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JEFF the Brotherhood Visits Amoeba Hollywood!

Posted by Amoebite, April 23, 2013 05:27pm | Post a Comment

Jeff BrohoodNashville's psychedelic/ garage rock duo, JEFF the Brotherhood, dropped by Amoeba for an exclusive What's In My Bag? episode.  Brothers Jake and Jamin have been releasing records since 2001 and they've been collecting vinyl ever since they were kids. From rock records to world pop selections like, Idjah Hadidjah's Tonggeret and folk songwriter Will Oldham's Goya, these brothers love to dig! They don't just talk vinyl, they've got a few interesting book selections too. One in particular is Slim Diamond's book of Pimpoetry.  Oh yes, JEFF the Brotherhood is big pimpin' when it comes to digging for vinyl!

JEFF the Brotherhood - What's In My Bag?
Watch and comment on YouTube.

 

Check out their official music video for "Sixpack":

Behind the Scenes: Dawn McCarthy and Bonnie "Prince" Billy's "What the Brothers Sang"

Posted by The Bay Area Crew, February 20, 2013 11:50pm | Post a Comment

Dawn McCarthy and Bonnie "Prince" Billy's newly-released love letter to The Everly Brothers, What Dawn Mccarthy Bonnie Prince Billy Will oldham What the Brothers sangthe Brothers Sang, was recorded at a studio called The Butcher Shoppe in Nashville, which is owned and operated by Grammy award-winning engineer David Ferguson and singer-songwriter John Prine. Summoning up the magic of others who have recorded there before them (Johnny Cash!!), the duo was joined by musicians Emmett Kelley, Dave Roe, and Kenny Malone, with featured players Billy Contreras, John Mock, Dan Dugmore, Matt Sweeney, Pete Townsend, John Catchings, Bobby Wood, Joey Miskalin, Nils Frykdahl, Ian McAllister, Joey Baron, Dr. Chris Vivio, and Noah Tag.  

Filmmaker Lara Miranda bottled some of that behind-the-scenes magic with this atmospheric short. Enjoy.

 

 

What The Brothers Sang Promo from lara miranda on Vimeo.

 

7" Fix: The Cairo Gang "Holy Clover"

Posted by Kells, May 28, 2010 10:08am | Post a Comment

Will Oldham, or Bonnie "Prince" Billy, as he often styles himself onstage and on wax, seems to have naturally great taste when it comes to singer-songwriter types native to or otherwise rambling through the backwoods and beachheads of Northern California. Of his latest collaborations I've taken a shine to the Cairo Gang or, more specifically, the vocals and guitar styling of one Emmett Kelly & co. --- lending a little of this and that to a handful of recent BPB albums as well as offering gentle listeners something on the side with the release of their 7" EP Holy Clover (out now on Empty Cellar Records).

Each of the four songs captured here recall proper feelings of seasonal impermanence and the sort of wisdom-beyond-one's-years that many modern singer-songwriters attempt to brew but seem to have trouble getting just right. Kelly (besides having a fabulous name) is blessed with a voice that not only pairs remarkably well with Oldham's wood-smoked yet crystal-fragile vocals but suits the well-crafted folk/rock vibes his band lays down (I've always thought Oldham's voice, while folksy, was more country than rock), especially when he lets loose in "Get's Me Back" on side B --- a jam with stellar guitars (Kelly is joined here by Chris Rodahaffer) sounding something like America high-fiving Neil Young with an echo of Kyle Field's (a.k.a. Little Wings) sentimental Soft Pow'r glowing 'round the edges. On the whole this little gem plays languid and pale in a light what shines one of the best of Bonnie Billy's partners in crime. Below is a little clip of Emmet Kelly and Will Oldham performing "Midday" (the A side to the 7" that accompanies the Bonnie "Prince" Billy & the Cairo Gang Wonder Show of the World CD and LP) --- their "Afternoon Delight," as it were --- in a Brooklyn basement.

Amoeba Hollywood's Featured and Upcoming Goth / Industrial Vinyl Releases

Posted by Aaron Detroit, May 5, 2010 06:00pm | Post a Comment
With a new boom of appreciation for long-playing vinyl in full swing, our cozy dark corner of Amoeba Music Hollywood where the Goth /Industrial section lies is seeing lots of great titles come through. We’ve hand-picked some recent wax new releases and reissues and are featuring them in our section this month, so crank up your turntable for some of our highlighted dark wonders.

Sturmpercht Schattenlieder (Ahnstern)
3-sided double-LP in gatefold-cover with etched vinyl on the 4th side. The masters of Pagan Folk are back with their new album Schattenlieder - eine kleine Nachtmusik für Waldteufel und Berggeister. The album features 20 diverse and unique songs full of alpine mysticism, heathen legends and tales about strange fairies and pagan rites. Schattenlieder entrains you into deep forests, arcane mountains and dark chasms and guides you to hidden places in the depth of the central European forests, where hunters meet strange creatures from dusk til dawn. The album varies between gnarled songs about creepy fairies, catchy folk hymns and dark songs dealing with alpine myths, forest tales and hunter sagas. Schattenlieder is the perfect soundtrack for misty autumn evenings as well as for dark winter nights. The album features a large variety of instruments and sounds -- obscure, strange, folky, psychedelic, but always original and weird, in Sturmpercht's very unique way. Schattenlieder is completely unpredictable -- each track a standalone, but contributing to the overall ambiance of this new benchmark within the Pagan Folk genre. Not for everyone, but a truly bizarre and wonderful release!



