Amoeblog

Female Experimental Filmmakers: A Noncomprehensive A-Z

Posted by Eric Brightwell, March 18, 2015 12:27pm | Post a Comment
FEMALE EXPERIMENTAL FILMMAKERS: A NONCOMPREHENSIVE A-Z or...

50 OR SO FILMMAKERS YOU DON'T KNOW, WHO WILL SHOCK YOU, AND WHO HOLLYWOOD IS SCARED TO DEATH OF!

There are almost as many types of experimental films as there are experimental filmmakers. Many of them come to film from different directions than conventional filmmakers -- weaving together psychology, painting, dance, poetry, literature, theater, sculpture, and other fields. This being Women's History Month, I thought I'd have a crack at compiling a list of some of the names with which I'm familiar. If you have additions you'd like me to insert, let me know in the comments. 



AMY GREENFIELD

Amy Greenfield was born 8 July, 1950 in Boston. She is an originator of the cine-dance genre, her namefor her artistic intersection of experimental film and dance. In addition to film she's created holographic moving sculptures, live multimedia pieces, poetry, and video installations.



BADY MINCK

Bady Minck was born in Ettelbruck, Luxembourg. She studied sculpture at the Academy of Fine Arts and experimental film at the University of Applied Arts in Vienna. Her debut, 1988's Der Mensch mit den modernen Nerven, was screened at the Cannes Film Festival in 1989. Minck today divides her time between Luxembourg and Vienna.

Irish Female Vocalists

Posted by Billyjam, March 17, 2015 04:04am | Post a Comment

No better time to do an Irish female vocalists Amoeblog post since it is Women's History Month and since I am here in Dublin, Ireland today, where the national St. Patrick's Day Parade will begin at noon. The crowds have already swarmed the city centre while the festivities kicked off here over the weekend with overflowing bars and various events surrounding the four-day I Love My City 2015 Festival that leads up to and includes St. Patrick's Day. Generally, it's a time for both Irish natives and the influx of tourists to get their collective (drunken) Irish on. Naturally there's lots of Irish music everywhere, including a free show at The Chapel Royal in Dublin Castle with new Irish music vocalist Pauline Scanlon, backed by Notify  who is part of the current wave of Irish singers keeping the Gaelic (Irish) traditional music alive by infusing slightly new arrangements on traditional airs with some electronic instrumentation backing alongside trad instruments.

Pauline Scanlon is one of the Irish female vocalists showcased in this Amoeblog along with a cross-section of others from over the past few decades up to the present. This list is both subjective (based on my own personal favorites) as well as culling the opinions of a few music fans here who include Paul Deacy (owner of Galway record/book/candle shop Bell Book & Candle), longtime Irish music collector and ambassador Tall Paul Lowe, and RTE 2XM radio DJ/broadcaster Eric "DJ Laz-E" Moore.   

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An Interview with Karie Bible for Women's History Month

Posted by Eric Brightwell, March 9, 2015 08:48pm | Post a Comment
In the past most of my posts for Women’s History Month have focused on historical figures. This year I decided to instead focus on living breathing women who’re contributing to the vibrant cultural landscape of Los Angeles. This week’s subject is Karie Bible, an independent contractor who maintains Film Radar, volunteers for the American Cinematheque in conjunction with the Film Noir Foundation for the Noir City Festival, sometimes volunteers for the Los Angeles Conservancy’s Last Remaining Seats series, and since 2002 has been the house tour guide for Hollywood Forever Cemetery. Check out her website Hollywood Forever Cinema Walking Tour for upcoming tour dates and more details. 




*****

Film wasn’t invented in Los Angeles but no city in the world is more closely associated with the movies and yet film is rarely afforded the respect which it deserves. When I moved to Los Angeles, I discovered the largest collection of picture palaces in the world, the Broadway Theater District, but that all of their huge screens had long ago gone dark. There was no plaque at the site of Edison’s old Kinetoscope parlour in front of which oldest known footage of Los Angeles was filmed. There is no plaque at the former location of Chun Fon's Sing Kee Laundry, where the first dramatic film shot entirely in California was made in 1908. The storage facility behind my local Jack in the Box had been Mack Sennet's Edendale film studio only to spend its second act enabling hoarders as a public storage warehouse. Grand historic theaters, when not churches, were subdivided into closet sized rooms with screens smaller than some peoples televisions. 

