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Amoeba's Greatest Record Store Day Moments

Posted by The Bay Area Crew, February 24, 2017 04:58pm | Post a Comment

Record Store Day 2017

It’s hard to believe, but it was just ten years ago that Record Store Day was conceived in 2007 at a gathering of indie record store owners and employees as a way to celebrate and promulgate the unique culture of record stores. The first Record Store Day was held nation-wide on April 19, 2008, and all three Amoeba Music locations were joyously mobbed for special limited edition releases and all-day festive events.

With RSD 2017 on its way (April 22!), we look back at the nine we’ve celebrated at our stores and pick our favorite moments. We hope they were your favorite too.

April 19, 2008, Amoeba SF – The inaugural Record Store Day was certainly one to remember at Amoeba SF as we invited several local luminaries to DJ on the Amoeba stage throughout the day, including V. Vale of RE/Search Publications, Aaron Axelson of LIVE 105, and more. Then we asked Jello Biafra (Dead Kennedys, Alternative Tentacles) to work at our Info Counter where he signed many an autograph!

V. Vale and Jello Biafra

April 18, 2009, Amoeba HollywoodWendy & Lisa of Prince's '80's lineup of The Revolution played a DJ set in support of their new album, White Flags of Winter Chimneys, while also simultaneously schmoozing with fans and babysitting several children. In a last-minute development, the legendary KISS guitarist Ace Frehley decided to swing by and hang out, so we set up a signing table!

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Best Bet For New Years Eve: OAKNYE 2017 Featuring Boots Riley & The Coup

Posted by The Bay Area Crew, December 5, 2016 06:39pm | Post a Comment

Boots Riley

OAKNYE is back for another New Year's party to remember! On Saturday, December 31st, OAKNYE welcomes Boots Riley & The Coup and the Kahil El'Zabar's New Ethnic Heritage Ensemble to the Starline Social Club in Oakland. In addition to these thrilling live performances in the Starline ballroom, the La Pelanga DJ collective will be playing in the lounge. But that's not all! Did we mention the three course dinner program, including oysters and filet mignon?! Get your tickets now before they're all gone!

The influence Boots Riley & The Coup have had on political hip-hop and the politics of Oakland in general can not be underestimated. This revolutionary group's presence is as electrifying as their music. The Montreal Gazette says, "Boots Riley is a consummately charismatic front man, establishing his as one of the best live rap acts going, after Philadelphia untouchables The Roots."

Kahil El'Zabar is a jazz multi-instrumentalist and composer who regularly records for Delmark Records. Kahil El'ZabarDuring the 1970s, he formed the musical groups Ritual Trio and the Ethnic Heritage Ensemble. The New Ethnic Heritage Ensemble is comprised of Kahil El'Zabar on percussion, Corey Wilkes on trumpet, Alex Harding on baritone saxophone, and Fareed Haque on guitar. The history and depth between these master players represents the highest level of performance stemming from the 20th into the 21st century.The New Ethnic Heritage Ensemble plays music endowed with an authentic pedigree that pushes the boundaries of creative music into the soulful heart of fresh expression! After over 43 years of eventful music making, the Ethnic Heritage Ensemble is still reinventing itself while forging innovative pathways upon the African American musical pantheon.

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Remembering San Francisco MC African Identity

Posted by Billyjam, September 16, 2015 02:26pm | Post a Comment

Late last night Pam the Funkstress posted a sad social media update to her Instagram and Facebook pages with the news that fellow veteran Bay Area hip-hop artist African Identity, who rose to fame in the early nineties with his firebrand mic skills and hardcore political hybrid style, had died yesterday, September 15th, 2015. In addition to her update, including noting how she had just seen him in the past month, Pam posted the above photo of the late great artist for whom no cause of death has yet been announced. The Fillmore, San Francisco emcee named Hunafa, but known to most as African Identity and sometimes as just Identity, will be remembered for such releases as Ransom Note and You Won’t Come To My Funeral. By the time his debut album You Won’t Come To My Funeral was released in 1995 the microphone master was already a respected mainstay on the healthy 1990's Bay Area hip-hop scene - ever since arriving with a bang in 1992 with his acclaimed single, “Let’s Get It On (Pullin That Trigger).”
 
