Movies We Like
Prince plays “The Kid,” and though his band The Revolution seems to have a loyal following, the club owner (Billy Sparks) thinks they aren’t drawing the crowds they should be. He seems to side with The Kid’s chief rival, the zoot-suited Morris Day and his band The Time. He wants the Kid to stop doing that “one song shit” and making the kind of music that only he understands, or he’s going to be axed from the club’s roster. When a foxy new Russ Meyer-esqe babe, Apollonia shows up on the scene, The Kid woos her with motorcycle rides and by ogling her from behind his oversized sun glasses. Strangely he still lives with his parents, where his washed-up musician father (Clearance Williams III of Mod Squad fame) beats up his mother (Olga Karlatos who was in Lucio Fulci’s Zombie) on a nightly basis—a habit The Kid seems to be picking up with Apollonia. And like the song lyrics go, “maybe I’m just like my father, too bold. Why do we scream at each other? This is what it sounds like when doves cry.”
Meanwhile his band mates Wendy and Lisa (played by Wendy and Lisa) are peeved that The Kid won’t listen to the song they wrote and there’s a dude in the band who always wears full surgical scrubs (including the mask). Morris and his sidekick (Jerome Benton who would go on to play Prince’s sidekick in his follow up Under the Cherry Moon) talk Apollonia into fronting their sexy girl group, which sends The Kid on another hissy rampage. This is followed by his father killing himself; his last words to his son were “never get married.” Finally The Kid must come up with one killer song to keep his job, win back the girl, and explain all his antisocial behavior…. Ladies and gentlemen that song is called “Purple Rain.”
After a number of hits on “black” radio and critically acclaimed albums like Dirty Mind and Controversy, Prince had his first across-the-boards breakthrough with his double album 1999. Coming at a time when MTV was finally starting to showcase non-white videos, the singles “1999” and “Little Red Corvette” were perfect for the growing white audience. The success of Purple Rain and its music opened Prince up to an even bigger audience. Between him and the monster success of Michael Jackson pop music and videos no longer needed to be segregated forums.
As an actor (and later a director) Prince did a kinda sequel to Purple Rain called Graffiti Bridge, a justly ignored film. He never again had the film success he had with Purple Rain (or to some extent even recording success). Though his acting can be interesting and he does reek of charisma on stage, he usually resorts to just pouting, while his romantic moments can be downright creepy. On the other hand, Morris Day and his band The Time showed so much potential that they should have all had bigger careers. After replacing Vanity 6 lead singer Vanity in the role of Prince’s love interest, Apollonia was the one who was suppose to be the pro actor in the group. She had appeared on an episode of Tales of the Gold Monkey as “Native Girl.” Though she looked great walking around Minnesota in lingerie and leather, her emotional depth was sometimes lacking.
The character flaws and inexperience of most of the cast actually help to give Purple Rain a realistic feeling. Is everyone just playing themselves? Most actually were. There’s also a classic “let’s put on a play” vibe with Prince having rounded up his friends from the music scene and gotten a first time director Albert Magnoli to head the production. The bleakness of the surroundings and the sadness in The Kid’s psyche make the film feel like much more than a long form music video. As both an audacious film debut for Prince and as a showcase for his on-stage persona Purple Rain is utterly entertaining. But today, maybe Purple Rain is most memorable as a window into a world that may or may not have actually existed; it may have all been a fragment of Prince’s strange imagination.
Purple Rain won an Oscar for Best Original Song Score.