The Queen Of Soul Returns To The Bay Area For First Time In 30 Years

Posted by Billyjam, March 9, 2015 05:45pm | Post a Comment
Quiz fans of soul/RnB or check any top 100 Best Soul Female Vocalists lists and odds are that Aretha Franklin will be either number one or at least ranking in the top two or three picks. Rolling Stone magazine ranked her #1 on their "100 Greatest Singers of All Time" list - and that is not just female singers or soul/rnb but all. Hence it is a very big deal that the 18 time Grammy Award winning "Queen of Soul" will be returning to the Bay Area this summer for her first concert in the San Francisco Bay Area in 30 years! Just announced today, in time for Women's History Month, the concert tickets will go on sale this Friday, March 13th at all Ticketmaster outlets for the scheduled Monday August 10th concert at the Oracle Arena on a bill that she will be joined by special guest Kenny "Babyface" Edmonds. Franklin, who will celebrate her 73rd birthday in two weeks, released her latest album last year - a tribute collection to a selection of her personal fellow female vocalists spanning several decades. Descriptively titled Aretha Franklin Sings The Great Diva Classics, it includes her interpreation of Gladys Knight's "Midnight Train To Georgia," Barbra Streisand's "People," Alicia Keys' "No One" and Destiny's Child's "I'm A Survivor." The album's five producers include André 3000, Harvey Mason, Jr., Terry Hunter, Eric Kupper, and the aforementioned Kenny 'Babyface' Edmonds (hence why he is her special guest on this tour). Along with doing many of the songs from this new album of hers Franklin is expected to (she has to!) include in her set such classics of hers as the Otis Redding penned "Respect," "Rock Steady," "Chain Of Fools," "I Say A Little Prayer For You," and "Think" - three of which appear below in video format, including Aretha in the Bay Area in 1971 at the Fillmore in San Francisco (one of the earlier times she performed in the Bay) doing an inspired and energetic version of "Respect." Peep these videos as a reminder to why Aretha earned the title of the "Queen of Soul." 

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All-Female Bands of the 1970s -- Happy Women's History Month!

Posted by Eric Brightwell, March 4, 2015 09:31pm | Post a Comment

I wrote a post on all-female bands from the 1910s-1950s, and a post covering all-female bands of the 1960s -- here's my attempt at a conclusive A-Z (and other alphabets) of all-female bands of the 1970s. Details are often sketchy or non-existent and as always corrections and contributions are appreciated!
 

DIE ATZTUSSIS


Die Atztussis were an anarcho-punk band from the Kreuzberg section of West Berlin, active at least as early as 1979 when they played the Antifaschistischen Festival. The members were Cordula (vocals), Kiki (bass), Menusch (guitar), and Petra (drums).


‘B’ GIRLS

'B' Girls in 1977 (image source: Rodney Bowes)




 
Cynthia Ross, Lucasta Rochas, Marcy Saddy, and Rhonda Ross formed 'B' Girls in Toronto in 1977. Although they recorded a handful of demos, they only released one single, "Fun At The Beach," on BOMP! in 1979. Roaches was replaced by Xenia Holiday before they broke up in 1981 or ’82. A collection of their recordings were released as Who Says Girls Can't Rock in 1997.


BEBE K’ROCHE

 
 

BeBe K’Roche were formed in Berkeley by Jake Lampert, Pamela "Tiik" Pollet, Peggy Mitchell, and Virginia Rubino in 1973. They released one single, “Hoodoo’d,” and an eponymous LP in 1976 on Los Angeles’s Olivia Records.


BERKELEY WOMEN’S MUSIC COLLECTIVE 

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