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Well slice me nice, Eurodisco legend Fancy is coming to Orange County!

Posted by Eric Brightwell, December 23, 2013 12:56pm | Post a Comment
Fancy, the singer of hits including "Angel Eyes," "Bolero," "China Blue," "Cold as Ice," "Flames of Blue," "Lady of Ice," "Latin Fire," "Slice me Nice" and more is coming to the US for the first time ever in January, 2014. He'll be playing at R3 Social Lounge in Stanton (North Orange County/Little Saigon) on the 17th of that month. The event will be DJed by Ian "DJ BPM" Nguyen and hosted by TQ. Get your tickets by clicking here. For all you Los Angeles Italo-heads who think driving to OC is harder than crossing the Sahara -- it's only about 40 minutes from Downtown Los Angeles to Stanton. It's also served by several OCTA lines so quit making excuses.


For those unfamiliar with Fancy, he’s also written material for other artists, most notably, Grant Miller (who was introduced to Fancy by none other than Divine!), and produced notable Italo-disco hits for artists including Linda Jo Rizzo (formerly of Bobby Orlando's act, The Flirts), and Mozzart. Scoring his friends Siegfried & Roy's stage shows has exposed him to an audience who's nonetheless unaware of his identity but his greatest stuff is his solo work so here's a brief history...

Manfred Alois Segieth (or is it Manfred Aulhausen -- details about Eurodisco performers are often quite hazy) was born on July 7, 1946 in München, Germany. The son of a practically-minded craftsmen, he was enrolled in a Capuchin school where he trained to become a monk. However, a change of plans became necessary after the twelve-year-old heard schlager star Ted Harold’s “Moonlight” and subsequently picked up the guitar.

After high school, Manfred formed a Cliff Richard & the Shadows-influenced band, Mountain Shadows. At the same time, he began shopping around his own compositions which he occasionally recorded under the name "Tess Teiges," beginning in 1971.
 
1983 was the year that KISS took off their make-up, McDonald's introduced the McNugget, and I first started actively listening to music on my own after realizing that all of my classmates were obsessed with some fellow named Michael Jackson with whom I was wholly unfamiliar. If there was a "Year that Italo Broke," then 1983 was probably it too.



In 1983 Manfred adopted the suitably Italian alias, "Manfred Perilano" but more importantly, the nom de discque of "Fancy." After Fancy asked Todd Canedy to write a song for him, he recorded a demo of “Slice Me Nice” which he submitted to composer/producer Anthony Monn, who’d previously achieved world-wide successes with husky-voiced diva, Amanda Lear




Usually collaborating, Segieth and Monn embraced a brand of dance music which, thanks to its elevated sense of melody and songcraft, was as at home in and out of the dance clubs where it was most popular. Though largely unknown outside the dance scene in the Anglosphere, Fancy performed very well commercially and, along with his Eurodisco peers, he undeniably helped prepare the world for similar-sounding English musicians and producers, like Stock, Aitken & Waterman and Eurobeat acts like Dead or Alive, who achieved both club and mainstream success with a similar formula.


 
In 1984, Fancy scored a hat trick with the infectious “Chinese Eyes,”  “Get Lost Tonight” and “Slice Me Nice.” All three are absolute masterpieces of tuneful, melodramatic dance fluff that added an undeniable and irresistible Hi-NRG influence to the comparatively relaxed Italo-disco sound epitomized the previous year by Gazebo's “I Like Chopin.” There was also a strong visual element to Fancy, who seemed to shop at the same stores as ABC's Martin Fry but rock loads of make-up in the New Romantic style.


In 1985, Fancy released his first full-length album, Get Your Kicks (1985 Metronome), which included allthe previous year’s singles. He made his first appearance on French TV and performed his first shows in North America, mostly at gay clubs. His sophomore release, Contact (1986 Metronome), spawned “Bolero (Hold Me in Your Arms Again),” which was reportedly number one in Spain for nearly six months. 




That same year, Fancy extensively toured clubs in Germany, Sweden and North America. The video for another single off the album, “Lady of Ice,” featured the (as always) tarted up, shiny-clothed Fancy prancing on a laser grid dance floor in outer space and I challenge anyone reading this to come up with anythingmore '80s. "Lady of Ice" went gold in Scandinavia.