 

In the capacities of hip-hop journalist, radio DJ, and concert producer I worked directly with African Identity on numerous occasions throughout the decade of the nineties and always knew him to be both a good person and most talented (albeit largely underrated) artist, especially when it came to flexing his freestyle skills. In the first half of that decade I would have him as a regular guest on my KUSF hip-hop radio show on the USF campus, not far from where he lived. I remember how listeners really appreciated his improv rhyme skills and how they nominated him as the “number 1 Bay Area freestyler" on the now defunct San Francisco radio station. Meantime over at KMEL African Identity had been nominated as the first runner up in their heated Battle Of The Rappers. With a now eerie sounding reference to his own funeral, the San Francisco artist's debut album, You Won't Come to My Funeral, was a largely slept-on, talent-packed Bay Area hip-hop gem. It featured an impressive roster of his peers as guests that included Pam the Funkstress' group The Coup, Del tha Funke Homosapien (who also did some production), the GLP's JT Tha Bigga Figga, and D-Moe, Shock G of Digital Underground, Young Woo, Psycho Gangsta, Double D, Cisco The Frisco Mack, Blackbook, and Screwface. Produced mostly by Nick Peace but with some additional studio work by Del and J-Mack, the album defined both the Bay Area sound at the time as well as that of the artist himself. In the period right before its mid-nineties release he summed up the richly diverse 14 track album as “enlightening, tantalizing, sensational, provocative, political, Afro-centric, Euro-centric, it’s everything that we are....”.

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Hiero Day 2015 Lineup To Include Alkaholiks, Domo Genesis, Aceyalone, The Coup, Cali Agents, Luniz, CMW, HBK, Zion I, & Equipto

Posted by Billyjam, August 25, 2015 07:50am | Post a Comment


The folks at Oakland's Hieroglyphics hip-hop collective have announced the anticipated lineup for this year's Hiero Day that does not disappoint and happens on Monday, September 7th at 3rd and Chestnut Streets in Oakland. In addition to headlining act the Hieros, whose membership boasts members such as Souls of Mischief, Del the Funky Homosapien, Casual, and DJ Toure, this year's amazing Hiero Day 2015 lineup will feature 45 diverse acts across three stages that covers various eras and subgenres of hip-hop. This impressive lineup will include Tha Alkaholiks, who arrived on the hip-hop scene the same time as the Hieros; Odd Future's Domo Genesis; Cali Agents (Rasco and Planet Asia); Stones Throw founder DJ/producer Peanut Butter Wolf; Boots Riley's legendary Oakland political hip-hop soldiers The Coup; Freestyle Fellowship's super-gifted emcee Aceyalonelegendary Oakland rap duo the Luniz; Raashan Ahmad's group formerly known as The Mission - Crown City RockersMC Eiht's legendary '90s SoCal rap group Compton's Most Wanted; hometown hip-hop heroes Foreign Legion; Rhymesayers' female emcee talent Psalm One (who changed her name for a minute in recent years); Zion I, Phat Kat & Guilty Simpson; Equipto & Otayo Dubb; HBK members Kool John, P-Lo, and Jay Ant in separate sets; and hyphy era stars The Team

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The Coup's Boots Riley Keeps The Revolution Alive & Discusses His Ambitious "Shadowbox" Stage Production

Posted by Billyjam, November 21, 2014 10:18am | Post a Comment



About a quarter way into the The Coup's amazing world premiere of Shadowbox - the longtime politicized Oakland hip-hop group's ambitious multifaceted, mixed media, multi-stage production that played as a preview for only two shows at San Francisco's Yerba Buena Center for the Arts (YBCA) - front-man/emcee Boots Riley pointed to the giant floor-to-ceiling artwork by East Bay street artist Jon-Paul Bail. The East Bay muralist's giant cityscape print, that wrapped its way around all walls of the entire performance space at YBCA, was an accurate image of the changing city that awaited outside the museum's walls. Skyscrapers and other towering buildings with bold logos emblazoned on them of American born and bred entities like Twitter, Google, IBM, AT&T, NRA, and the PMRC acted as the perfect backdrop to the revolutionary hip-hop group's message of Shadowbox - to question authority and rebel against exploitative predatory corporations and the politicians that they've paid off to continue their rise to power at the expense of increasingly poorer working class of America.

In addition to Boots Riley and his full live band, the large scale production boasted numerous other artists joining the Coup on three stages (sometimes simultaneously) including Dead Prez, Classical Revolution, W. Kamau Bell, Mortar & Pestle, Snow Angel, Eat The Fish Presents, and Extra Action Marching Band. The choice of all of these artists, like the inclusion of Jon-Paul Bail's art work and the video projections and other stage designs by David Szlasa, was all the brainchild of Boots Riley. The Coup mainman has been a fan and friend of Bail's for many years and the inclusion of his art seemed like a no-brainer, he told the YBCA audience.

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