Stranger by the Lake
Talking about sex on film and why he felt it didn’t work Orson Welles once said, “Ecstasy isn’t really part of the scene we can do on celluloid.” I wonder what he would have made of Stranger by the Lake, a film that is about almost nothing but sex. Okay, you might say it’s about the search for connection, and the complicated nature of human relationships, and it’s kind of a murder mystery as well but everyone is naked almost the entire time. I don’t think I’ve ever seen so many uncircumcised penises (it’s French..) in a movie before. As a thriller, it works well enough. The nudity is distracting to a point but it works in tandem with the languid pacing and serenity of the visuals. This is, in some sense, a nature film.
The film takes place at a cruising spot near a lake in France. Men come to sunbathe nude, and to go into the woods nearby to have anonymous sex. It’s a world unto itself with its own peculiar rules and set of codes. Real life doesn’t seem to intrude but that’s an illusion because the dangers of the real world are ominously close. Franck (Pierre Deladonchamps) is a regular who is more drawn to this spot than he wants to admit. He likes disappearing into the woods. He strips, he swims, he sunbathes, he cruises, and the scenes have an unobtrusive medium-shot matter-of-fact-ness about them. They look like anthropologists doing fieldwork on gay subcultures could have shot them.Continue Reading
The Talented Mr. Ripley
A lot of directors working today try to ape Hitchcock. His films are the gold standard for artful forays into psychological terror. Christopher Nolan is just the latest celebrated director trying to tap into a rich vein of Hitchcockian malice for his own films. But while Nolan succeeds with astonishing set-pieces within his films—think of the face-to-face interrogation room sequence between Batman and the Joker in The Dark Knight—his films are, for the most part, long on disorienting gimmicks and rather low on psychological depth. He also doesn’t go near the subject of sex and Hitchcock’s films are full of sex—sexual obsession, sexual dread, sexual paranoia—the one exception being sexual fulfillment which seemed to exist only within the arms of his most beautiful and iconic star couplings in films such as Notorious and To Catch a Thief.
The Talented Mr. Ripley is a first-rate Hitchcockian exercise from the late director Anthony Minghella and it has all of the corrosive sexual dread you could ask for as well as a disturbingly convincing subtext on the kinds of identity games Americans are always involved in. It’s glamorous and dark and manages to top Hitchcock in at least one respect—its undercurrent of eroticism is explicitly homosexual.Continue Reading