Viva Las Vegas
Elvis Presley’s film career can be seen in two halves. The first half is the '50s. It consists of just four films. It’s interesting. Elvis showed some potential and even ambition to become a serious actor. The second half is the '60s. Elvis made over twenty films in the decade: two or three a year. They’re not as interesting; most were totally forgettable, formulaic vanity projects. Elvis appears to have lost his ambition to be a real actor and was willing to accept any cookie-cutter musical as long as a paycheck was involved. However, many of those second-half films still have their fans. The one standout for me is Viva Las Vegas. It’s another cut-and-paste job. It’s fluff. But besides a couple of catchy songs and some fun actual Vegas locations, it has one very special thing going for it -- Elvis’ co-star.
Love Me Tender was Presley’s first film in ’56. He got third billing. It’s actually a pretty effective Civil War drama with Elvis also crooning the title song. His third film, Jailhouse Rock, was a solid B-movie drama/musical. His final film of the decade, King Creole, co-starred Carolyn Jones and Walter Matthau and was directed by Michael Curtiz -- you know the guy who directed Casablanca. When Elvis emerged in films, still at the height of Elvis-mania, it looked like he was going to carry on the Marlon Brando/James Dean torch of misunderstood youth rebellion and alienation as he tried to pattern his acting after them: mumbling, blatant sexuality, a coyness with the camera. But by the sixties, any pose of artistic rebellion had given way to capitalist goals. Elvis had done his stint in the army, he was now married and hanging around with Sinatra on television. And by the time we get to Viva Las Vegas in ’64, The Beatles are now king and Elvis is just a dated caricature of himself.Continue Reading