Au Revoir Les Enfants

Dir: Louis Malle, 1987. Starring: Gaspard Manesse, Raphael Fejto. Foreign.

The great director Louis Malle is so often overshadowed by his cultier French New Wave colleagues. His The Lovers and Elevator to the Gallows, both made in ’58, preceded Godard’s Breathless and Truffaut’s The 400 Blows by a year. But while both directors were heavily inspired by him, their film debuts are always much higher ranked by film historians. After Malle’s first two near-classics he had some hits but didn’t start making timeless films until the '70s, with his fearless Murmur of the Heart (still cinema’s best coming-of-age incest flick) and Lacombe, Lucien (about a Nazi-loving French kid). Malle went on to do something none of his peers did; he made several  American masterpieces, his quick trilogy from '78-'81 including Pretty Baby, Atlantic City and My Dinner With Andre. They were some of the best films of the era. He also married American actress Candice Bergen (though his woeful follow-up, Crackers, with Sean Penn, is thankfully forgotten). Finally, after a few documentaries, he returned to France for one of his best films, the apparently autobiographical WWII youth drama Au Revoir Les Enfants (“Goodbye, Children").

Malle’s younger self can be seen in the hero of the movie, the twelve-year-old Julien Quentin (Gaspard Manesse). This is the kind of three-dimensional child character that cinema rarely gets right; he’s certainty an equal to François Truffaut’s alter ego Antoine Doinel. He’s cool, he’s kind of a rebel, but he’s also an observer, a reader and a thinker. These are traits that we are never told about, but we are able to see with small gestures. And to make things even more complicated, underneath his confident class clown act he’s also a deeply sensitive mama’s boy. He slowly befriends the new kid at their Catholic boarding school, the shy but obviously very intelligent Jean Bonnet (Raphael Fejto), whom it turns out is actually Jewish (posing as a Protestant). He’s one of three students being hidden by the priests from the occupying Nazis. They develop an interesting bond and the usually selfish Julien comes to empathize with Jean, but like many young people, he still has to overcome his own issues and insecurities before it’s too late.

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Posted by:
Sean Sweeney
Mar 30, 2017 12:46pm
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