Amoeblog

25 Cassette Store Day Releases to Look For

Posted by Billy Gil, September 24, 2014 05:34pm | Post a Comment

The second annual Cassette Store Day is coming this Saturday Sept. 27! We’ll have just-released cassettes at the front sampler section at Amoeba Hollywood and in front at Berkeley and S.F. Plus, 15% off all used cassettes at Amoeba SF only. Here are some releases to look for …

1349 Massive Cauldron of Chaos

An early release by black metal greats 1349! Personally, I think the lo-fi aesthetic of Black Metal sounds amazing on cassette. The LP and CD come out Sept. 30 on Seasons of Mist.

 

The Adolescents - The Complete Demos 1980-1986

Consisting mostly of tracks recorded in 1980, The Complete Demos is kind of like the punk band’s unofficial first album.

 

Alvvays

Alvvays Alvvays; Fear of Men Loom

Fear of Men and Alvvays are great female-fronted indie-rock bands reminiscent of The Cranberries and The Sundays; two personal favorites from this year.

Continue reading...

Album Picks: bEEdEEgEE, Mutual Benefit, Xiu Xiu, Nick Cave & the Bad Seeds

Posted by Billy Gil, December 3, 2013 09:33am | Post a Comment

bEEdEEgEE - Sum/One (CD, LP or Download)

In Gang Gang Dance, Brian DeGraw helps make screwed up electronic music that is still somehow danceable and hooky. In his bEEdEEgEE project, he expands on the dancier side of things, weaving expansive electronic tapestries rooted in house and new wave, with the help of a couple of awesome guest singers (CSS’s Lovefoxxx, Hot Chip’s Alexis Taylor, among others). Douglas Armour’s yearning voice makes “Empty Vases” into ace emotional electro-pop. His GGD bandmate Lizzi Bougatsos lends some of her ethereal coo to the jittery “Overlook,” which feels as close to their band as anything on this album. And Taylor makes “(F.U.T.D.) Time of Waste” a great, hedonistic party jam about having lots to do yet getting nothing done—“all I wanna do is fuck up the day” has to be one of the great all-time slacker lines, while Lovefoxx’s turn over the big, dreamy beats of “Flowers” has got to be the highlight of the entire album. Yet even with these high-profile guest spots, DeGraw is still just as dazzling on his own, spinning various distorted percussive elements into a dizzying stew on “Bricks” and creating a distinctive early house homage with “Like Rain Man.” It’s late in the year, but bEEdEEgEE is making a bid for year-end-list relevance with the stunning Sum/One.

Continue reading...