Amoeblog

Having A Movie Moment With Jon Longhi: Thor Ragnarok & The Outer Limits

Posted by The Bay Area Crew, May 27, 2018 06:51pm | Post a Comment

Having A Movie Moment

By Jon Longhi

Welcome to this month’s Having A Movie Moment with Jon Longhi, where I review recent Blu-ray releases. Both of these Blu-rays came out in the past three months.

Thor Ragnarok, Marvel Studios:
What a great movie! It's pure entertainment of the type that Marvel excels at. This movie works on manyThor Ragnarok levels; it's great science fiction, action, drama, and even comedy all simultaneously. It's got a great story, good acting and pacing, and wonderful sets, costumes, and special effects. Like every recent Marvel movie, the story feeds into the Avengers: Infinity War plot line, but it also succeeds quite well on its own. My daughter and I have been watching all the Marvel shows and movies and know how every related plot thread connects together, but my wife hasn't watched any of that stuff and she enjoyed this movie just as much as me when we watched it together. That's quite a feat, because the Marvel universe has gotten really complicated these days, so it takes great skill to make a new Marvel movie that doesn't need a guidebook for one to understand it.

This is the third Thor movie but it is almost equally a sequel and a prequel to the recent Avengers movies. It picks up with Thor wandering the universe performing his usual godlike deeds of heroism and searching for the Infinity Stones. He is imprisoned by the fire demon Surtur who tells him that his father Odin is no longer in his celestial home of Asgard and that the realm of the gods itself will soon be destroyed in a cosmic armaggedon known as Ragnarok. After dispatching Surtur and a really cool dragon, Thor returns home to find that his evil brother, Loki, has stolen the throne by disguising himself as Odin. After exposing Loki, Thor takes him to earth where they locate Odin with the help of Doctor Strange. Odin is dying, and his death releases his first born daughter, Hela, who destroys Thor's hammer, conquers Asgard, and casts Thor and Loki off into space. They land on a junkyard planet ruled by Jeff Goldblum who forces Thor to fight the Incredible Hulk in an area. Do Thor, the Hulk, and Loki escape? Is Asgard saved? I'm not going to give away any more spoilers, but let's just say that answering these two questions is tons of fun and pure Marvel entertainment.

Continue reading...

Only Superman Forgives: Man of Steel (2013)

Posted by Charles Reece, July 1, 2013 12:50pm | Post a Comment
man of steel mondo poster mark ansin

I was recently working my way through Jonathan Hickman's run on Fantastic Four and it struck me how explicit the reference to the destruction of New York was made during the proceeding alien invasion storyline. Sue Storm (the super-mom of the group) demands that her fellow heroes move the battle with the invading Kree from the city's skyline to the ocean (why the ruler of the oceans, Prince Namor, has no problem with this is, I guess, because he's all googly eyed over Sue). And after the battle, the superheroes are shown helping rebuild the damaged city. This kind of real world destruction was so unimportant to superhero comics in the past that it became a central joke for a miniseries made back in the 80s called Damage Control about who actually does all the cleaning up. That's what the terrorists did to us, made it impossible to imagine a fantasy where real people aren't being hurt by collateral fallout from cataclysmic battles between superpowered beings.

Contrariwise, Slavoj Zizek has suggested 9/11 was a soporific, that it placed us in slumberland where American fantasies could take hold once again ("virtualization," he called it). The terrorists gave us real nefarious villains to which we could be safely opposed. The prominent media reaction, as he took it, like that of the typical superhero narrative, dehistoricized the attacks, setting them in the perpetual present of an endless comic book (or Hollywoodian virtual) world, where the action becomes one of pure villainy for villainy's sake, motivated by nothing but pure evil ("they hate our freedom," etc.). As Dan Hassler-Forest puts it in his book, Capitalist Superheroes:

Continue reading...

Masked Vengeance: Super (2011)

Posted by Charles Reece, April 17, 2011 08:22pm | Post a Comment
super poster boltie

In Dan Clowes' Death-Ray, the titular hero doesn't discover a greater sense of responsibility with his newfound powers (à la Peter Parker), only a fascistic resolve in settling petty grievances. James Gunn uses a similar approach in critiquing the superhero costume in Super. His heroes, The Crimson Bolt and Boltie, aren't super-powered, just a couple of individuals who wear masks and deliver vigilante justice -- in a word, sociopaths. Just like Batman, the mask is used to disguise a personal revenge motive: a drug dealer has wooed away The Bolt's wife not through some mind-control apparatus, but because the dealer is better looking and his life more enticing than the hero's secret identity as a fry cook. The film takes every right turn, mixing pathos and humor, demented fantasy and realistic violence, convention and critique into one of the best dark comedies about the depressing nature of fanboy fetishism we're likely to get. Much better than Suckerpunch.

Watchmen (2009): Some Arguments about Design

Posted by Charles Reece, March 14, 2009 11:32pm | Post a Comment

The Impotent God Snake

I love discussing issues of time in comics and film, so Zack Snyder's Watchmen makes for a good opportunity to reflect on its relation to both media. I'll be returning to this sometime in the future. For now, I'm going to stick to a few problems with Alan Moore's conception of Doc Manhattan that the movie doesn't do much to improve on. There is one improvement, though, namely the Mjölner-sized hammer he has hanging between his legs, befitting a puny scientist resurrected as a god. Dave Gibbons merely gave him the statistical average. The Doc can create anything from anything else -- perhaps ex nihilo, if you believe in miracles -- and exists in all points in time simultaneously. One can't get more virile than absolute mastery of matter. However, even though he can still sexually please his woman, he's ontologically impotent-- everything already existing as it was/is/will be, independent of his will. His control of matter is constrained by the deterministic course of the world. Thus, the fact that we never get to see the hammer of the gods raised on camera is a telling sign of his lot in existence (as well as the failure of our last, best chance to see expensive CGI-porn). While Doc's attending the Comedian's funeral, he's shown to exist in Vietnam, where the latter murders a girl who's pregnant with this child. The girl, like the Comedian, is already dead to Doc, so he stands by flaccidly and "lets" the murder occur. When Doc voices concern, he gets a moral lecture from the most nihilistic of the bunch:

Continue reading...

The Death of Old Time Radio

Posted by Eric Brightwell, September 30, 2008 12:25am | Post a Comment

THE END OF THE GOLDEN AGE

On this day (September 30) in 1962 CBS radio broadcast the final episodes of Suspense and Yours Truly, Johnny Dollar and the Golden Age of Radio came to a close. 

old time radio party 

RADIO'S BEGINNINGS 

Radio Drama (also frequently referred to as Old Time Radio or OTR) really began in the 1920s. Before that, there was audio theater which consisted of plays performed for radio broadcast. It wasn't until August 3, 1922 at the Schenectady, New York station WGY that the in-house actors, The WGY Players, broadcast a performance that augmented the drama with music and sound effects, creating a vivid aural tapestry. The result was a worldwide explosion in what was an instantly popular new art form. Within months there were radio dramas being produced across the USA, as well as in Canada, Ceylon, France, Germany, India, Japanand the UK.

Continue reading...
<<  1  2  >>  NEXT