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The San Francisco Jewish Film Festival, 7/19-8/5

Posted by The Bay Area Crew, July 9, 2018 06:30pm | Post a Comment

SF Jewish Film Festival

Amoeba is proud to co-present five films at the 38th annual San Francisco Jewish Film Festival (SFJFF), which runs July 19 - August 5 at locations all around the Bay Area. This year, the festival will present more than 65 films and 135 individual screenings, performances, and events in San Francisco, Palo Alto, San Rafael, Oakland, and Berkeley. To see the full schedule and purchase single tickets or passes, please visit the SFJFF ticketing page HERE! Plus, enter the code AMOEBA38 when buying your tickets and you'll receive a special discount!

Amoeba Music will be co-presenting the following films:

The City Without Jews (with live score performed by Sascha Jacobsen and the Musical Art Quintet)City Without Jews
Sunday, July 22. 7pm. Castro Theatre
Missing for more than 90 years, the final parts of the silent Austrian film The City Without Jews were finally found in a Parisian flea-market. When the Filmarchiv Austria 2016 announced the rediscovery of the long missing scenes, a worldwide effort to complete the restoration was sparked. Over 700 individual donors supported the project, saving the remaining prints from chemical delay.
Based on the novel, The City without Jews written by Hugo Bettauer in 1922, satirizing an utopian idea of expelling the Jews from Vienna. The film adaptation by director Hans Karl Breslauer was accompanied in 1924 by sanctions by the National Socialists and in 1925 Bettauer was shot dead by a National Socialist. The rise of the NSDAP in Austria with means of terror resulted in the so-called Anschluss 1938. What followed was the expulsion and murder of Central European Jews in the Holocaust.

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NOIR CITY 14: The Art of Darkness, 1/22 - 1/31

Posted by The Bay Area Crew, January 5, 2016 03:41pm | Post a Comment

Noir City 14

The Film Noir Foundation's world-famous yearly film festival NOIR CITY returns to San Francisco's majestic Peeping TomCastro Theatre for its 14th edition January 22-31. This year's theme is "The Art of Darkness," delivering 25 noir-stained films exploring the pressures, pitfalls, paranoia, and pain of being an artist in an indifferent and cruel world. This time the tortured protagonists aren't felons or fall guys, they're writers, painters, dancers, photographers, and musicians. I think we can all relate.

The festival features a fascinating line-up of films, including noir must-sees like Nicholas Ray's In A Lonely Place (1950, with Humphrey Bogart and Gloria Grahame), Fritz Lang's Scarlet Street (1945, Edward G. Robinson, Dan Duryea, Joan Bennett), and Alfred Hitchcock's Rear Window (1954, James Stewart) to several welcomed surprises like Michael Powell's Peeping Tom (1960, Carl Boehm), Michelangelo Antonioni's Blow-Up (1966, David Hemmings), and Howard Franklin's The Public Eye (1992, Joe Pesci).

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Noir City 13: 'Til Death Do Us Part

Posted by The Bay Area Crew, December 22, 2014 05:41pm | Post a Comment
Noir City

The 13th edition of the Film Noir Foundation's yearly film festival Noir City returns to the Castro Theatre in San Francisco, January 16–25, 2015. This year's schedule is overflowing with 25 extraordinary titles depicting the darker side of marriage. See characters who crave a perfect and permanent union, those who'll stop at nothing to preserve it, and those who will do anything to escape it.

The program runs the gamut from revered cinema masterpieces such as Luchino Visconti's les diaboliquesOssessione and H. G. Clouzot's Les Diaboliques to daffy delights such as Doris Day's absurdly entertaining Julie and Douglas Sirk's sensational (and silly) Sleep, My Love. The shadows are shed briefly to present the most perfect marriage: William Powell and Myrna Loy as Nick and Nora Charles in a holiday double bill of The Thin Man and After the Thin Man. Several subsets of films will be presented, honoring the work of creative talents such as Joan Fontaine, Robert Ryan, Barbara Stanwyck, Douglas Sirk, and 1950's husband and wife filmmakers Virginia and Andrew Stone.

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Noir City Xmas at SF's Castro Theatre

Posted by The Bay Area Crew, November 30, 2014 05:13pm | Post a Comment

Our friends at the Film Noir Foundation present Noir City Xmas, their 5th annual holiday double feature, on Wednesday, December 17th at San Francisco's majestic Castro Theatre. Eddie Muller, your host for the evening and founder/president of the Film Noir Foundation, will reveal the schedule and the hot new poster for the eagerly anticipated NOIR CITY 13 festival, which runs January 16-25, 2015!

The holiday-themed features for the evening will be:

O. Henry's Full House (1952, 117 minutes) This anthology of short stories by America's master of the O. Henry's Full House, Marilyn Monroeironic twist is as entertaining as it is star-studded, featuring juicy roles for Richard Widmark, Anne Baxter, Farley Granger, Marilyn Monroe, Charles Laughton, Jean Peters, and many more. 20th Century-Fox employed several of its most renowned directors — Henry Hathaway, Henry King, Howard Hawks, Henry Koster, and Jean Negulesco — to bring to life such famous O. Henry tales as "The Last Leaf," "The Clarion Call," and the Christmas classic "The Gift of the Magi." Each segment is introduced by John Steinbeck!

The Curse of the Cat People (1944, 70 minutes) This sequel to 1942's The Cat People is a stunner Curse of the Cat Peopleon many levels. Far from being a horror story, it's a poignant and deeply felt meditation of the pain and loneliness of childhood, and perhaps the most sublime and personal film in the career of legendary producer Val Lewton. Eight-year-old Ann Carter gives a mesmerizing performance as imaginative little Amy, with Simone Simon (the original Cat Woman) reappearing as her imaginary friend. A spellbinding classic, co-directed by Robert Wise.

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This one's about the Blues, Pete Kelly's Blues

Posted by Eric Brightwell, August 12, 2014 01:40pm | Post a Comment

Today Jack Webb is best remembered for his portrayal of Detective Sergeant Joe Friday on the radio and television series Dragnet. Friday – a stiff, slouching, robotic cop who chain smokes as he rails against drug abuse – embodies for many folks the definition of a hypocrite and a square. However, the real Webb was also quite the hepcat, an amateur jazz musician with a massive collection of records. In addition to playing hard-boiled detectives, he also used radio to attack social injustices (on One out of Seven) and, with Pete Kelly's Blues, indulge his lifelong love of jazz and Chandler-esque noir.
 

Pete Kelly's Blues lobby card
Pete Kelly's Blues lobby card

Pete Kelly's Blues began as an unsponsored replacement series for The Halls of Ivy after a 13 February audition. It debuted on NBC on 4 July, 1951 and aired on Wednesday nights in most markets (Saturdays in others). It was created by Richard L. Breen, who'd previously worked with Webb on the wonderful and not-at-all dissimilar radio noir series, Pat Novak, for Hire, which Webb had left in 1947. Throughout the series' short run, Webb continued to star on both the radio version of Dragnet, which ran from 1949 until 1957, and the television version, which began a few months after Pete Kelly's Blues and continued to air until in its first run until 1959).

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