Amoeblog

14 Vinyl Releases To Look For on Black Friday

Posted by Amoebite, November 14, 2016 03:17pm | Post a Comment

Record Store Day Black Friday Vinyl Highlights 2016

The day after Thanksgiving, or Black Friday, traditionally kicks off the holiday shopping season, but for us we know it as Record Store Day Black Friday! A wide range of must-have collectible new release 7"s, EPs, and full-length albums will hit independent record stores starting on Friday, November 25th. In addition to carrying 100+ RSDBF releases, our stores will also have special one-day sales on turntables, gift certificates (3-4pm), posters, headphones & more. See what's happening at Amoeba on Black Friday.

Once the limited RSDBF releases are gone, they're gone, so be sure to do your research on everything we'll be getting here at Amoeba (download the full .pdf list). Please note: All Record Store Day Black Friday items are limit one per customer, no holds or phone orders. 

If you can't make it in to one of our stores on 11/25, there's still hope you can snag one of these titles. We'll add remaining RSDBF releases to Amoeba.com starting Saturday, 11/26.

Read on to find some of our top vinyl picks you won't want to miss on Nov 25th: 

The Cars

The Cars - "Just What I Needed" (7")

November 6, 2013: The Stone Roses - Made of Stone

Posted by phil blankenship, November 6, 2013 10:26pm | Post a Comment

Stone Roses Profiled in New Doc

Posted by Billy Gil, October 23, 2013 06:24pm | Post a Comment

The Stone Roses were one of the best and most beloved Britpop bands of the early ’90s, helping the dance-influenced Madchester sound of the late ’80s and early ’90s take the British charts by storm with their classic self-titled debut album. In the U.S. their immediate impact was smaller, yet their influence stretched from predecessors like Oasis to more recent bands including Jagwar Ma and Diiv. Their sound, a blend of jangly guitars not unlike those employed by Johnny Marr in The Smiths with dancier beats and psychedelic effects, helped make them NME cover stars at the time, as did the presence of cocky, charismatic frontman Ian Brown, who once declared the band would become “the biggest band ever.” The band's second album failed to take off, and the band broke up in 1996. They reunited in 2012, after 16 years, to headline the Coachella Music and Arts Festival and have even garnered the Twitter ire of one Azealia Banks, as sure a sign as any that the band’s relevance continues today.

Continue reading...

Dream Boys Usher in Fall with Autumnal Debut

Posted by Billy Gil, October 1, 2013 03:31pm | Post a Comment

There’s nothing to signify the leaves changing color the wind getting crisper than some cool jangly rock ‘n’ roll. L.A.’s Dream Boys deliver that in spades on their self-titled debut (check it out on CD or LP). Songs like “Sometimes” breeze through with shimmering guitars and sweet, swoony harmonies, calling to mind a post-punk Byrds or Southern Californian Stone Roses. Few bands dig into this sound so thoroughly, with a wonderfully patient, languid quality, making Dream Boys a standout record even among a crowded field.

I sat down for a minute to talk to these dreamy So. Cal. boys about their somnambulist sound.

PST: It’s hard to find out much about you guys from the Internet! Why don't you just tell me in brief about yourselves—when did you form, why did you form, who does what in the band, and are you native Angelenos or from other parts?

Wayne Faler: We formed a little over a year ago. There are three songwriters. Band members are Wayne Faler and Wallace Meek on guitars and vocals, Will Ivy on bass and vocals, and Mike La Franchi on drums. Mike is from the Northern California. Wallace is from Scotland, Wayne is from Michigan, and Will is a Southwest guy via San Francisco. We formed the band after meeting while playing in other bands. We wanted to combine a certain set of influences that really spoke to us and present them in a more modern way.

Continue reading...

Pulp Documentary, The Beat Is The Law – Fanfare For The Common People, Plays at Roxie Theater in SF 9/29!

Posted by The Bay Area Crew, September 26, 2011 01:24pm | Post a Comment
The Roxie Theater and Noise Pop present the San Francisco premiere of The Beat Is TheBeat Is The Law Pulp Roxie San Francisco Law – Fanfare For The Common People at the Roxie Theater, this Thursday, September 29th.

Picture it...Glastonbury Festival, 1995. The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. Last minute replacements Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history, climaxing with the era-defining song, "Common People." In the process, they catapult themselves to the forefront of the Britpop movement – an achievement that 10 years earlier seemed like an impossible dream.

Made with the full co-operation of the band, The Beat Is The Law – Fanfare For The Common People (Dir. Eve Wood, 2010, Digital, 90 min.), brings together original interviews, performances, promos, newly unearthed live footage, and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of the Steel City to the pinnacle of pop via the consciousness-raising techno/house of  Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle, and Nick Banks plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/WARP), Adi Newton (ClockDVA) and many more, The Beat Is The Law is a deep-fried feature documentary from the creators of the acclaimed Made In Sheffield

<<  1  2  >>  NEXT