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Top 10 Must-Own TV Shows of All Time

Posted by The Bay Area Crew, March 1, 2017 07:10pm | Post a Comment

By Gabriel Wheeler

There are many great television shows, but what shows are actually worth watching over and over again? Here's the Top Ten of must-see and re-see television.

10. All in the Family (1971-1979)

In one of the rawest portrayals of an ignorant bigot, anti-hero Archie Bunker navigates serious issues of the '70s, often in opposition to those closest to him. The remains poignant while being hilarious. Topics like racism, rape, and drugs are but a few of the issues tackled in honest, funny, and thought-provoking ways. A must-watch for captives of 2017. 

All In The Family


9. Firefly (2002-2003)

Joss Whedon, creator of Buffy the Vampire Slayer, brought us this epic cowboys in space sci-fi action/drama. Failing to find an audience during its tenure, it quickly became a cult favorite on home video and syndication. The show centers on the ship Firefly and its crew, as they travel the galaxy trying to make a quick buck in perhaps not-so-honest yet morally responsible ways. Funny and well-written, it’s a shame there are only two seasons.

Firefly
The Shield

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Two New "What's In My Bag?" Episodes With The Flaming Lips

Posted by Amoebite, February 11, 2014 05:42pm | Post a Comment

Our What's In My Bag? crew had the pleasure of shooting an episode each with Michael Ivins and Kliph Scurlock of psychedelic alternative rock band The Flaming Lips. Definitely a must see for Lips' fans. 

Michael Lee Ivins (pictured in the blue shirt) is the bassist and founding member of The Flaming Lips. The band originally formed in Norman, Oklahoma with Wayne Coyne playing guitar, his brother Mark Coyne on vocals, and Ivins handling bass duties. After several years of crafting their sound, The Flaming Lips broke into the mainstream with their 6th studio album, Transmissions From The Sattelite Heart (1993), spawning the hit single "She Don't Use Jelly."  

In March 1999, The Flaming Lips were gearing up to tour in support of their album, The Soft Bulletin. The band hired Kliph Scurlock (pictured left in purple shirt) to do some heavy lifting as a roadie. Scurlock remaind on tour with the band until 2002 when the Lips were doubling as an opener and backing band for Beck. In an effort to enable multi-instrumentalist Steven Drozd to play lead guitar, Scurlock was asked to play drums during the band's run with Beck. Subsequently, Scurlock went from touring drummer to full-time member and remains with the Lips until this day.      

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Captain's Log: Make it Snow!

Posted by Kelly S. Osato, December 12, 2013 02:24pm | Post a Comment
captain picard religion generations star trek tng the next generation christmas holiday let it snow make it so patrick stweart xmas tree

Why let it snow when you can make it snow, amirite? Taking a cue from yesterday's "Klingon Kristmas" post, I urge everyone to make merry with Captain Jean-Luc Picard as he continually commands Christmas, with that classic "final frontier" flair that only he can own, in this genius Star Trek: TNG edit set to the tune of "Make it Snow".  I dare you to humbug this hot, hot cup of holiday cheer!
 

Have Yourself a Very Klingon Kristmas

Posted by The Bay Area Crew, December 11, 2013 03:00pm | Post a Comment

Star Trek fans and Chrisman revelers rejoice! While Klingon Vanna White's latest albums may not be available in this galaxy, the commercial for her holiday collection, Klingon Kristmas Klassics, is! And frankly, you haven't lived until you hear "Have Yourself A Merry Little Christmas" and "Little Drummer Boy" sung in the mellifluous Klingon language.
 




Only Superman Forgives: Man of Steel (2013)

Posted by Charles Reece, July 1, 2013 12:50pm | Post a Comment
man of steel mondo poster mark ansin

I was recently working my way through Jonathan Hickman's run on Fantastic Four and it struck me how explicit the reference to the destruction of New York was made during the proceeding alien invasion storyline. Sue Storm (the super-mom of the group) demands that her fellow heroes move the battle with the invading Kree from the city's skyline to the ocean (why the ruler of the oceans, Prince Namor, has no problem with this is, I guess, because he's all googly eyed over Sue). And after the battle, the superheroes are shown helping rebuild the damaged city. This kind of real world destruction was so unimportant to superhero comics in the past that it became a central joke for a miniseries made back in the 80s called Damage Control about who actually does all the cleaning up. That's what the terrorists did to us, made it impossible to imagine a fantasy where real people aren't being hurt by collateral fallout from cataclysmic battles between superpowered beings.

Contrariwise, Slavoj Zizek has suggested 9/11 was a soporific, that it placed us in slumberland where American fantasies could take hold once again ("virtualization," he called it). The terrorists gave us real nefarious villains to which we could be safely opposed. The prominent media reaction, as he took it, like that of the typical superhero narrative, dehistoricized the attacks, setting them in the perpetual present of an endless comic book (or Hollywoodian virtual) world, where the action becomes one of pure villainy for villainy's sake, motivated by nothing but pure evil ("they hate our freedom," etc.). As Dan Hassler-Forest puts it in his book, Capitalist Superheroes:

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