Straight Outta Compton
The music biography has been a popular source of material for movies going back to the creation of the talkies. Even forgetting all the classical composers, the music of the last one hundred years--from jazz to rock and everything in between--seems to continually stir the imagination of filmmakers. And why not? The music bio is a tried and true genre that usually follows the same rags to riches formula and all the excesses that comes with it. From the Glenn Miller and Gene Krupa Stories through Lady Sings The Blues, The Buddy Holly Story, Coal Miner’s Daughter, Sid and Nancy, La Bamba, Great Balls of Fire, The Doors, Selena, What’s Love Got to Do with It?, Control, and of course Ray and Walk The Line, all these films offer different levels of entertainment value. And you can be sure many more are on their way as the greats of the 1960s and '70s continue to reach super-icon status and death.
The last major popular music genre to explode on to the scene has been rap or hip-hop. Though less than forty years old, it has already gotten its share of bios, mixing the “sorta fictional” with the more traditional “lets put on a show” type of music film (Krush Groove, 8 Mile, Get Rich or Die Tryin', Notorious and the lost & forgotten Run-D.M.C. flick Tougher Than Leather). But with Straight Outta Compton, the still young rap-bio has finally gotten its first nearly-great movie. It’s the mostly true story of a fairly diverse group of teens from the tough streets of Compton who came together to form N.W.A. (Niggaz Wit Attitudes). They had a quick and controversial rise and an even quicker implosion, but their impact is still felt today. They weren’t The Beatles of rap. They were more like The Sex Pistols, a band who came on later in the game and only briefly, but whose energy and rage helped make everything before them sound overly safe and instantly dated.Continue Reading