Fancy Get Your Kicks Fancy Contact Fancy Flames of Love

Fancy's third album, Flames of Love (1988 Metronome) featured both Monn/Fancy collaborations as wellas some of Fancy’s first solo compositions and its title track was huge in Poland. He closed out the decade that he seemed so indelibly tied to with All My Loving (1989 Metronome), whose title track was a hit in Europe. Like most of Fancy's Eurodisco peer, for most of the ‘90s he released little-or-no new music,instead mostly repackaging, remixing and revisiting his former glories, often clothed in the trappings of fleetingly popular styles like Eurodance, Hip-House and (more lastingly popular), Trance.
 
  Fancy Forever Magic

Fancy pursued the emerging Eurodance style with releases like Five (1990 Metronome) and with Steve D5 & Grandmaster Tess’s hip-house re-make of his “When Guardian Angels Cry,” called “When Guardian Angels… Rap,” featured on (1991 ZYX Music), which mixed some new material and with old. Attributed to “Fancy and Band,” Blue Planet Zikastar (1995 Koch International) saw Fancy moved into more straightforward pop territory and includes “Saramoti,” a piece Fancy composed for his friends Siegfried and Roy’s show, Master of the Impossible. Colours of Life (1996 G.I.B. Music & Distribution GmbH) and D.I.S.C.O. (1999 Disco Records) followed. In the 2000s, Fancy's musical output slowedconsiderably and his only new material was the release, Voices from Heaven (2004 ZYX Music) and Forever Magic (2008 Happy Vibes).

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Do not miss this opportunity to see Fancy live! And if you're an Italo/Euro-disco fan, follow Keep on Music on Facebook as they've thus far brought Fred Ventura, Gazebo, Gina T, Ken Laszlo, Lian Ross, Linda Jo Rizzo, and Tom Hooker & Miki Chieregato (Den Harrow) to Southern California and additionally thrown many other New Wave (in the Asian New Wave/Vietnamese New Wave sense of the term) events that you should stop sleeping on! See you there and...

Italo-Disco star Ken Laszlo is Coming to SoCal on Memorial Day Weekend 2013

Posted by Eric Brightwell, April 15, 2013 08:43pm | Post a Comment
On 26 May, 2013 Italo-Disco star Ken Laszlo is coming to Orange County. On that date he and 

fellow Italo performer Fred Ventura will descend upon Avec Nightclub in Huntington Beach, thanks to Keep On Music. The event will be hosted by TQ and DJed by DJ BPM. Tickets are $20 in advance (from Bleu Nightclub in Westminster) or $25 at the door.

Ken Laszlo is the primary nom de guerre of singer Gianni Coraini. In European pop – especially Italian pop of the 1980s – it has long been the common practice to hire one or more singers to provide vocals for producer-driven music projects (often credited to imaginary performers with vaguely Anglo-sounding names) whose faces on album covers, videos, live performances, &c was usually that of a dancing and lipsynching model. Despite usually singing in English, most of these acts have found limited success in the Anglosphere (although there have been notable exceptions like the German Milli Vanilli and the Belgian Technotronic). Coraini has been a very prolific clandestini and sorting out which “singers” he’s been the voice of is rather time-consuming and hair-graying so please leave corrections and/or additions in the comments!


Gianni Coraini was born in 18 July, 1954 in Mantua (or Florence according to some accounts). As a child Coraini sang in his church choir. He also learned to play flute, keyboards, as well as saxophone and graduated from music school. When he was fifteen he began playing with a band in clubs and discos. It was the early 1970s and Coraini’s taste at the time apparently leaned toward progressive rock bands like Genesis and Jethro Tull as well as the art rock of David Bowie. When the ‘70s passed into the ‘80s, Coraini’s tastes grew to include Depeche Mode, Level 42, and Michael Jackson.




Coraini chose the stage name “Ken Laszlo” as a reference to the character “Victor Laszlo,” the Czech resistance leader from the film Casablanca. Though seemingly a cheeky reference to Coraini’s secret identity as anonymous vocalist, almost from the beginning Coraini would also be the face of Laszlo instead of relying on the services of a model. Lazlo’s musical backdrop was created by Gino Caria and Sandro Oliva. Caria was a prolific producer who worked for Time and later ABeatC (and other labels) who passed away in 1999. Oliva is a prolific writer, arranger and producer who set up Go Go’s Music with Alessandra Gatti in 2006 and continued, at least until recently, to work in the Italian music industry.





