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Large Jazz LP Collection ­On Sale at Amoeba SF on April 1st!

Posted by The Bay Area Crew, March 19, 2017 05:03pm | Post a Comment

Amoeba San Francisco acquired a large quantity of hard-to-find Jazz records from a collection that was cultivated inVintage Jazz LPs the 1960s and '70s by a longtime Amoeba customer (who was also an ex-New Yorker). This astounding collection will hit the store on Saturday, April 1st. No joke! You gotta be here April 1st to get first crack at this collection.

The Collection
Most of the records are from the mid-1960s to the mid-1970s, encompassing Free-Bop, post-Coltrane "Spiritual Jazz," South African Jazz, and more, with many rare European and Japanese imports among them. Also, there are some small-press labels, like Saturn (Sun Ra), Tribe (Marcus Belgrave's ultra-rare Gemini II), and many Strata East recordings as well!

Artists represented include Don Cherry, Archie Shepp (30 albums!), the Blue Notes (South African group) and its individual members, Mal Waldron, Steve Lacy, Yusef Lateef, Paul Bley, John Coltrane, and more.
Vintage Jazz Lps, Sun Ra Arkestra, Saturn Records
The Plan
Upon opening on Saturday, April 1st at 11am, we will have bins set up at the front of our stage (in the northwest corner of the store) that will contain the bulk of the collection. We will also have racks of "wall items" set up on the stage for the higher-valued items. There will be staff on hand to help you view bagged items and to bring your choices to the cashiers.

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Rare Steve Lacy LP Shows Up In Hollywood

Posted by Rick Frystak, October 7, 2013 03:43pm | Post a Comment

Steve Lacy has always been one of my favorite horn players since I first hear him in the mid 70’s. He delivers a liquid, speech-like sound with his soprano saxophone which he plays exclusively.  Influenced by trad jazz players, Cecil Taylor, Thelonious Monk and Gil Evans, Mr. Lacy composes and improvises with a quirky sense of melody unlike any other player around at the time or since, and his compositions reveal his very personal way of telling his stories. His staccato yet fluid attack, and almost vibrato-less legato stands out within the history of his axe. He has made many, many records (hundreds) and almost each one has its own individual sound and ultimate expression. Straight up swing to musique concrete to free improvisation are where Steve could be found at any moment, often simultaneously. His accompanists range from sitar duos to big band improv to sax/synthesizer/ drum outings, exploring all avenues of audible art. He also made many solo concerts, with just his soprano sax perhaps speaking the musical dialog about what was shaking at the moment. These concerts and recordings are a wonderful document of this artist’s creative depth.

I am fortunate to have met Steve when I had an in-store appearance with him while I was managing Rasputin’s Jazz and Soul record store in Berkeley, California in 1981. Steve is second from left, just to my right in this photo of that day (Rick Gillman far left, Lacy, Frystak, Michael Finney far right).

A kind and soft spoken personality belied his passionate, forward surging playing style.  His many bay-area fans that day were in heaven to be near this musical icon, myself included. He played later in the evening at U.C.Berkeley to a packed house. Steve passed in 2004 at age 69 years young, and I was fortunate to see him play multiple times, always searching and swinging in whatever context he found himself in.

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