ross who critics, and even some involved with the production, felt was too old for the part. She was supported by an outstanding cast including a young and vibrant Michael Jackson as the Scarecrow and Ted Ross reprising his Tony award winning roll as the Cowardly Lion. Unfortunately, Joel Schumacher wrote a flimsy script using very little of the play's libretto and instead infused it with “feel good” jargon from motivational guru Werner Erhard including the song “Believe in Yourself.”

Once is a love story masquerading as a musical disguised as a documentary. It is pure bliss from start to finish. Two lost souls find one another through music and then nudge each other back into life. I never once thought about the budget (which was tiny) or the acting (by 2 musicians) or even the director (who is amazing because he is completely invisible). From the opening scene where one of our heroes is unabashedly singing out his broken heart to its counterpoint towards the end where the other quietly lets out her own, I was snugly fitted into the camera lens that follows, captures and reveals them at tender, quiet, and charmingly awkward moments.

The movie is 60 percent music but it doesn't feel like a musical. It feels like a movie with a really good soundtrack. Better than any montage, each song is laden with romantic reminiscence and searching allowing us to stretch closer to the characters . This leaves enough mystery, enabling the story to unfold without compromise. If you hate the singer/songwriter Once might not be for you. But if you have an ounce of sentiment and a dash of a want-to-be-musician jones this is it.

Follow the Fleet is not the formula that the Astaire/Rogers team is best known for. He's a sailor, and she's single gal making a living in the busy port of San Fransisco as a dance hall girl. Theirs isn't even the the only love story. Historically it's a piece that goes back a picture to when they were the lovable comic relief playing second fiddle to the more glamorous duo, Irene Dunne and Randolph Scott, in Roberta.

However, Fleet is loaded with adult humor and childish charm. Astaire in a sailor suit is hilarious. He looks so young and tiny compared to the bulky and once again co-lead, Scott, and Rogers seems a little crass standing next to the lithesome beauty of a young Harriet Hilliard (of Ozzie and Harriet fame). However their chemistry and spunk make the other two seem as flat and as interesting as soggy pancakes.