The debut Ken Laszlo single was 1984’s “Hey Hey Guy,” one of the earliest releases on Memory Records, which had been founded the previous year by Alessandro Zanni and Stefano Cundari. An early “live” performance featured model Ezio Zanassi (aka De Gama – who died in a car crash in 1987) miming the vocals but his role as Laszlo’s face quickly ended. The song was massively popular in much of Asia, Europe, and South America. Ken Laszlo wasn’t the only pseudonym that featured Coraini’s vocals that year. As Chris Lang he released “Disco Island” on Crash and as Jaco he released “Spanish Run” on Sensation.





The following year Ken Laszlo scored a Top 20 hit in The Netherlands and Sweden with “Tonight.” From that year (1987) on, he was also the uncredited vocalist behind Ricky Maltese’s singles (“All the Night,” “Warrior,” “Mama,” and “Rainy Day”). In 1986 he released, again as Ken Laszlo, “Don’t Cry,” which was a number thirteen hit in Sweden. In 1987, Laszlo released “1 2 3 4 5 6 7 8” and “Glasses Man.” His debut, the self-titled Ken Laszlo (1987-Memory), included remixes of the preceding singles as well as "Let Me Try," "Talkin,"


In 1988 he released “Red Man” b/w “Black Pearl” (the latter taken from the debut). Italo Disco’s golden age ended as the 1980s drew to a close and in the decade’s final year, Laszlo released “Everybody is Dancing,” and “Madame” b/w “Let Me Try” The latter single was one of Memory’s final releases and the Italo label ended its run within months of the single’s release. It was also the last of Laszlo’s collaborations with Caria and Oliva.


The next phase of Coraini’s career was dominated by singing uncredited vocals on a huge number of projects. After releasing “Hey Hey Guy For Tonight” as Laszlo & Innocence in 1989, Lazslo provided uncredited vocals for Mark Tower & Co. (1989-1990). In 1991 Coraini began collaborating with Giuliano Crivellente and Mauro Farina and sang on several of their projects – most prominently providing Danny Keith’s vocals from 1990-1995 (Keith’s vocals in the ‘80s had been sung by Farina). Coraini also leant uncredited vocals to Coy McCoy (1990), De Niro (1990), Max & Co. (1990), Malcolm J. Hill (1990-1992), Coo Coo (1990-1992), Angelo Maria Morales (1990), Body Power (1991), Moreno (1991), Mr. Beat (1991), Maltese (1991-1996), Dave Cole (1992), Michael Dream (1992), Nick Kaye (1992), Mike Freeman (1992-1995), DJ NRG (1992-1996), Jean Corraine (1992-1996), Ric Fellini (1993-1998), Tony B. Walters (1993-2004), Ken Hunter (1994-1995), Billy the Butcher (1996), Jean Mix (1996), Remy Panther (1996), Live Music Gang (1996), Gordon Jim (1996), Leit-Motiv (1996), Jungle Bill (1996-1998), Spencer (1996-1998), Lucky Boy (1997), Beat Unlimited (1997), Franz Tornado (1997), Jeff Driller (1997), Francis Cooper (1997-1998), Mr. Bean (1998), Alvin (1998), Tommie B (1998), Bibi (1998), Roby & Sara (1998), Asia Gang (1998), Mister Fly (1999), Jackie O’ (2000), Otello (2000-2008), Boys Band (2001), Max Ducati (2004), Captain America (2005-2008), The Falco (2008), Frog A’ Billy (2008), and Maxx Valentino (2008).

In 1995, Coraini again employed the Ken Laszlo name, recording a series of duets with Clara Moroni as Ken Laszlo duet with Jenny until 2003. In 1998 Coraini recorded and released Dr Ken & Mr Laszlo (S.A.I.F.A.M.), an album which compiled of previously-released material, re-recorded singles and cover versions. It wasn’t until 2007, twenty years after his debut, that Ken Laszlo released a proper sophomore release, Future Is Now (Azzura Music), the product of collaboration with a new group of musicians – specifically Alan Farrington, Carlo Cantini, and Fiorenzo Delegà.




I believe that the Memorial Day weekend concert will be both Laszlo’s and Ventura’s first live performances in California. Both will be performing several of their hits (including, in Laszlo’s case, “Hey Hey Guy,” “Tonight,” and “Don’t Cry,” “Glasses Man,” and “Mary Ann.”

