Sonny Clark

 

 

In a 1987 piece in the New York Times, the late critic Robert Palmer noted that pianist Sonny Clark was routinely, and somewhat unfairly, characterized as a member of the so-called “Bud Powell school.” While Clark, like many of the other keyboardists of his generation, was undoubtedly influenced by the work of his inimitable Blue Note Records label mate, who virtually defined bebop’s virtuosic approach to the instrument, he brought his own style to the table, as saxophonist Johnny Griffin noted in the same story.

 

“Sonny was a... Read More

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