Movies We Like
Handpicked By The Amoeba Staff
Films selected and reviewed by discerning movie buffs, television junkies, and documentary diehards (a.k.a. our staff).
Eternal Sunshine of the Spotless Mind
LOVE FOUND & MEMORY LOST?!
BOY MEETS GIRL Mild-mannered, sheepish, shy Joel Barish (Jim Carrey) meets his polar opposite in wild, weirdo, eccentric Clementine Kruczynski (Kate Winslet) and romance ensues, again...Continue Reading
Written by American poet of the gutter, Charles Bukowski (based on his own experiences), Barfly is an urban fairy tale of two wanderers who are always in search of the next bottle. “Henry” (Rourke) is a writer who spends all his time drinking and fighting, occasionally fitting in some poems here and there. “Wanda” (Dunaway) is a boozer who lives off the generosity of various old men. Once these two meet, it is one of cinema’s most wonderfully strange love stories.
Bukowski’s script is very slice of life, but not the lives of most. With colorful characters and exceptionally quotable dialogue, the screenplay is on par with any of his works of poetry, novels or short stories.Continue Reading
The Manchurian Candidate
Based on the 1962 John Frankenheimer Cold-War classic, The Manchurian Candidate is the story of a group of soldiers who, upon returning home from war, suffer painful flashbacks of torture and brainwashing. “Major Ben Marco” (Washington) grips to reality trying to get at the truth before a possible corporate-designed “sleeper” (Schreiber) is elected to the White House.
Oscar winner Jonathan Demme (The Silence of the Lambs), helms one of the better remakes of classic cinema. The director is really able to illustrate the paranoia, warped sense of memory and the spiraling down into madness -- using the main character (Washington) as a mental road map.Continue Reading
After the current vogue for having famous people play eminent people has lost its cachet among Oscar voters, what roles will we remember the nominees for? From 1929 to1942, six of the thirteen Academy Awards for Best Actor were awarded to actors playing real historical personages, from Henry VIII to “Yankee Doodle Dandy” songwriter George M. Cohan. Occasionally flaring up once every decade, the trend of remunerating actors for successful impersonations had almost gone into remission until recently. In 2002, 2004, 2005, and 2006 the statue was awarded for the most uncanny imitation of a deceased celebrity. In the Best Actress category the statistics are even more consistent; during the 2000s only two of the past awards have gone to actresses playing fictional characters. This year celebrated stage actor Frank Langella is nominated for portraying Richard Nixon in Ron Howard’s screen adaptation of the play Frost/Nixon. Considering Howard is the first filmmaker to perfect a “direct-by-numbers” technique, the likelihood of the red-headed former star of Happy Days walking away with a little gold man looks likely.
Before Langella was Tricky Dick, he sailed the West Indies as the ruthless pirate Dawg Brown in the 1995 action swashbuckler Cutthroat Island. Dawg’s corsair father leaves Dawg and his brothers a massive hidden treasure as their patrimony, but divides the map to the loot amongst his sons to insure the fair division of the horde. But avaricious Dawg seeks to deprive his brothers of their inheritance and he urges his brother Harry to hand over his map or walk the plank. Harry dies, but not before passing on his map (hidden in a brainy location) to his voluptuous daughter Morgan Adams (Geena Davis). Morgan takes her father’s place as captain of his galleon, although most of the crew is skeptical of her competence. To gain their trust she promises them an equal share of the treasure. Unfortunately, Morgan’s section of the map is in Latin, forcing her to go ashore in Jamaica where she is a wanted woman. On land she finds a dashing con artist (Matthew Modine) who can read the map, but might also steal her heart. Together they try to escape the forces of Dawg and the larcenous Royal Navy conspiring against them to steal their treasure.Continue Reading
When 24 Hour Party People came out, I overheard a lot of dour Raincoat types leaving the theater expressing their wish that whole film had been about Ian Curtis and not those awful acid house Blue Tuesdays or whatever was going on after Ian Curtis' death, at which point their lot zoned out 'til the credits. I thought of how awful that would be - a film about Joy Division. Biopics are always so suspect. Myth-making, made-for-cable garbage with chest-beating and hammy impressions instead of acting... you know, the kind of thing the Oscars are made of. Thankfully, Control is not like that.
