Amoeblog

OMCA's Black Panther Exhibit Continues Through Black History Month 2017

Posted by Billyjam, February 6, 2017 09:18pm | Post a Comment

Fittingly the Oakland Museum of California's (OMCA) 50 year anniversary retrospective on the  Black Panthers, that opened a few months back in October 2016, will continue through this month of February: Black History Month 2017.  Entitled All Power to the People: Black Panthers at 50 the popular exhibit's final day will be will be just a couple of days shy of the month's end on Feb. 26th when there is a special closing night party for OMCA members. If you have not already checked out this exhibit on the history of the homegrown Oakland revolutionary group you really should do so over the upcoming three weeks. Additionally be sure to read Rickey Vincent's insightful book Party Music on the Black Panthers little known house band The Lumpen who only released one record: the single “Free Bobby Now." Most likely for sale in the OMCA gift shop/book store, the 2014 published book and its author were profiled here on the Amoeblog three years ago during that year's Black History Month.  Meanwhile for their ongoing exhibit, OMCA's curators have set about presenting a balanced, fair, contemporary view of the Panther Party and "its aims to serve oppressed people and fight injustice." This they accomplish with an engaging gallery exhibit that portrays Black Panther members of both genders  with a variety of historical pieces on display. These include many very rare historical artifacts, never-before-seen photographs, first-person accounts from former Panthers, scholars, and community members, and contemporary art show how the Party continues to influence culture and activism locally, nationally, and internationally.

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Digging in the Crates of OMCA's Vinyl: Sound & Culture of Records Pt 4: Sylvie Simmons, David Katznelson, & Rachael Aguirre

Posted by Billyjam, July 26, 2014 10:00am | Post a Comment


If you haven't already made your way to the ever-popular, Amoeba Music sponsored, excellent exhibit Vinyl: The Sound and Culture of Records at the Oakland Museum of California's (OMCA) which opened three months ago on April 19th (Record Store Day) at the downtown Oakland museum in its Great Hall exhibition area don't fret as you still have some time - well not much, but some - since it is open through tomorrow Sunday July 27th. To mark the end of this wonderful hands on exhibit, that paid homage the joys of analog and vinyl with lots of local Bay Area folks (including many Amoebites) offering their input on the subject, today Saturday July 26th will be the final weekly Talk & Play program of the three month long exhibit in which experts in specific areas of music/records informally chat to a museum audience while dropping the needle on the records that they are referencing in their talk/lecture.

Today - from 1:30 pm to 2:30 pm in the Great Hall - the Talk & Play session will be David Katznelson (record producer, and president of Birdman Recording Group) and friends who will be presenting a Talk & Play they call Every Record Has a Story. David's co-hosts will be Steven Baker (former president of Warner Brothers Records), Britt Govea (Folk Yeah Productions founder), and Josh Rosenthal (founder of Tompkins Square Records)  - all of whom will share  their favorite music/records and tell stories and secrets related to collecting said records. David Katznelson is among the many record collecting musicologists who have curated crates (that museum goers can personally play on provided turntables) at the Vinyl exhibit. For this final fourth installment in the Digging in the Crates of OMCA's "Vinyl: The Sound and Culture of Records" Amoeblog series I have included David's crate: The influence and genius of the Velvet Underground, along with those of two other contributors: Sylvie Simmons whose crate is Grrl Power - women in rock from pop to punk, 1960-1980, (she also curated Sylvie Simmons the Americana crate), and the museum's own Rachael Aguirre (Administrative Assistant & OMCA Lab - Curatorial and Experience Development) whose crate is titled Sound track for Dungeons and Dragons: Onyx Discs of Epic Sound: A Dungeons and Dragons Soundtrack. Meanwhile the photos in this blog are either provided by OMCA or James Mak of Joysco Photos who kindly shot this photos on behalf of the Amoeblog (thank-you James!).

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Digging in the Crates of OMCA's "Vinyl: The Sound and Culture of Records" Pt 3 featuring Dan the Automator

Posted by Billyjam, July 19, 2014 01:31pm | Post a Comment
           


With just a little over one week left to the wonderful Amoeba Music sponsored record / vinyl themed exhibit Vinyl: The Sound and Culture of Records at OMCA this is part three in the Digging In The Crates Amoeblog series dedicated to some of the curated crates that are currently on exhibit (but only through next weekend, Sunday July 27th) at the Oakland Museum of California as part of its excellent interactive Vinyl exhibit which has been there for three months and is well worth checking out. For this installment we focus on (scroll down to see) San Francisco producer Dan Nakamura - aka Dan the Automator - who coincidentally later today (July 19th) will be doing a free outdoor show at 7pm at Prospect Park in Brooklyn, NY along with  fellow Deltron 3030 members Kid Koala and Del The Funky Homosapien plus the Deltron 3030 Orchestra.

