Amoeblog

Tor Lundvall's Latest Spectral Masterpiece; Plus Hollywood's Goth / Industrial New Releases

Posted by Aaron Detroit, April 15, 2010 06:45pm | Post a Comment
Tor Lundvall Ghost Years
Tor Lundvall
, famous for his outstanding paintings, has a very haunting style. The figures in his gorgeous landscape paintings are at once ghostly and earthly, ethereal and organic. The feeling one gets when staring into his soft but rich work is isolation, but not loneliness. It’s a remoteness with Spirits, a communion with nature where a gateway to shadowy unknown worlds exist. No surprise then that his work as a musician seems to perfectly score his stunning visual art. Though he made a limited private press album of Industrial music in 1997,  Lundvall's first big waves in music came in the form of a 1998 collaborative effort with Tony Wakeford (of Sol Invictus and Death in June fame), entitled Autumn Calls. The album, though equally billed between the two artists, was mostly a Lundvall affair with some minor embellishments from Wakeford and other guests. Autumn is full of  the warm yet effecting dark ambient soundscapes that Tor has continued to mine with increasingly finer results with each successive release. Recently, his exceptional 10th full-length, Sleeping and Hiding (via Dais Records), made our Best of 2009 and our Best of The Decade lists and now his just released CD collection, Ghost Years, is likely to make 2010’s.

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out this week 4/6 and 4/13...jonsi...manual...the school...MGMT...

Posted by Brad Schelden, April 15, 2010 01:22pm | Post a Comment
It seems like a recent trend for singers of big huge bands to want to go off and make a solo album! I guess it always happens at some point but it seems like there have been more than normal the last couple of years. Thom Yorke from Radiohead went off and made a solo album called The Eraser in 2006. Julian Casablancas from The Strokes put out Phrazes For the Young last year. Sometimes is a just a new collaboration that ends up coming out. James Mercer from The Shins just put out an album as The Broken Bells with Dangermouse. Alex Turner from The Arctic Monkeys also went this direction and started a new band called The Last Shadow Puppets. Jenny Lewis from Rilo Kiley has put out two solo albums. Conor Oberst from Bright Eyes has put out solo albums and is a member of the super group Monsters of Folk. glenn freySingers need breaks from their bands. Or maybe the bands actually need breaks from their singers! Maybe the singers just have big egos and want to go off on their own and show their fans that they can be just as good as a solo artist. Billy Corgan should just really be going by BIlly Corgan now. As far as I am concerned, Smashing Pumpkins broke up a long time ago! It is basically just him and a bunch of teenagers in the band now! Doug Martsch from Built To Spill even went solo in 2002 with Now You Know. Hope Sandoval from Mazzy Star has put out a couple of solo albums as well. Even Tracey Thorn from Everything But The Girl is getting in on the solo action with a new album out next month on Merge. And Kele from Bloc Party also has a new solo album around the corner! I am sure we will soon see solo albums from Beth Ditto, Karen O, Brian Molko, and Caleb Followill from Kings of Leon. It's just the way the industry goes, I guess.

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The Big Pink and A Place To Bury Strangers Heart Feedback

Posted by Aaron Detroit, September 22, 2009 05:00pm | Post a Comment
If the gentlemen of London’s The Big Pink and New York’s A Place To Bury Strangers are to have their way this fall – you will have a serious case of tinnitus by Winter Solstice via their dark-veined noise-pop. Both bands love the volume loud, worship at the alters of 80’s Gloom-Pop and early-‘90’s Shoegaze, and both have new releases out in the next month. While both bands paint with Kevin Shields’s and Daniel Ash’s brush-strokes each band shades their canvas quite differently and uniquely.

The Big Pink signed to cult-label 4AD this year. The team-up couldn’t have been a better fit as the duo’s tunes could slide in nicely in a playlist alongside tracks from the label’s 80’s and 90’s roster of ethereal and gothic-leaning releases. They also share with their predecessors a keen eye and love
for packaging their music -– a dying art form for sure --adding dimensions to the music and an additional keyhole into the universe the band has created within their sound. The band’s pre-4AD releases of dead-sexy lo-fi electro vs. feedback bliss-outs were accompanied by homoerotic and ethereal sleeve artwork by Dennis Cooper (The duo also borrowed the title for their song “Frisk” from Cooper). The band’s newly polished, less-amorphous and refined sound (courtesy of major league mixing-czar Rich Costey) featured on their debut LP, A Brief History of Love, is issued with a murky, blurred and slightly unsettling cover photo of a bare-chested woman - insinuating and helping inject a similarly subversive sexual tone of their indie releases into the hazy pools of stoned reverb and romantic wistful grooves of the new album.