Ruby Throat The Ventriloquist (The Lovers' Will)
The deluxe double vinyl LP edition of the classic Folk-Noir recording The Ventriloquist by Ruby Throat. Limited to 300 hand-numbered copies in a reverse-board gatefold sleeve and including a full colour insert, this is the first time this gorgeous recording– originally self-released on CD in 2007– has been issued on vinyl by Los Angeles-based label The Lovers' Will Records & Press! Ruby Throat is a bewitching duo from London, UK and is compromised of vocalist KatieJane Garside (Daisy Chainsaw, Queenadreena) and guitarist Chris Wittingham. Garside’s voice is much like The Ventriloquist’s subject matter – riding on a dark line between the ethereal and the visceral. The album is made up of psychosexual musings, spectral visions, stark murder balladry and other transgressive tales delicately surrounded by the Psychedelic dream-wrap and pastoral strumming of Wittingham. It also holds a high spot on our previously-posted list of the 20 Best Dark Music Albums of The '00's. Recommended if you like PJ Harvey, Current 93, Mazzy Star, and WIll Oldham.



Baby Dee A Book Of Songs For Anne Marie  (Drag City)
After seeing an overwhelming response to Safe Inside The Day in February 2008, the peerless Baby Dee (a 57-year-old transgendered musician and artist from Ohio) returns with A Book Of Songs For Anne Marie. What was overwhelming about the response was the instant reaction to the purity of expression in her music. That dizzying sense of self is again an essential feature of this new music. While the last album was lit with the production fire of Will Oldham and Matt Sweeney producing, A Book Of Songs For Anne Marie glows softly with the calming presence of Maxim Moston (arranger of some standing and part of Antony And The Johnsons' touring band). In essence, this album is a prequel to Safe Inside The Day. The songs here were released in a different set of recordings and in a limited-edition book form (150 copies!) on David Tibet's Durtro label back in 2004. For most listeners, this is its first outing.


Allerseelen Cruor
The first CD-album by Allerseelen from 1993 in a brilliantly remastered version on highest-quality double-Allerseelenvinyl, with additional material! Fascinating organic Ritual-Industrial music about the blood-rituals of the Mithras cult.
Allerseelen
Allerseelen Sturmlieder
Re-release of the sold out third CD, containing 6 brand new bonus tracks! Completely remastered and re-edited for this vinyl edition. The quite excellent track, “Wir tragen ein Licht,” is dedicated to John Balance (of Coil), who died on 11.13.04; the original CD has been completely remastered and re-edited for this vinyl edition.




Upcoming NEW Vinyl Releases

current 93
Current 93/Andrew Liles Like Swallowing Eclipses
Box Set (Dirter)
For the first time on vinyl the complete highly acclaimed Andrew Liles remixes of the first five classic Current 93 albums! Andrew Liles has re-imagined Nature Unveiled, Dogs Blood Rising, In Menstrual Night, Dawn and Live at Bar Maldoror. Also exclusive to this set is a sixth LP, Haunt Invocation (Apadno) which is a remixed version of Faust and A Special Plan. These influential albums by Current 93 are regarded by many as groundbreaking and innovative; building upon this Andrew Liles has re-dreamed and re-imagined these pieces with the flare and vision that he is renowned and respected for. All the records in this 6 LP set come in individual covers and a beautiful spot varnished box and are adorned with Cold Cave Life Magazineastounding artwork by David Tibet and photographs by Simona Dalla Valle. Available early June.

Cold Cave Life Magazine Remixes (Matador)
On June 8, Matador will release the second single from Cold Cave’s Love Comes Close LP, “Life Magazine” as a limited vinyl 12″. Features a rare remix from Arthur Baker and a KILLER remix by Cold Cave's own Dominick Fernow under his noise-moniker Prurient.

A1. "Life Magazine" (The Arthur Baker’s Not Going Back Remix)
A2. "Life Magazine" (An Optimo (Espacio) Remix)
B1. "Life Magazine" (Pantha Du Prince First Flash Remix)
B2. "Life Magazine" (Prurient Remix)

Alasdair Roberts Chats About His Beautiful New Album Spoils

Posted by Miss Ess, June 4, 2009 04:32pm | Post a Comment
Drag City recording artist and Scotsman Alasdair Roberts' new album Spoils is one of the best I've heard all year. It's a lyrically dense, elegant and complex album with trad folk touches. One of its best qualities is its natural ease -- it manages to sound both organic and dense, positively medieval and modern at the same time. Roberts has been creating eloquent, idiosyncratic albums for quite some time, since 1994 to be exact, at first with the band Appendix Out and then simply under his name for the past 8 years. He was rather famously signed to Drag City after handing Will Oldham a tape of his music back in 1995, and his musical career has blossomed on since then. Spoils feels like the culmination of the sound he has cultivated since his first solo album. It is well worth tracking down and listening to repeatedly. My interview with Alasdair follows.