Control is directed by Anton Corbijn, which I didn't know till the end. Whatever you think of the guys videos, he has an eye for arresting (if sometimes comically dour) imagery. He's also Dutch and therefore a natural fit for Joy Division’s world which is black and white and eternally wintery, even in the summer – like World War II movies.Continue Reading
When it was announced that Exorcist director William Friedkin and Serpico star Al Pacino were teaming up to make a gritty, New York police thriller in 1980, nothing grabbed the attention of cinema-goers more than the idea of Cruising--especially America's gay community at the time. Immediately considered grotesque and too dark for middle America, and exploitative, and wholly offensive to everyone else with its seeming portrayal of gay men as nothing more than leather chap-wearing, bushy mustache-sporting, sadomasochistic party animals, Cruising was quickly buried in the studio vault shortly after its quick life-span in theaters. But today the film can finally be viewed and appreciated for what it is: an over-the-top, campy, cult classic with a surprisingly engaging story, and an ambiguous twist ending that will linger with you for hours afterwards.
Al Pacino stars as Detective Steve Burns, who receives an assignment to go undercover after a serial killer starts preying on New York City's gay, S&M community. Dawning tight leathers and various colored handkerchiefs in his back pocket, Burns takes to the streets and investigates the underground clubs of Manhattan's Meatpacking District (really--no pun intended). As the detective comes closer to finding his target, he starts questioning his own sexuality and violent urges--making him a loose cannon with the police department, and an enigma amongst the sub-culture that occupies his new daily life.Continue Reading
A childless-couple, with no hope of their own, decides to kidnap one of furniture tycoon Nathan Arizona’s eight babies. But once they do, life takes a serious turn, giving them much more than they bargained for.
In this early effort by the Oscar-winning Coen Brothers (No Country for Old Men), the duo makes a timeless classic of the absurd. The script is hugely original and chock-full of many memorable lines. There is no scene-wasting as these people’s lives spin out of control with pitch-perfect tone throughout.Continue Reading
Lewis John Carlino’s screenplay is sparse, but strong. Unlike newer action films, the script takes its time to give you a sense of the isolation and loneliness that comes with being a professional killer. The story provides two strong characters of vastly different backgrounds that share a similar sensibility. The result is an exciting and dangerous game of cat-and-mouse.Continue Reading
No Country for Old Men
A series of unfortunate events unfold in a small desert community when a drug deal near the Rio Grande goes sours, bringing a dark whirlwind into their lives.
Adapted from the novel by famed American author, Cormac McCarthy, the Coen brother’s screenplay is tight, authentic and really able to utilize a story with three leads.Continue Reading
The Midnight Meat Train
The only thing more frightening about Midnight Meat Train the film, is the way the film itself was treated by the powers that be. Apparently, the ‘train’ came to a screeching halt when Joe Drake (President of Lions Gate) forced a poor turnout to this film by way of limiting the release to roughly 100 budget theatres in order to draw attention to schlock garbage like The Strangers, which could be seen in multiplexes across the country. In my humble opinion, if properly marketed, Midnight Meat Train could’ve sparked the next huge horror franchise. But then again, I like my horror films dirty, dark and dreadful. Not the kind of things that shiny studio films are made of.
Midnight Meat Train opens with a disturbing encounter on an anonymous subway in an anonymous city, which we’re made to believe is New York. This is where we meet our big bad villain superbly played by ex-footballer, Vinnie Jones. And thus begins our train ride into the dark annals of the human mind… led by your conductor, Mr. Clive Barker.Continue Reading