For his curated crate picks (which overlaps a bit with his above Amoeba WIMB? clip) at the OMCA Vinyl exhibit the prolific producer chose a combination of some of his all time favorite releases such as Eric B and Rakim's Paid In Full and The Beach Boys'  Pet Sounds (his number one top pick), as well as many of the countless releases that the prolific producer has been personally involved in over the years such as Cornershop's  When I was Born for the 7th time on which he is the producer, Handsome Boy Modeling School of which he is one-half along with Prince Paul, The Gorillaz whose first album he produced, Jamie Cullum's Catching Tales on which Nakamura does beats and programming, Kasabian's West Ryder Pauper Lunatic Asylum that he produced, Lovage which is the producer along with Mike Patton and such other collaborators as (again fellow Deltron 3030 member) Kid Koala, and Jennifer Charles, and Anaïs' The Love Album via Polydor France released in 2008 that he also produced and is in the same musical vein as his forthcoming latest project, Got A Girl along with vocalist Mary Elizabeth Winstead, that will be arriving in Amoeba this coming Tuesday (July 22nd, 2014) via his long running San Francisco based label Bulk Recordings. What's crazy is that he didn't even get to include one of his best (and earliest) releases - one that I included in the crate I curated at the OMCA exhibit - his 1989 early breakbeat/battle record Music To Be Murdered By.

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Digging in the Crates of OMCA's "Vinyl: The Sound and Culture of Records" Pt 2 featuring 12 Man Rambo & Lori Katz

Posted by Billyjam, July 8, 2014 05:33pm | Post a Comment



In the second Amoeblog dedicated to some of the curated crates that are currently on exhibit (through July 27th) at the Oakland Museum of California (OMCA) as part of the Vinyl: The Sound and Culture of Records we present selections from both the creates of Lori Katz  (manager at Amoeba Music which is the primary sponsor of this must-attend exhibit) and 12 Man Rambo. The exhibit includes weekly Talk and Play sessions where folks from the local music community stop by and chat informally with museum goers and play samples of records. Joe Colley will speak this week in the Talk and Play session on the topic of "experiments in sound" on Saturday July 12th 1pm-230pm. Photos in this piece are by permission of OMCA and James Mak for Joysco Photos.

Meanwhile for her crate’s selection Lori Katz explained that, "I dug through the $1.00 bins at Amoeba Music. The records that I chose are examples of what I was listening to when I was beginning to become aware of music. My first memories of listening to music are when I went away to summer camp. This was in 1975-1977. My camp counselors introduced me to Bob Dylan, Joni Mitchell, and so much great music of that time. Looking at these record covers brings back so many great memories."

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Digging in the Crates of OMCA's "Vinyl: The Sound and Culture of Records" Pt 1 featuring Marc Weinstein

Posted by Billyjam, June 27, 2014 11:35pm | Post a Comment


Since it opened two months ago (fittingly on Record Store Day, April 19th), the Oakland Museum of California's (OMCA) ongoing exhibit Vinyl: The Sound and Culture of Records has been resoundingly popular and is attracting museum visitors of vinyl, the sound and culture of records at oakland museum of californiaall ages and generations, from those who grew up with records to those too young to have ever seen vinyl firsthand or had opportunity (until now) to put down the needle and experience playing vinyl in all its analog glory.

The exhibit, which runs through July 27th, is sponsored by Amoeba Music who supplied nearly all of the vinyl for the hands-on exhibit. The action is in OMCA's Great Hall alongside another cool exhibit scheduled for the same run: Eric Nakamura's  SuperAwesome: Art and Giant Robot exhibit.

As well as supplying nearly all of the records on exhibit and featuring a window display at the Berkeley Amoeba store dedicated solely to the OMCA exhibit, several Amoeba staffers have contributed to the exhibit by way of curating the numerous crates that dot the cavernous exhibit hall. These include Gail Todd, Marc Weinstein, Lori Katz, and myself who are among numerous other contributing music nerds -- such as avid local rap collector 12 Man Rambo, noted San Francisco producer Dan the Automator, and author Denise Sullivan -- who each drew up lists of 33 records per crate (some more, some less).
 

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