Miss Ess: When and how did you begin writing songs?

Alasdair Roberts: At 15 when I saw footage of the Hindenburg disaster on television and heard the pain in the presenter's voice saying, "Oh, the humanity." I then wrote my first proper song called "Autumn."

ME: What records from your youth have stayed with you most strongly?

AR: Early eighties pop singles. "Karma Chameleon" by Boy George; "Don't Leave Me This Way" by the Communards. "Pass the Dutchie" by Musical Youth.

ME: Whose music inspires you? Whose words inspire you?

AR: Many, many musicians. Some fantastic Romanian buskers in Glasgow city centre today. Fiddle and accordion. I am constantly amazed at how many great musicians there are everywhere who don't receive the credit they deserve. At the moment, Hector MacAndrew. After that I'll listen to Monteverdi. Everything I hear at one turn makes me want to quit and otherwise makes me want to improve my own art and keep going.

Words-wise, recent reading has been a lot of poetry from the so-called Metaphysicals to Wallace Stevens, Sorley MacLean in translation, Geoffrey Hill, David Jones, as well as the Four Branches of the Mabinogi, Colm Toibin's translation of the Cattle Raid of Cooley, the Poetic Edda, writings of Mircea Eliade, Kerenyi and Emma Jung's book on the Grail legend. That kind of stuff.

What Scottish rock and folk artists are your favorites?

There are so many -- singers like Lizzie Higgins and her mother Jeannie Robertson, Davie Stewart, Elizabeth Stewart, her aunt Lucy Stewart, Duncan Williamson... Dick Gaughan, the earlier records particularly.

How did Appendix Out's first single on Palace Records come to be?

Will Oldham heard some four-track recordings and handed them on to the guys who ran Palace Records. They put out the first two songs on the tape -- I front-loaded it so that the hits were first.

What kind of connection do you feel you have with Will Oldham's music? It's like you both are able to mingle aspects of your countries' deep rooted, native sounds with something completely your own...

Maybe some kind of similar attraction to the song form and engagement with singing as a means of "expression." An awareness of what's gone before and an attempt to reconcile that in creating something new. An element of metaphysical and philosophical exploration. Similar straddling of intellect and idiocy.

What comes first for you with your songs: music or lyrics? What was your writing process like for Spoils? The songs all seem connected in a beautiful way.

A mixture of both -- I take notes of lyrics all the time which eventually become songs. Guitar parts come separately -- I experiment a lot with different tunings. I'm aware by now that I'll never have the greatest guitar chops, so it's been a concern to try and forge a distinctive guitar style via the use of scordatura, which makes me sound like a better player than I actually am. Half the Spoils songs were written in a crazy summer blurt of activity; then I went on tour and the other half were written afterwards.

Where was your new album recorded? How did you decide on the instrumentation? Do you hear the songs in your head before you record or do you spontaneously bring them together in the studio?

A small analogue studio called Green Door in Glasgow. Great engineers Sam and Emily. Re: instrumentation, I had an idea that the record would be 'syncretic' -- yoking together apparently oppositional belief systems and/or musical approaches, so I brought together musicians from a lot of different backgrounds; all great musicians in their respective fields, all fairly well superior to me instrumentally...


Your songs are clearly influenced by ancient tales/imagery. What first exposed you to mythology? What about it appeals to you?

I don't know; it seems like a fertile area for the generation of ideas; the mythospheres of the world. It's not about escapism or nostalgia, it's more about the way that matters ancient can still have relevance today, and perhaps eternal relevance, although that's probably fanciful.

You are touring with Bert Jansch this summer in the US! Which album of his is your favorite?

I have been listening a lot to his record Avocet recently... beautiful.

What records have you been listening to lately?

A lot of stuff on tour -- Avocet... Fonotone boxed set... Abner Jay... Dexy's Midnight Runners, Kitchen Cynics, Alban Berg as played by Anne-Sophie Mutter, Bach's Magnificat, Jock Duncan, William Parker's Double Sunrise Over Neptune, Chain and the Gang, Hector MacAndrew, Gaelic Bards and Minstrels by William Matheson, Wagner's Parsifal, Ali Farka Toure and Toumani Diabate... etc.

What song describes your life right now?

"It's the World's Gone Crazy (Cotillion)" by Waylon Jennings. My own new song "Scandal and Trance," which treats of the current global economic meltdown.

What is an album that you love that you think more people should hear?

Bris by Nils Okland. The Noah's Ark Trap by Nic Jones.

What has been your best record store find?

Double Shirley Bassey live LP in my local charity shop.

Thanks for taking the time to do this. Come to San Francisco sometime soon!

Would love to come back!


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