Amoeblog

10 New Music Releases on Amoeba.com, 5/8/20

Posted by The Bay Area Crew, May 8, 2020 06:13pm | Post a Comment

The physical Amoeba stores are closed temporarily for the safety and health of our employees and customers, but Amoeba.com is OPEN for business 24/7, and music and movies ship free to the U.S.! New music continues to drop and we want to keep you up to date on the latest. Here's 10 of our favorites from this week's new releases, available on Amoeba.com! See all the new releases HERE.

Haley Williams

Hayley Williams: Petals For Armor (CD & Vinyl)

Happy Discovery Day -- Real Geographic Discoveries of the Modern Age

Posted by Eric Brightwell, October 13, 2014 04:42pm | Post a Comment

I will not make the argument that Columbus's arrival in the New World was insignificant merely because he was an absolutely awful person or because he didn't actually discover anything (which he himself maintained, claiming until his death that he'd merely found a different route to Asia). But think about this before you dismiss -- before Columbus, avocado, bell peppers, blueberries, cashews, cassava root, chili peppers, chocolate, cocaine, gourds, maize, peanuts, pecans pineapples, pumpkins, squash, tobacco, tomatoes, and vanilla were all unknown in the Old World and alcohol, apples, bananas, barley, cheese, coffee, mango, onions, rice, tea, and turnips, and wheat were unknown in the Americas. Imagine an existence without any of those and you can hopefully begin to get a taste of the importance of the Columbian Exchange. Imagine Italian cuisine without tomato sauce or gnocchi and you can't help but wonder if this is why Columbus is so dear to many Italians. Imagine, on the other hand, genocide, slavery, and old world diseases and you'll understand why he's even more hated by many others. 



Krip-Hop Nation's Seed Growing Roots in Africa by Guest Amoeblogger Leroy F. Moore

Posted by Billyjam, June 6, 2013 09:00am | Post a Comment

Prudence Mabhena  "Ipi Ntombi"

Ever since I was ten years old I wanted to visit South Africa.  I was involved in the anti-apartheid movement in the US and always thought about my brothers and sisters with disabilities who lived under apartheid and even wrote a paper in high school but back then and even now there is very little information here in the US about South Africans with disabilities.   Now I’m an adult in my forties and still haven’t made that trip to South Africa, however nowadays because of the internet, my journalism and the creation of Krip-Hop Nation, I’m getting closer to finally making that trip to South Africa.   My interest now is connecting disabled artists/activists/poets/musicians who are African Americans to our brothers and sisters who share the same talents and identities in South Africa under Krip-Hop Nation and an organization in South Africa.  The bigger picture/plan is to have an event and networking session in South Africa between Krip-Hop Nation and South African organizations that share our mission. 

As a journalist, I kept in contact with some musicians/poets/activists in South Africa by interviewing them for my columns.  In 2009 I interviewed South African Disabled Musician's Association and in 2010 I interviewed South African Deejay Kabila, and recently I interviewed poet  Mak Manaka.   I was one of the first journalists with a disability in the USA to write about the now famous  African musicians with disabilities like Oscar winner Prudence Mabhena (see video above) and award winning Staff Benda Bilili of the Congo.  Mabhena is even writing for my Krip-Hop book. Krip-Hop Nation’s internet radio started by Binki Woi of Germany has played the music of musicians with disabilities in South Africa.  We are excited about these connections and with our new partnership with G-Tazz Records and the Zululand Gospel Choir of South Africa (as seen in video below). 

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South(ern) Africa's Indigenous People and their Culture Presented in Music and Film

Posted by Eric Brightwell, June 19, 2010 12:16pm | Post a Comment


Dusty Bushmen toddlers

I'm not a big spectator of sports (or player of them, for that matter) but it seems that events like The World Cup and The Olympics are often used to spotlight various aspects of the host country's culture. I did read one such article about South Africa in National Geographic but I haven't seen anything during the current cup about the indigenous population. OK, so maybe there aren't any bushmen on the pitch or in the stands but... well, I don't care... I started the blog entry a while ago and I'm just trying to make it relevant whilst South Africa's on our collective minds -- especially since Bafana Bafana appear to be on their way out of the cup (except as hosts) unless something miraculous happens.

 

A BIT ABOUT TERMINOLOGY

Many object to the use of the term "Bushmen," which I understand. Saying Bushmen women certainly seems odd. It's imperfect but widely accepted and used among the people it describes, just like black, white, Asian or Indian (for Native Americans). The ancient common culture of all Bushmen groups is retroactively known as Sangoan, although we have no idea what they called themselves. Capoid is a term used by some... chiefly people who throw around words like Negroid, Caucasoid and Mongoloid in polite conversation. Khoisan is often used but "san" means "outsider" in the Khoi language and is therefore considered offensive by the very people it's meant to describe. Khoi Khoi is literally, "People People." The Dutch called the Khoi "Hottentots," meaning "stutterer" or "stammerer" -- a reference to the array of clicks in their language. The so-called San were generally distinguished by whites as bushmen, although now "Bushmen" is the most commonly used generic term for the entire group, so for lack of a better word, Bushmen it is.          

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Los Angeles' Pan-African Film Festival ...a year heavy on Nollywood and South African films

Posted by Eric Brightwell, February 12, 2010 03:46pm | Post a Comment
Pan African Film and Arts Festival
Los Angele
s’s Pan-African Film Festival is currently in effect (February 10-17). I have a long-lasting love-hate relationship with it. On the one hand, their website (despite improvements this year) remains hard to navigate, is rife with typos, incomplete information and omissions. In other words, it’s inexcusably bad. How about a calendar, folks? 

In addition, every year I take issue with the selection of films. The programmers have a very odd definition of “Pan-African.” Last year was the worst, with the focus on the African diaspora coming at the expense of even a single African feature. Thankfully, this year there are several African features but still some questionable choices. It’s nice to see films about Africa’s many-but-usually-ignored non-black people, such as Finemachiyamoché, about Moroccan Jews, and Florida Road, starring members of South Africa’s sizable south Asian population. On the other hand, Forgotten Bird of Paradise, about Papua is, regardless of its possible merits, an embarrassing example of the organizers' colorist, transracialist equation of African-ness with pigmentation rather than actual African ancestry. The inclusion of an Iranian film, The Stoning of Soraya M., is a real head-scratcher. Are they equating Islam with African-ness now? Another odd choice is Darfur, directed by German hack Uwe Boll (BloodRayne 3, House of the Dead, Postal Zombie Massacre and other garbage).

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