Let me just lay it out there: not only is Kate Winslet the best actress of her generation, she’s probably reached all time top ten for me. After some British TV work she burst in to movies while still a teenager with her haunting performance in Peter Jackson’s Heavenly Creatures and then established herself as a major young adult actress with her wonderful work as Lucy in Ang Lee’s Sense and Sensibility. Winslet then capped off this early period of art house auteurs with Michael Winterbottom’s adaption of another victorian novel Jude the Obscure (shortened to just Jude for the screen) and the best on-camera interpretation of the role of Ophelia in Kenneth Branagh’s underrated Hamlet. And then her career exploded with the cultural and box office goliath Titanic making her a giant international star. But she did an interesting thing; she didn’t chase the money, and (until recently) she mostly stuck to smaller character driven films, never again working with another A-list brand name director like James Cameron or even Lee. (With smaller exceptions being Nancy Meyers, Michel Gondry and Jane Campion, while directors like Philip Kaufman and Roman Polanski were well past their primes. She only had a small role as part of a large ensemble in Steven Soderbergh’s Contagion.)
With Hideous Kinky in ’98, (Winslet’s first post-Titanic role) she really laid down the gauntlet for the kind of career she would map out for herself: challenging, surprising, anti-star and often unsympathetic. Based on Esther Freud's autobiography about her childhood being raised with her sister by her free-spirited British mother in Morocco, Winslet plays the mom, Julia. Disillusioned by life in stuffy London and with a hippie attitude, in a search for some kind of spiritual enlightenment, she packs her eight and six year-old daughters up for a Middle East quest. The two little girls are played by Bella Riza and Carrie Mullen, and they deliver a pair of outstanding performances. Julia, though loving, is also young and selfish, with only fleeting concern for her children’s needs for stability. The girls actually want to go to school, but Mom keeps whisking them off on busses across the desert landscape to romance her Moroccan boyfriend, Bilal (the charismatic Said Taghmaoui), who also seems to be a lost soul, unwilling to live up to his community's expectations. It’s never fully clear if Julia is truly spiritual (her enthusiasm usually feels naive) or if it’s all a pose to rebel against her family and the girls’s father, a London poet. (The question of their marriage is also blurry.) The film provides an insightful and fascinating look at Moroccan city life; this, of course, is before the full-blown Islamic revolutions would make Westerners a little less comfortable being strangers in a strange land.Continue Reading
That period in American history as the country moved from the Eisenhower conformism of the ‘50s to the freedom of the ‘60s has made for some wonderful films (American Graffiti, Baby It’s You), even if they often prove to be overly wistful. The Philip Kaufman film The Wanderers, based on Richard Price’s great novel, captures this period perfectly. It takes place in 1963 and though these teenagers of the Bronx who are the film's subject do stop to watch some JFK assassination news, they have no idea that a cultural youth quake could soon open them up to a whole new world. Not since West Side Story had gang life been as romanticized as it was in the ‘70s with the T-Birds of Grease, The Warriors, The Hollywood Knights andThe Lords of Flatbush (only of note because of the presence of a pre-stardom Henry Winkler and Sylvester Stallone). Though perhaps now a cult film because of years of people discovering it on cable, The Wanderers really is a lost gem and the best of its genre.
In a newly integrated Bronx neighborhood, Ritchie (Ken Wahl, an actor who had the toothy good looks and acting chops to be a big star, but his personal life derailed his career) leads the Italian American gang the Wanderers. He’s a stud and has his sights on bohemian chick Nina (played by the adorable Karen Allen), ...