See you there!

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Italo-Disco star Fred Ventura is Coming to SoCal on Memorial Day Weekend 2013

Posted by Eric Brightwell, April 8, 2013 01:33am | Post a Comment

26 May, 2013 Italo-Disco star Fred Ventura is coming to Orange County. He and fellow Italo performer Ken Laszlo will descend upon Avec Nightclub in Huntington Beach. The event will be hosted by TQ and DJed by DJ BPMTickets are $20 in advance(from Bleu Nightclub in Westminster) or $25 at the door. 

Fred Ventura was born Federico Di Bonaventura in MilanItaly on 16 July, 1962. He became interested in music when he was twelve. In 1978 or ‘79, Ventura joined An Incoherent Psyche on drums. In 1980 he joined another band, Le Jour Prochain. In 1981 he formed State of Art with bassist Stefano Tirone and guitarist Stefano Mazzola, both formerly of Der Blaue Reiter. The band proved to be short-lived although in February 1982 they recorded a song “Venice” which sounds a bit like the offspring of Joy Division and Chic (or in other words, a bit like A Certain Ratio).
 

State of Art




"Venice" was included on a compilation titled Gathered that was released by Italian magazine, Rockerilla. "Venice," along with several other studio and live recordings were compiled and released as Dancefloor Statements 1981-82 (2012-Spittle). In 2009, a new line-up formed, re-recorded several old tunes and a new one which they released as At Work (2012-Killed By Disco Records). Less than a year after their debut performance, Ventura left the band to embark on a solo career.

Armed with a Roland Juno-60 synthesizer and an Oberheim DX drum machine (both then new to the market) Ventura pursued a dancier direction inspired by Hi-NRG pioneers Bobby O and Patrick Cowley, Neue Deutsche Welle act D.A.F., French singer Étienne Daho, disco producer Giorgio Moroder, and electro acts like Kraftwerk, The Human League, and New Order.





Ventura’s new direction brought him into contact with Roberto Turatti from DiscoMagic in 1983. Along with composer Miki Chieregato, the three formed Flexx and released the epic “Love Theme From Flexxy-Ball (You'll Never Change No More)” and “Theme from Deep.”



Inspired by Austrian singer Falco’s recent success with “Der Kommissar,” Ventura released his solo debut, the German (and English) language “Zeit” b/w “Hollywood Party,” in 1984. Ventura's final collaboration with Chieregato and Turatti was 1985’s “The Years (Go By)” b/w “Streets (All Right).” After that, Chieregato and Turatti began formulating and focusing their energy on their Den Harrow project, which didn’t involve Ventura.

Ventura moved to Time Records, brought there by Giuliano Crivellente of the established Italo production duo Mauro Farina and Giuliano Crivellente. Ventura has been open about finding his creativity stifled by Farina and Crivellente’s perceived commercialism although he did score several hits during his relationship with them.






In 1986, he released “Leave Me Alone” and “Wind of Change.” In 1987 he released “Imagine (You'll Never Change Your Mind)” and “Night And Day” b/w “Jour Aprés Jour.” In 1988 he Fred Ventura East & Westreleased “Lost in Paris” and “Heartbeat” b/w “Housebeat.” Finally, in 1989 he released his solo full-length, East & West (1989-Time Records) which included most of his previous singles for Time as well as new singles “It’s My Time,” and “One Day” as well as album tracks “Never Too Late,” “No More Lies,” and “Late Night Train.”

After the 1980s ended, most Italo veterans attempted to soldier on by jumping on the commercial (and often grating) Eurodance/Euro-NRG bandwagon, Ventura began producing House music. He collaborated with various musicians under a variety of names including Active, Grey Area, Red Mecca, Visions Factory, Beat 4 Life, Love Nation, Vibrazioni Productions, Bedroom Rockers, and Electrique. He also went on to work as a label manager at Evolution Records, Free Zone Records, and Milano 2000 Records. More recently he’s contributed vocals to several Clone Records acts, including I-f, Alden Tyrell, and Jupiter Black.




I believe that the Memorial Day weekend concert will be both Ventura’s and Laszlo’s first performances in California. Both will be performing several of their hits (including, in Ventura’s case, his Time-era singles “Love Theme From Flexxy-Ball (You'll Never Change No More),” “Wind of Change,” and “The Years (Go By),” as well as new single, “Don’t Stop.”

See you there!
 

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