Woody Allen’s most controversial film was hated by fans upon its release for its narcissism and disregard towards his loyalists, but time has made Stardust Memories a much more entertaining film than it was considered in 1980. It blatantly references Federico Fellini’s 8 ½, in both plot (a respected filmmaker trying to clear his mind while dealing with fans and women) and its look (shot in beautiful black and white photography which, like Feliini, includes grotesque close-ups of all manner of odd looking people). Woody actually comes off as one of the beautiful people compared to the faces on the extras. Though Stardust Memories is funny, it’s also deeply depressing. Woody plays Sandy Bates, maybe his most confident character, and though always surrounded by admirers, he may also be his loneliest.
Like Allen himself, Sandy is a beloved maker of comedies who longs to get more philosophical and serious in his work. While attending a film retrospective weekend of his work, he is bombarded by sycophant fans; every couple of minutes someone seems to be asking for his autograph or his attention for their cause or script idea or just heaping praise on him. Time jumps back and forth from the beachfront festival to his New York apartment, while past and present relationships are examined. He’s haunted by memories of his ex, Dorrie (the icy Charlotte Rampling), an insecure and possibly insane actress, and his current French girlfriend, Isobel (Marie-Christine Barrault from Eric Rohmer’s My Night at Maud’s), who maybe he loves, but isn’t in love with. Meanwhile he strikes-up a friendship with an Annie Hall esque sincere violinist (Jessica Harper of Suspiria, who also app...
The all-time great director Sidney Lumet is often associated with his ear for the New York streets (The Pawnbroker, Serpico, Prince of The City). He's also acclaimed for his skill at balancing his films’ often loud histrionics (12 Angry Men, Dog Day Afternoon, Network). So, ironically, he hit a home run late in his career with a legal drama that actually gets its power through silence.
The film is written by a master of gritty verbal sparring, David Mamet. Upon its release in ’82, The Verdict instantly joined the ranks of the all-time great courtroom dramas — an elite company, with flicks like Anatomy of a Murder and Witness for the Prosecution. And the role of alcoholic lawyer Frank Gavin gave Paul Newman his best role in 15 years (at least since Cool Hand Luke in ’67).Continue Reading