The singer for hip smooth jazz purveyors Rhye, Milosh, has an otherworldly, feminine voice that has helped make that band a favorite of many a music fan. On his solo album Jet Lag, Milosh employs many of the same dynamics Rhye does on their debut, Woman, only with a somehow even more intimate sound, using laptoppy sounds and his own swirling, looped voice to create small, sexy atmospheres. The effect is to pair down Rhye’s already intimate sound even further, akin to how Thom Yorke used The Eraser to approach a more electronic, solitary sound than with Radiohead. Jet Lag’s electronic textures are appealing, yet it’s always Milosh’s voice that keeps us hooked, and he uses it to great effect on “Slow Down,” one of his strongest compositions yet, using little more than his voice and piano to sell a pretty broad sentiment—“can we all just slow down?” he sings in his breathiest tone. With that voice, you’ll do just about anything he says.
Lee Bannon – “216”
Lee Bannon’s “216” starts and ends with a simple piano passage filtered into ethereal bookends for a series of twists that gives “216” a dreamlike quality, where everything can change in an instant, from a simple hip-hop beat to dread-inducing tones and squelches. At just under six minutes, it feels inifinitely longer given the level of care given to each sequence, sort of like waking up from a five-minute nap and having dreamed up a lifetime. The Sacramento-based producer’s Alternate/Endings LP is due Dec. 9 on Ninja Tune.
White Fence – “Swagger Vets and Double Moon” (Live)
White Fence aka Tim Presley is one prolific dude, releasing wonderful lo-fi rock ‘n’ roll records regularly like it ain’t no thang. He’s releasing a live album Nov. 5 called Live in San Francisco, the first in Castle Face’s new “Live in San Francisco” series. The set was recorded at Amnesia San Francisco on a Tascam 388 for maximum lo-fi goodness. Except more live awesomeness from Castle Face down the line!