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New "What's In My Bag?" Episode with The Brian Jonestown Massacre

Posted by Amoebite, February 20, 2017 06:20pm | Post a Comment

The Brian Jonestown Massacre What's In My Bag? Amoeba Music

Been recording a lot of flutes in the studio lately? Well Anton Newcombe of The Brian Jonestown Massacre has just the right record for you: The Best of Herbie Mann. "When I'm in the studio, producing people, recording people, and I say, 'I would like you to be very free on this part,' this is a good example," says Newcombe of the LP. "He's just soloing, endlessly, in a very, like, hippie way." Newcombe's wry exuberance and seeming irreverence were on full display on his recent trip to Amoeba San Francisco, where he was looking for records to listen to around his studio in Berlin. Needless to say, his visit made for an entertaining "What's In My Bag?" episode.

The Brian Jonestown Massacre Third World PyramidThe Brian Jonestown Massacre was founded in San Francisco by American multi-instrumentalist Newcombe, and although their early sound was rooted in shoegaze, the band quickly became known for their hybrid of psych and garage rock. Their first release was 1993's limited run LP Spacegirl and Other Favorites; its follow-up, Methodrone, received a wider release courtesy of Bomp! Records. In 1996, the Brian Jonestown Massacre released a slew of well-received albums, including Their Satanic Majesties' Second Request, Take It from the Man!, and Thank God for Mental Illness. A year later the band put out a sixth studio LP, Give It Back!Footage from the album's recording sessions was included in the 2004 documentary Dig!.

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Pat Thomas signs "LISTEN, WHITEY! Sights and Sounds of Black Power 1965 – 1975" at The Booksmith in SF, 4/10

Posted by The Bay Area Crew, March 15, 2012 04:46pm | Post a Comment
Listen Whitey Sounds of Black Power Pat Thomas Booksmith Amoeba San Francisco

On April 10, 2012 at 7:30pm, our friends at The Booksmith will host reissue producer/music scholar Pat Thomas for a signing of his new book LISTEN, WHITEY! Sights and Sounds of Black Power 1965 – 1975 and the companion album (out now on Light in the Attic Records), which is being called the definitive Black Power aural document!

Over a five year period, Pat Thomas befriended key leaders of the seminal Black Power Movement,Elaine Brown Huey P Newton Black Forum Motown Records dug through Huey Newton’s archives at Stanford University, spent countless hours and thousands of dollars on eBay, and talked to rank and file Black Panther Party members, uncovering dozens of obscure albums, singles, and stray tapes. Along the way, he began to piece together a time period (1967-1974) when revolutionaries like Bobby Seale, Eldridge Cleaver, Angela Davis, and Stokely Carmichael were seen as pop culture icons and musicians like Gil Scott-Heron, The Last Poets, Bob Dylan, and John Lennon were seen as revolutionaries.

LISTEN, WHITEY! chronicles the forgotten history of Motown Records; from 1970 to 1973, Motown’sBlack Forum Motown Records Black Power subsidiary label, Black Forum, released politically charged albums by Stokely Carmichael, Amiri Baraka, Langston Hughes, Bill Cosby and Ossie Davis, and many others, and explores the musical connections between Bob Dylan, John Lennon, Graham Nash, the Partridge Family (!?!) and the Black Power movement. Obscure recordings produced by SNCC, Ron Karenga’s US, the Tribe and other African-American socio­political organizations of the late 1960s and early ’70s are examined along with the Isley Brothers, Nina Simone, Archie Shepp, Art Ensemble of Chicago, Clifford Thornton, Watts Prophets, The Last Poets, Gene McDaniels, Roland Black Forum Motown RecordsKirk, Horace Silver, Angela Davis, H. Rap Brown, Stanley Crouch, and others that spoke out against op­pression. Thomas further focuses on Black Consciousness poetry (from the likes of Jayne Cortez, wife of Ornette Coleman), inspired re­ligious recordings that infused god and Black Nationalism, and obscure regional and privately pressed Black Power 7-inch soul singles from across America. The text is ac­companied by over 200 large sized, full-color reproductions of album covers and 45 rpm sin­gles, most of which readers will have never seen before.

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