Coachella 2009 30/30 Initiative: My Bloody Valentine

Posted by Amoebite, April 7, 2009 11:04pm | Post a Comment
127 Bands, 5 Stages, 3 Days and 1 Mean Sunburn.

"Coachella Valley Music and Arts Festival - April 17-19th, 2009 or: How I Learned To Stop Worrying and Find 30 Reasons To Love a Weekend in the Desert."

- By Scott Butterworth
Coachella Lineup     My Bloody Valentine

Day #22 - Artist #22 - My Bloody Valentine:
My Bloody Valentine
My Bloody Valentine formed in 1984 in Dublin, Ireland, and spent a few years of metamorphosis working out the kinks with lineup changes and varying musical output before developing their innovative sound. It wasn't until 1988 that the "caterpillar" became a "butterfly," with the band releasing a pair of EPs and their first album Isn't Anything on Creation Records (future home to Oasis). My Bloody Valentine became the torchbearers of the Shoegaze style of music popular in the late '80s/early '90s that sent sparks into the alternative revolution of the 1990s. Unfortunately, by 1993 the band would unravel into a "lost period" of scrapped recording sessions by songwriter Kevin Shields (similar to Brian Wilson/Beach Boys and Axl Rose/Guns N' Roses) that lasted until the band's reunion in 2008. 

out today...4/15...m83...

Posted by Brad Schelden, April 17, 2008 12:05pm | Post a Comment

I really enjoy when the big time artists have to battle it out on street date. It is like presidential elections or the Olympics. I just really love myself some serious competition. But I don't really like sports events... maybe I secretly do down deep somewhere and just let myself enjoy them every 2 years for the Olympics. Only a couple months to go until august and the summer Olympics will be here before we know it. Let's just hope China can become a little bit nicer by the time that rolls around. Every once in a while two big releases come out to compete against each other for sales, but it really seems that most days there is always an easily predicted winner. Of course, the top seller at Amoeba and the top seller around the country are rarely the same. Belle & Sebastian or Living Legends might be our number one record while Carrie Underwood and Clay Aiken take the lead across the nation. Last year Kanye and 50 Cent battled it out for the number one spot.  I was really hoping for a battle between Madonna and Mariah Carey this year. I tried to persuade Madonna's label to bump the release date up a couple weeks like they had for Gnarls Barkley -- that way Madonna could have battled Mariah for the number one spot somewhat handicapped, without as much time for promotions and advertising. But it didn't happen. We just get Mariah this week. It does sort of amaze me that she is still relevant and making hit singles. I thought she would have gone the way of artists like Taylor Dayne and Jody Watley at this point in music. They all had huge top singles and albums at one point but quickly fell off the charts. They may still put out albums and play the gay pride circuit but they just don't have that crazy staying power that Madonna and Mariah have. I also find it hard to believe that Mariah Carey has the most number one singles of any solo recording artist. Even if you are not a fan of these ladies you got to give them respect for surviving this long in the business and still putting out singles and albums that drive their fans crazy. Other than a new Mariah there is not a whole lot out this week, but I am excited I get to finally talk about my favorite album of the year. I have had a couple but this new album for sure takes over as the best of the year. The band is called M83. Please join me in loving them. They are fantastic.

Just in case you were wondering  what an "M83" is, it is an intermediate spiral galaxy approximately 15 million light years away, also known as the "southern pinwheel galaxy." But it also a fantastic band from France. Saturdays=Youth is the fifth album by M83. They put out an ambient album last year called Digital Shades Vol. 1, but I have yet to hear that one. The last real album was Before the Dawn Heals Us, which came out in 2005. Mute is the brilliant label that brings us these great albums. Like most electronicy "bands" there is one main person doing most of the work. M83 is basically Anthony Gonzalez. He parted ways with his past collaborator Nicolas Fromageau for this new album. The music is of course a shoegazing sort of sound, which seems to be all that I am listening to lately.

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